Offered here is an original early-19th-century hand-colored aquatint from The Microcosm of London, one of the most celebrated illustrated records of Georgian London.
This plate is titled “Court of Chancery, Lincoln’s Inn Hall” and is identified in the upper right as Plate 22. The lower margin carries the period artist and production credits to Thomas Rowlandson & Augustus Charles Pugin, with J. C. Stadler as aquatint engraver.
The original publication line is also visible beneath the title and dates the print to June 1, 1808, published in London by R. Ackermann’s Repository of Arts.
The scene depicts the historic Court of Chancery at Lincoln’s Inn Hall, filled with barristers, court officials, litigants, and observers beneath large heraldic stained-glass windows.
The composition reflects the distinctive collaboration that made The Microcosm of London so important: Pugin supplied the carefully observed architectural interiors, while Rowlandson populated them with animated, expressive figures that captured everyday Georgian social life.
The combination of architectural documentation, social observation, hand coloring, and period London subject matter makes these plates especially appealing to collectors of:
This is one of four matching early Rowlandson / Pugin courtroom plates currently being offered separately.
The other three available works are:
All four are presented in closely matching wood frames with coordinated matting, making them particularly attractive as a complete legal-history or Georgian London wall grouping.
If you are interested in more than one plate, please contact me before purchasing. I am happy to offer a combined-purchase discount where possible.
| Title | Court of Chancery, Lincoln’s Inn Hall |
| Plate | 22 |
| Series | The Microcosm of London |
| Artists | Thomas Rowlandson & Augustus Charles Pugin |
| Engraver | J. C. Stadler |
| Publisher | R. Ackermann, Repository of Arts, London |
| Date | June 1, 1808 |
| Technique | Hand-colored aquatint / etching |
| Medium | Paper |
| Country | England |
| Period | Georgian / Regency |
| Presentation | Matted and framed under glass |
This antique print displays well for an object dating to 1808.
The paper shows expected age-related toning and discoloration, particularly around the lower margin and perimeter, along with scattered small marks and spotting consistent with its age. The printed image remains strong and visually engaging.
The wood frame shows noticeable age-related wear including scratches, rubs, small chips, finish loss, and edge wear. These flaws are visible in the photographs and contribute to the overall antique character of the presentation.
The rear paper covering shows tears, punctures, and general age. Hanging wire is present.
The artwork has not been removed from the frame. Therefore, the reverse of the sheet, complete margins, exact mounting method, and any markings hidden beneath the mat have not been examined.
Please review all photographs carefully, as they are an important part of the condition description and show the exact item you will receive.
Unlike a modern decorative reproduction, this example carries the visible period 1808 Ackermann publication line, Plate 22 designation, original artist credits, and aquatint engraver credit associated with the historic Microcosm of London publication.
It would make an especially strong display piece for a lawyer, judge, law office, library, courtroom-themed collection, British history collection, or anyone interested in Georgian London.
A scarce opportunity to acquire one plate individually — or build the complete four-piece Westminster legal group.
Antique artwork is sold as shown. Please examine all photographs and ask any questions prior to purchase. Colors may vary slightly depending on lighting and monitor settings.