AFTER GIOVANNI FRANCESCO BARBIERI, IL GUERCINO (1591–1666)

The Penitent Magdalene

Probably 19th Century – Oil on Canvas

A striking and beautifully composed 19th-century oil painting after Giovanni Francesco Barbieri, known as Il Guercino, depicting The Penitent Magdalene.

The Magdalene is shown in a contemplative pose, her gaze lowered and her head resting gently upon her hand. She is depicted with long flowing hair and draped in rich, dark fabrics, while the open book and crown of thorns beside her reinforce the devotional and penitential subject.

The dramatic use of light against the deep, atmospheric background is characteristic of the Italian Baroque tradition, creating a strong sense of depth and chiaroscuro.

The painting is presented in a substantial decorative frame and would make an impressive addition to a traditional, classical or period-style interior.

Measurements

Overall framed: approx. 78 × 102 cm

30.7 × 40.2 inches

Actual painting: approx. 88 × 66 cm

34.6 × 26.0 inches

Please note: the measurements supplied indicate the actual canvas measurements as 88 × 66 cm and the overall framed measurements as 78 × 102 cm. Please refer to the photographs for the exact proportions.

Condition Report

The painting has been lined and restored, consistent with an older artwork of this age. There are signs of age and previous restoration visible upon close inspection. The surface displays the expected characteristics of an antique/older oil painting.

The frame is included as shown and should be considered complimentary. It may have age-related wear, marks, losses and imperfections.

Please study all photographs carefully as they form part of the condition report.

Important Note

This work is offered as “After Giovanni Francesco Barbieri, Il Guercino” and is not represented as an original work by Guercino himself. The dating is given as probably 19th Century.

No certificate of authenticity or independent authentication is provided. The painting is sold based on the attribution stated above and the visual evidence shown in the photographs.