BEAUTIFUL EXAMPLE OF LEC REVELATION OF ST. JOHN THE DIVINE ILLUSTRATED BY ALLAN ROHAN CRITE #93 of 300 FINE

The Revelation of Saint John the Divine :
the King James Version /

Allan Rohan Crite;  Dan Carr

1995
English Book [58] pages, 11 unnumbered leaves of plates : illustrations ; 56 cm
New York : The Limited Editions Club, 1995.
One volume (16 x 22 inches) Relief engravings were printed on Japanese paper and mounted on heavy paper handmade in Pescia Italy. Volume is handbound in burgundy linen and the solander box covered in black Italian cotton. The inset label on the box is Nigerian goatskin and the title stamped in 22-karat gold. Book and box are fresh and Fine. The LEC Newsletter is present. 

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From Wikipedia, the free encyclopedia
Allan Rohan Crite
BornMarch 20, 1910
DiedSeptember 6, 2007 (aged 97)
Alma materSchool of the Museum of Fine Arts,
Harvard University (ALB)
Known forOils, prints; drafting; author, publisher, and librarian
AwardsHarvard University Anniversary Medal

Allan Rohan Crite (March 20, 1910 – September 6, 2007) was a Boston-based African American artist. He won several honors, such as the 350th Harvard University Anniversary Medal.[1]

Biography

Allan Crite, School's Out (1936), Federal Art Project

Crite was born in North Plainfield, New Jersey, on March 20, 1910.[2] The family relocated to Massachusetts and from the age of one until his death Crite lived in Boston's South End. Crite's mother, Annamae, was a poet who encouraged her son to draw. Showing promise at a young age, he enrolled in the Children's Art Centre at United South End Settlements in Boston and graduated from the English High School in 1929. His father, Oscar William Crite, was a doctor and engineer, one of the first Black people to earn an engineering license.[3]

Though he was admitted to the Yale School of Art, he chose to attend the School of the Museum of Fine Arts in Boston and graduated in 1936.[4] He was a draughtsman and illustrator in the Design Department of the Charlestown Navy Yard from 1941 until 1974.[5]

Recognition came early as well. His work was first shown at New York's Museum of Modern Art in 1936[4] and his first solo show at the Boston Athaneaum in 1948. [6] The Athenaeum exhibited a retrospective posthumously from October 2025 until January 2026 at the Boston Athenaeum.[7]

Crite then attended Harvard Extension School, where he earned an ALB degree in 1968.[8]

Crite was among the few African-Americans employed by the Federal Art Project. In 1940, he took a job as an engineering draftsman with the Boston Naval Shipyard where he worked as an artist for 30 years.[2] After, he worked part time as a librarian at Harvard University's Grossman Library. For many decades, he was a mentor and elder to burgeoning Black artists in the Boston area, including Napoleon Jones-Henderson, Johnetta Tinker, Susan Thompson, and Aukrum Burton who formed the Boston Collective in the 1970s and 1980s.[9] [10]

In 1986, Boston named the intersection of Columbus Avenue and West Canton Street, steps from his home, Allan Rohan Crite Square.[11]

In 1993, Crite married Jackie Cox-Crite. Together they established the Crite House Museum in their home at 410 Columbus Avenue in Boston's South End.[1]

Suffolk University awarded him an honorary doctorate in 1979.[12]

He died in his sleep of natural causes on September 6, 2007, at age 97.[4][13]

His widow established the Allan Rohan Crite Research Institute to safeguard his legacy, which Crite never thought important, by authenticating and cataloging his many scattered works.