
| Side 1 - Track 1. Uncertain |
| Side 1 - Track 2. Sensorium |
| Side 1 - Track 3. White Cell |
| Side 1 - Track 4. Piano Pain |
| Side 2 - Track 1. Blue Tone |
| Side 2 - Track 2. North Loop |
| Side 2 - Track 3. 4 Hours |
| Side 3 - Track 1. Moments |
| Side 3 - Track 2. Impressions Of African Winter |
| Side 3 - Track 3. The Opening (live At The Lyceum) |
| Side 3 - Track 4. Remain Remain (live At The Lyceum) |
| Side 4 - Track 1. 4 Hours (single mix) |
| Side 4 - Track 2. Sensorium (single mix) |
| Side 4 - Track 3. 4 Hours (DVATION 2026 version) |
| Side 4 - Track 4. Sensorium (DVATION 2026 version) |
Sheffield's Clock DVA moved fast at the turn of the 80s. After the splintered jazz noise of White Souls in Black Suits, they tightened the screws and delivered something colder, more deliberate. Thirst, first issued in 1981, catches them pivoting toward the emerging industrial and darkwave underground without sanding off their edge. '4 Hours' still hits like a strobe in an empty warehouse, rigid drum patterns and clipped bass driving Adi Newton's voice into paranoid territory. 'Sensorium' coils around a synthetic pulse, part goth anthem, part laboratory experiment. Even 'White Cell' and 'Piano Pain' feel wired, skeletal, stripped to tension.