Item description: The FS7 is equipped with a Super 35 Exmor CMOS sensor with approx. 11.6 million total pixels and 8.8 million effective pixels. The high readout speed of the image sensor allows the FS7 to support 4K movie recording and super slow motion. The sensor also achieves a high sensitivity of ISO 2000 and a wide dynamic range of 14 stops. Thanks to its full-pixel readout capability without pixel binning and sophisticated camera processing, jaggies and moiré are minimized.
The FS7 offers continuous recording in Full HD image quality with a frame rate of up to 180 frames per second. This allows for up to 7.5x Super Slow Motion when played back at 23.98 frames per second. Support for unlimited recordings in Super Slow Motion also means there are no more mistimed recordings resulting in extra recordings. Plus, you can select the footage exactly at the point you want.
It supports internal recording in 4Ki resolution as well as a wide range of frame rates (59.94p, 50p, 29.97p, 25p and 23.98p). It also supports two formats, XAVC and MPEG-2 HD 422, which can be selected depending on the application. Two XAVC compression systems (IntraFrame and Long GOP) are provided by an H.264/MPEG-4 AVC codec. IntraFrame supports recording with 4:2:2 10-bit sampling for 4K and Full HD and a high bit rate of up to 600 Mbps. With Long GOP, the image quality and recording time are coordinated so that Full HD recordings with 4:2:2 10-bit sampling at 50, 35 or 25 Mbit/s are possible, making this format suitable for longer recordings. It also supports the MPEG2 HD 422 recording format, which is mainly used by television broadcasters around the world. The supported formats and bitrates are listed below.
The camera supports such log gamma curves as S-Gamut3. Cine/S-Log3 and S-Gamut3/S-Log3. Due to the fact that 18% gray is set at a light level, S-Log3 offers greater dynamic range than the 1300% achieved by S-Log2 in a camera like the NEX-FS700R, a difference of 1.5 stops. The log gamma itself is close to the Cineon log, so color correction is easier to perform and the look of film can be achieved. Compared to the S-Gamut3.Cine color gamut, which is aimed at reproducing the wide color gamut of the DCI-P3 color space used in digital cinema, the S-Gamut3 color gamut is aimed at reproducing almost all actual colors, making it suitable for archival purposes. The latest version also supports S-log2, which is popular with filmmakers and videographers.

Condition: B

The condition information refers to the cosmetic condition of the item and is marked from AA (like - ), to A+ (as good as new), A (slightly used), B (normally used), C (very heavily used) to D (extreme signs of wear).
Unless there is a “DEF” (defect) or “LIN” (lens damage) behind the condition statement, all goods are in technically perfect condition and have been checked by me as far as possible. Defects or damage will also be mentioned separately in the description if they are known.

Tax class: 3

All prices include statutory sales tax, but due to different types of taxation, this cannot always be shown separately on the invoice. For tax class 1, the sales tax is shown separately on the invoice, for tax class 2, the reduced sales tax and for tax class 3, sales tax cannot be shown because the goods are subject to differential taxation, in accordance with Section 25a USTG. acts.

Scope of delivery: As shown in the original picture(s) in the offer. Additional accessories that are not shown will not and cannot be included as they are not available.