Dinosaur : Bug
Full-Length 12" Vinyl Album

Description: Bug cover by Maura Jasper. Besides for a small VERY light paper scuff at the beginning of side two, the black vinyl record is in glossy clean excellent condition. The cover is in excellent condition. Please see pictures. All records cleaned with Ultrasonic vinyl cleaner. Check out our store listings for a wide variety of vinyl and CDs including many albums from the early 80's punk/new wave era in our punk/new wave store category. We ship worldwide in secure packaging. Any questions, please contact us.

Tracklist:

1    Freak Scene
2    No Bones
3    They Always Come
4    Yeah We Know
5    Let It Ride
6    Pond Song
7    Budge
8    The Post

9    Don't

Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Creative tension led to Mascis firing Barlow, who later formed Sebadoh and Folk Implosion. His replacement, Mike Johnson, came aboard for three major-label albums. Murph eventually quit, with Mascis taking over drums on the band's albums before the group disbanded in 1997. The original lineup reformed in 2005, releasing five albums thereafter. Mascis's drawling vocals and distinct guitar sound, harking back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. Mascis and Barlow played together, on drums and guitar respectively, in the hardcore punk band Deep Wound, formed in 1982 while the pair were attending high school in western Massachusetts. After high school, they began exploring slower yet still aggressive music like Black Sabbath, the Replacements, and Neil Young. Mascis's college friend Gerard Cosloy introduced him to psychedelic-influenced pop bands like Dream Syndicate, which Mascis in turn showed to Barlow. Barlow explained, "We loved speed metal and we loved wimpy-jangly stuff". Deep Wound broke up in mid-1984. Cosloy had dropped out of the University of Massachusetts Amherst to focus on running his independent record label, Homestead Records. He promised Mascis that if he were to make a record, Homestead would release it. Mascis wrote a number of songs by himself and showed them to Barlow, to whom he offered the bassist position. Mascis enlisted vocalist Charlie Nakajima, also formerly of Deep Wound, and drummer Emmett Patrick Murphy to complete the band. Mascis explained the concept behind the group as "ear-bleeding country". The band was initially named Mogo, and they played their first show on the University of Massachusetts Amherst campus in the first week of September 1984. However, Nakajima used the performance to launch an extended anti-police tirade. Mascis was so appalled by Nakajima's behavior at the show that he disbanded the group the next day. A few days later, Mascis invited Barlow and Murph to form a new band without telling Nakajima. The trio named themselves Dinosaur, and Mascis and Barlow took over lead vocal duties. Dinosaur began playing gigs all over Amherst. Their extremely loud live performances often alienated audience members and angered venue owners. The band quickly found themselves banned from all but one venue in town for playing too loud. This forced them to play frequent out of town shows, and early gigs at such venues as New York's CBGB and Boston's the Channel would give Dinosaur a much needed boost. A gig opening for Big Black at Maxwell's in Hoboken led to the band meeting Sonic Youth. Mascis took Cosloy up on his offer to release an album on Homestead, and Dinosaur recorded their debut album for $500 at a home studio in the woods outside Northampton, Massachusetts. Their debut album Dinosaur was released in 1985, for which Mascis wrote all of the songs. The vocals were done by Mascis in his trademark nasal drawl, which was often compared to singer Neil Young. Mascis would sing most or all of the lead vocals on all of their subsequent releases. The album did not make much of an impact commercially or critically. It sold only about 1,500 copies in its first year and was largely ignored by the majority of the music press. Though originally unimpressed by the first Dinosaur performance they saw, Sonic Youth approached the band after watching them play several months later, declaring themselves fans. Sonic Youth invited Dinosaur to join them on tour in the American Northeast and northern Midwest in 1986. Dinosaur recorded much of their second album, You're Living All Over Me, with Sonic Youth engineer Wharton Tiers in New York. Tensions emerged during the recording process between Mascis and Murph due to Mascis' very specific ideas for the drum parts. Gerard Cosloy was excited by the completed album, but was devastated when Mascis told him the band was going to release it on California-based SST Records. After the album's completion, Mascis moved to New York, leaving the rest of the band feeling alienated. You're Living All Over Me was released in 1987; early copies of the record in the Boston area were packaged with the Weed Forestin' tape, the first release by Barlow's side project Sebadoh. The album received much more attention in the indie-rock community than the debut. Barlow also composed two songs: the hardcore-influenced "Lose" and an acoustic song entitled "Poledo" that anticipated his work with Sebadoh. Immediately following the release of You're Living All Over Me, a supergroup called Dinosaurs (featuring ex-members of Country Joe and the Fish, Quicksilver Messenger Service, Hot Tuna, the Grateful Dead, and Jefferson Airplane) sued Dinosaur over the use of the name, prompting the addition of "Jr." )i) 

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