continues to build on over 85 years of innovation and success in the audio industry by delivering innovative and highly useful solutions for performers, engineers and a wide range of audio professionals. has emerged as a multifaceted company with a variety of sub-brands that extend to market segments such as Recording, Broadcast, Live Performance and Production, Commercial and Consumer Electronics.

CAD Professional Microphones (1988), initially formed in 1931 as the Pro Audio division of Astatic, now designs and manufactures microphones for the recording and live sound markets. is a leader in the innovative and cost-effective high-performance studio and live microphones.

Features:

 

Kit Includes:


STAGE 7 PREMIUM 7-PIECE DRUM PACK: The CAD Stage7 is a seven-piece drum mic pack that includes one D10 cardioid dynamic mic, three D29 dynamic tom mics, with integrated clips, one D19 dynamic snare drum mic, with integrated clip, and 2 C9 instrument condensers for high hats, cymbals or overheads. The pack includes a vinyl carrying case with strap for easy transport and storage
D10 KICK DRUM MICROPHONE: The D10 is a cardioid, moving-coil dynamic microphone specifically designed and carefully equalized for kick drum capture and reinforcement. Special attention has been given to enhancing 'thump’, 'crack’ and 'click’ while reducing 'boxiness’. Although designed for kick drum, excellent results are also obtained when used on floor toms, electric guitar, and electric bass cabinets.
D19 PERCUSSION MICROPHONE: It is specifically designed for the capture and reinforcement of snare drum and other acoustic percussive instruments. The super-cardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on most electrical and acoustical instruments. The integral drum clip is designed to facilitate rapid, optimal placement.
D29 PERCUSSION MICROPHONE: The D29 is a cardioid, moving-coil dynamic microphone specifically designed for the capture and reinforcement of tom-tom drums and other acoustic percussive instruments. The cardioid polar pattern provides off-axis rejection crucial for on-stage clarity. Although designed with percussion in mind, excellent results are also obtained when used on most electrical and acoustical instruments. The integrated drum clip is designed to facilitate rapid, optimal placement.
C19 INSTRUMENT MICROPHONE: Packaged in a small, rugged, all-metal body, the C9 microphone is designed primarily for overhead drum miking. The cardioid polar pattern focuses sensitivity to the front of the microphone while minimizing sources arriving from the rear. Although designed for drum overheads, the C9 also excels when used on classical stringed instruments, acoustic guitars, and folk instruments.