Combined Joint Special Operations Task Force - Afghanistan or CJSOTF-A is a task force unit lead by US Army Special Forces. It's headquartered at Bagram Airfield and is part of the Special Operations Joint Task Force - Afghanistan / NATO Special Operations Component Command - Afghanistan. The core tasks of CJSOTF-A include advising the Afghan National Army’s special operations forces and local police, and training forces associated with the Village Stability Operations (VSO) and counterinsurgency (COIN) - a strategy that establishes expanding security and stability in rural villages. The unit also controls highly specialized battalion-level task forces built around US Army Special Forces, Infantry, Marine Special Operators and Navy SEALs. JOINT TASK FORCES CONCEPT. The concept of Combined Joint Task Forces (CJTF) provides flexible and efficient means to enable the Alliance to generate forces at short notice, providing rapidly deployable, multi-national, multi- service task forces with appropriate command and control arrangements. The Special Operations Joint Task Force - Afghanistan (SOJTF-A) is the United States component of the NATO Special Operations Component Command - Afghanistan (NSOCC-A). The commander of NSOCC-A is also the commander of SOJTF-A - a dual-hat command arrangement. 1. This division-level headquarters is commanded by a two-star general and encompasses all in-country NATO special operations forces and assets. The SOJTF-A mission spans the entire spectrum of special operations in a counterterrorist and a counterinsurgent environment. The missions range from direct action to capacity-building to Security Force Assistance. Personnel Strength. In mid-2013 the number of personnel assigned to SOJTF-A/NSOCC-A was close to 13,000 special operators, staff, and support personnel from over 25 different nations. It is estimated that the combined NATO / U.S. military force at the start of Resolute Support in January 2015 will be about 12,000 troops; of which a fraction (25%?) will be SOF associated units. In December 2014 the CJSOTF-A was downsized and replaced by a Special Operations Task Force of battalion strength commanded by a LTC. Afghan Partner Units. The special operations forces work with a variety of Afghan units from the police and army to include the Afghan National Army Special Forces (ANASF), Afghan National Army Commandos, Special Mission Wing (SMU), Provincial Response Companies (PRCs), General Directorate Special Police Units (GDSPU), Afghan Local Police (ALP), and other lesser known highly-specialized direct action units. Uniting the "Tribes". SOJTF-A is a newly formed organization. Prior to 2012 the various U.S. and NATO SOF components were answering to different bosses. There was the Combined Joint Special Operations Component Command - Afghanistan (CFSOCC-A) that had command of most of the 'white SOF' (most under the Combined Joint Special Operations Task Force - Afghanistan or CJSOTF-A). There was ISAF SOF who worked with various elite Afghan police units like the GDPSU and the Provincial Response Companies. And then there were some other chaps that did a lot of direct action stuff at night (as in night raids). SOJTF-A Commanders. The first commander of the SOJTF-A was Major General Tony Thomas. He changed command with Major General Scott Miller in the summer of 2013 (a former CFSOCC-A commander). MG Miller was replace in the summer of 2014 with MG Ed Reeder (also a former CFSOCC-A commander). In the summer of 2015 MG Sean P. Swindell replaced Reeder. Like all good SOF units the SOJTF-A has a commander's challenge coin. 

A zombie (Haitian French: zombi, Haitian Creole: zonbi) is a fictional undead being created through the reanimation of a human corpse. Zombies are most commonly found in horror and fantasy genre works. The term comes from Haitian folklore, where a zombie is a dead body reanimated through various methods, most commonly magic. Modern depictions of the reanimation of the dead do not necessarily involve magic but often invoke science fictionalmethods such as carriers, radiation, mental diseases, vectors, pathogens, scientific accidents, etc.[1][2] The English word "zombie" is first recorded in 1819, in a history of Brazil by the poet Robert Southey, in the form of "zombi".[3] The Oxford English Dictionary gives the origin of the word as West African, and compares it to the Kongo words nzambi (god) and zumbi (fetish). A Kimbundu to Portuguese dictionary from 1903 defines the related word nzumbi as soul,[4] while a later Kimbundu-Portuguese dictionary defines it as being a "spirit that is supposed to wander the earth to torment the living."[5] One of the first books to expose Western culture to the concept of the voodoo zombie was The Magic Island by W. B. Seabrook in 1929. This is the sensationalized account of a narrator who encounters voodoo cults in Haiti and their resurrected thralls. Time claimed that the book "introduced 'zombi' into U.S. speech".[6] Zombies have a complex literary heritage, with antecedents ranging from Richard Matheson and H. P. Lovecraft to Mary Shelley's Frankenstein drawing on European folklore of the undead. In 1932, Victor Halperin directed White Zombie, a horror film starring Bela Lugosi. Here zombies are depicted as mindless, unthinking henchmen under the spell of an evil magician. Zombies, often still using this voodoo-inspired rationale, were initially uncommon in cinema, but their appearances continued sporadically through the 1930s to the 1960s, with notable films including I Walked with a Zombie (1943) and Plan 9 from Outer Space (1959). A new version of the zombie, distinct from that described in Haitian folklore, has also emerged in popular culture during the latter half of the twentieth century. This "zombie" is taken largely from George A. Romero's seminal film Night of the Living Dead,[1] which was in turn partly inspired by Richard Matheson's 1954 novel I Am Legend.[7][8] The word zombie is not used in Night of the Living Dead but was applied later by fans.[9] The monsters in the film and its sequels, such as Dawn of the Dead and Day of the Dead, as well as its many inspired works, such as Return of the Living Dead and Zombi 2, are usually hungry for human flesh, although Return of the Living Dead introduced the popular concept of zombies eating brains. The "zombie apocalypse" concept, in which the civilized world is brought low by a global zombie infestation, became a staple of modern popular art.

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