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STEREO SOUND AND MORE FROM A SINGLE MIC

The microphone itself features a dual-capsule design that picks up sound from the front and rear to capture the spatial information necessary to accurately model the electroacoustical characteristics measured from real microphones. A special dual-channel cable provides discrete outputs for each capsule, and a CAL switch on the rear of the mic makes it easy to precisely match the gain on two preamps for optimal performance.

EVERYTHING YOU NEED FOR PROFESSIONAL RECORDINGS

The UA Sphere plug-in works in any DAW and allows you to choose from 20 legendary microphone models. Using dual mono mode, you can even combine two microphone models to achieve rich, complex tones without worrying about phase and comb filtering. By combining the signal from both microphone capsules, the plug-in makes it possible to virtually alter the pickup pattern, axis, and proximity effect, and even compensate for popular isolation shields including the sE Reflexion Filter, Aston Halo and Kaotica Eyeball. In addition to the mic and plug-in, the Sphere DLX includes a 25-foot microphone cable, professional shock-mount, mic stand mount, and carrying case.

FEATURES:

Record with 20 of the most sought-after microphones ever made
Change mic type, polar pattern, and other characteristics, even after tracking
Use Dual Mode for rich-sounding mic combinations on snare drums and guitar cabs
Add the ultimate modeling mic to your collection, with dual gold-sputtered diaphragms and the lowest noise of any mic in its class

INCLUDED MIC MODELS:

LD-47K: Created in 1947, Neumann U47 has stood the test of time as the ultimate studio mic. Extensively used by The Beatles, Frank Sinatra, and countless others, only about 6,000 of these mics were produced. The Neumann U47 analyzed for this model has a fully brass capsule with a screw-mounted mylar diaphragm and a genuine VF14 tube.
LD-87: The Neumann U87 was brought to market as a replacement for the U67, even though it sounds quite different. The LD-87 model is based on a mid-'70s version with a split backplate capsule which sounds slightly different from a modern 87. The high-pass filter and pad switch settings are also fully modeled.
LD-87 Modern: Based on a current production Neumann U87Ai, the LD-87 Modern emulates this classic large-diaphragm FET condenser and de facto standard for broadcast, voiceover, and many other applications. The third 87-type mic in the Sphere Core Collection, the LD-87 Modern is slightly brighter than the LD-87 Vintage.
LD-67 NOS: After the Berlin Wall fell, a warehouse was found with Neumann U67 parts on the East German side of the border. In 1991 a limited production of U67 reissues were made from these new-old-stock parts.
LD-103: The LD-103 model is based on a Neumann TLM103 and gives you a nice presence peak in the 8 kHz to 12 kHz region.
LD-12: The LD-12 model is based on the iconic AKG C12 from the '50s, faithfully capturing its gorgeous high-end sheen and sparkle. The LD-12 is a great choice for lush, breathy vocals without overly accentuating sibilance.
LD-251: The LD-251 is based on the Telefunken ELA M 251 built for export to the US which has a 6072 tube and an original fully brass capsule. The 251 is one of the rarest and most highly regarded microphones of all time. It is the go-to vocal mic for many A-list artists, including Beyonce.
LD-800: The LD-800 model is based on the legendary Sony C800G. The 800G is often the perfect choice for a modern pop or hip-hop sound and is the go-to microphone for countless big-name artists, including Mariah Carey.
LD-414 Brass: The original AKG 414 with a brass-ringed capsule is one of the greatest studio mics of all time. It uses the same CK12 capsule as the legendary C12, although just about everything else is completely different from the electronics to the body design. The LD-414 Brass is a perfect choice for drum overheads, snare drum, and acoustic guitar.
LD-414 US: The LD-414 US is based on one of the most ubiquitous condenser microphones of all time, the later-period AKG 414. The mic uses essentially the same nylon capsule as the later production AKG 414 EB, so the sound is quite similar although a bit more neutral.
SD-416: The SD-416 is based on an industry-standard shotgun microphone, commonly used in the studio for voice-over and ADR duties. It is the go-to mic for that big voice-over sound in Hollywood-produced movie trailers that we're all so familiar with. The 416 also enjoys wide popularity in broadcast, tv, and film location sound.
SD-451: The SD-451 is based on the AKG 451 modular end-address small diaphragm condenser mic which has become an industry standard. The full complement of capsule options are modeled, so you have all the flexibility of the original. The two 75 Hz and 150 Hz high-pass filter options are also modeled from the original.
RB-121: Based on a Royer R-121 ribbon microphone with a fixed figure-8 pattern, this mic is unique in that the rear side of the figure-8 pattern is brighter than the front. It's a good option when the standard sound is a little too dark. The easiest way to achieve this alternate sound is to set the Axis control to 180 degrees.
DN-20: An industry standard, the Electro-Voice RE20 large-diaphragm dynamic microphone is used for everything from broadcasting and voiceovers to kick drums. The DN-20 captures the original mic's pleasant presence boost and sharp high-frequency dip that minimizes sibilance, as well as its consistent bass response regardless of its distance from the source.
DN-57: Introduced in 1965, the Shure SM57 is very likely the best selling studio microphone of all time. It can be a particularly good option when blended with other mics, such as ribbons and large diaphragm condensers, to achieve an overall more balanced sound. The DN-57 model is based on a recent production SM57.
DN-7: Based on the Shure SM7A, the same mic Bruce Swedien used to record Michael Jackson's vocals on Thriller, the DN-7 model captures the magic that has allowed it to hold its own with some of the best condensers ever made. The DN-7 is based on the "A" version, and when the Axis control is set to 180 degrees, the model emulates the mic without the windscreen installed. Some recording engineers prefer this sound and permanently remove the windscreen.
DN-12A: The DN-12A model is based on a dynamic microphone from the 1950s which has gained wide use as a kick drum mic for its very unique tonal qualities. The filter settings in the model are designed to complement this mic and can be used to achieve a more modern kick drum sound. The Proximity EQ control adjusts the amount of bass resonance in the model and is an easy way to dial in exactly the right sound.
DN-409U: The 409 is an all-around great mic but it especially shines on electric guitar. It has a smooth top end particularly for a dynamic mic and the low-end response below about 100 Hz is greatly reduced which can help instruments and voice sit nicely in the mix. This version is from the 1980s. The 409 is no longer in production and it sounds quite different, and arguably much better than modern incarnations, such as the 609 and 906.
DN-421B: The DN-421B is based on a current production black 421 which has a slightly brighter and modern sound than earlier incarnations.

About Us

Since 1993, we have been committed to equipping our customers with the very best gear, advice, and personal service anywhere. We believe that great sound can be achieved at any budget. We also believe that the ambitions of our customers should always come first. For us, it's about building long-lasting relationships, not just selling gear. And over the years, those beliefs have turned customers into friends and family. Whether you're just starting out, or a seasoned pro, we're here for you, no matter where your audio travels may take you.

Shipping Policy

Free ground shipping to the lower 48 states Via FedEx. All of our items ship via FedEx. On checkout, it may look like you are selecting a UPS shipping method, but the item will be shipped via the equivalent FedEx method.

Import Duties and Tax

Since import taxes and/or duties that your government might impose on products shipped from the United States may apply, you (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country.

Undeliverable/Rejected Package

If your package was rejected by your local Customs Bureau or the shipment could not be delivered and was returned to Vintage King Audio for any reason, we are not responsible for the shipping costs.

Free Extended Warranty

All new items that Vintage King carries are subject to our FREE extended warranty protection. Basically, if the manufacturer offers a 1-year warranty on your product, then you are covered under the same warranty terms for a total of 2 years from the time of initial shipment. Likewise, if the manufacturer offers a 5-year warranty, then you receive a total of 6 years of coverage when purchased through Vintage King. We add 1 year to your standard manufacturer's warranty period, FREE of charge, whatever the manufacturer's warranty period may be.

Duties and tax for warranty and damage replacement items

International Duties and tax for warranty and damage replacement items may apply. Even though you may have paid shipping, taxes or duty on your original order, it is IMPORTANT to understand that your government may impose duties and taxes for warranty items or replacement items damaged during shipment from the United States for the new order. You (the customer), are solely responsible for shipping charges, taxes, and duties, once goods arrive in your country.

Used Item Warranties

Vintage King offers an industry-leading level of technical service and warranty support on our used and vintage items. Our used item warranty periods are as follows:

Analog Outboard Gear – 1 Year
Microphones – 1 Year (excluding capsules, tubes, and ribbon elements)
Speakers – 1 Year (excluding drivers)
Digital Outboard Gear – 30 Days

Return Policy

We do our best to help you choose the perfect gear, but if you don't love it in the first 30 days after receipt, please contact us through eBay for a return authorization.

Note: Software is not returnable or refundable.

What Are "Demo Deal" or "B-Stock" Products?

Our Demo Deals and B-Stock products offer a unique opportunity to save big on near-mint condition, fully warrantied gear. These items have been opened for demonstration purposes and put back in the box without extended use. All original factory accessories and packaging are included.

In addition to the manufacturer's warranty, Demo Deal and B-Stock items also come with an additional 1-year of warranty coverage from Vintage King, free of charge, so rest assured that not only are you saving big by purchasing a Demo Deal/B-Stock item, but you will also receive the same level of world-class support from Vintage King as with the purchase of a factory-sealed unit.

Taxes

Vintage King collects sales tax for shipments to Alabama, Arkansas, Arizona, California, Colorado, Connecticut, Florida, Georgia, Hawaii, Idaho, Illinois, Indiana, Iowa, Kentucky, Louisiana, Maine, Maryland, Massachusetts, Michigan, Minnesota, Missouri, Nebraska, Nevada, New Jersey, New Mexico, New York, North Carolina, Ohio, Oklahoma, Pennsylvania, South Carolina, Tennessee, Texas, Utah, Vermont, Virginia, Washington, Washington D.C., Wisconsin and Wyoming. Partial and complete tax exemptions may be available in your state. Contact us through eBay for details.

Note: eBay may collect sales tax in states not listed above.