Discover the beauty of the Baule Mask with Stand, a stunning piece of tribal art from the Ivory Coast, Africa. This handcrafted African mask reflects the rich cultural heritage of the Baule people, known for their intricate artistry and deep-rooted traditions. Originally influenced by the Guro styles, this unique mask showcases the historical intertwining of cultures in the region. Perfect for collectors and lovers of authentic ethnic decor, this mask serves as a captivating art piece for your home or office. Celebrate the essence of African heritage with this exquisite Baule tribal mask, a standout addition to any art collection.

0434 Baule Mask with Stand Ivory Coast Africa Tribal African Mask Artwork

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Country of Origin: Côte d'Ivoire
Primary Material: Wood
Product: Masks
Original/ Repro: Original
Age: 1970-1990
Region of Origin: Africa
Ethnicity: Baule
Length/Height: 28 cm
Width: 12 cm
Depth: 9 cm
Weight: 0,25 kg

Ethnographic notes

Discover the beauty of the Baule Mask with Stand, a stunning piece of tribal art from the Ivory Coast, Africa. This handcrafted African mask reflects the rich cultural heritage of the Baule people, known for their intricate artistry and deep-rooted traditions. Originally influenced by the Guro styles, this unique mask showcases the historical intertwining of cultures in the region. Perfect for collectors and lovers of authentic ethnic decor, this mask serves as a captivating art piece for your home or office. Celebrate the essence of African heritage with this exquisite Baule tribal mask, a standout addition to any art collection.

Baule Mask

"The Baule inhabit the geographic center of the Cote d'Ivoire. According to tradition, they are a branch of the Asante that was led into exile by Queen Abla Pokou in the eigteenth century. However, it is more likely that the Baule are an ancient race, related to the proto-Guro and the Lagoon Peoples; they intermixed with wandering Akan tribes, picking up their languages and a number of their cultural institutions. [...] The Baule borrowed the use of masks from the neigbbouring Guro, with whom they share certain characteristics of styles..." Bibliography: Werner Schmalenbach (ed.), African Art, Prestel-Verlag, Munich, 1988, p.122


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