Here is a set of the Zeis Studio Flash Set attributed to Bill "Jonesy" Jones c.1950's-60's. PRINTS. All proceeds go to the Northwest Tattoo Museum.
Actual Size 11x14
in original black and white
printed on 85lb Heavy Stock
from originals from the Museum's Archives

William "Bill" Jones (1898–1969), widely known in the tattoo community as "Jonesy," was a legendary tattoo artist, flash designer, and master machinist who became one of the most influential figures in the history of American traditional tattooing. While he was a highly accomplished tattooer and painter, his ultimate legacy rests on his revolutionary advancements in building and tuning electromagnetic coil tattoo machines
Jonesy's career spanned the defining golden eras of early to mid-century American tattooing, transforming how the trade's technical equipment operated
1917-1953 He Worked alongside legendary pioneer Charlie Wagner at his Chatham Square shop. Jonesy used his background as a machinist to fix poorly running gear, becoming the industry's premier machine specialist.
Following Wagner's death, Jonesy moved to Connecticut to partner with supplier Nicolas S. Picaro. Together, they mass-manufactured iconic brass and bronze machine frames.
The "Jonesy" Machine: His precision-built cast bronze and brass machine frames—notably the "squareback" and "roundback" models—became the blueprints for modern traditional tattoo liners and shaders. Historically sold for as little as $3.50 to $5.00 each, original vintage Jonesy machines are incredibly rare, highly prized artifacts valued at thousands of dollars by collectors today.
Beyond machinery, Jonesy was a prolific designer of high-demand commercial tattoo flash sheets. His classic American traditional motifs (sailing ships, pin-ups, eagles, and skulls) were heavily distributed by supply companies like the Milton Zeis studio in the 1950s and 1960s. His bold, clean style continues to be celebrated in archival sketchbooks like those preserved by the Lyle Tuttle Tattoo Art Museum.