• MILES DAVIS 7 TITLES WITH 8 PIECES OF AUDIOPHILE VINYL COLLECTION STARTS WITH 
• NO TITLES EVER HAD STORE PRICING STICKERS ATTACHED TO THE PLASTIC WRAP AND ARE COMPLETE WITH THEIR VERIFYING COLLECTORS ORIGINAL RELEASE FIRST EDITION MARKETING/HYPE STICKERS PROVING THESE LPS ARE THE ORIGINAL ISSUES OF THESE EDITIONS AND WERE pressed ON 180 GRAM OR PREMIUM REMASTERED VINYL WITH THOSE STICKERS  STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKETS & VINYL INSIDE. ALSO, THE BACK JACKETS ARE COMPLETE WITH VERIFYING COLLECTORS ORIGINAL RELEASE FIRST EDITION UPC CODES, RECORD LABEL LOGOS, RELEASE DATES & MANUFACTURING COUNTRIES PROVING THESE LPS ARE THE ORIGINAL ISSUES OF THIS EDITIONS. IF YOU DON'T SEE THESE FEATURES ON THE FRONT OR BACK OF THE JACKETS, YOU ARE NOT PURCHASING AN ORIGINAL ISSUES OF THESE RELEASE  SEALED COLLECTORS TITLES.

STARTING THIS SET ARE TWO TREMENDOUSLY RARE OUT OF PRINT EDITIONS 

THE RARE 2008 OUT OF PRINT LEGACY EDITION OUT OF PRINT BITCHES BREW - 180 GRAM 2 LP SET -  Bitches Brew is thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion and being the jazz album to most influence rock and funk musicians. This double LP featured up to 12 musicians at any given time, most of whom would go on to be high-level players in their own right: Joe Zawinul, Wayne Shorter, Airto, John McLaughlin, Chick Corea, Jack DeJohnette, Dave Holland, Don Alias, Benny Maupin, Larry Young, Lenny White and others

Musicians:
Miles Davis, primary artist, trumpet
Dave Holland, bass
Harvey Brooks, bass, electric bass, bass guitar, electric guitar
Bennie Maupin, bass clarinet
Airto Moreira, cuica, percussion
Don Alias, congas, drums, percussion
Jumma Santos, congas, percussion, shaker
Jack DeJohnette, drums
Lenny White, drums
Billy Cobham, drums
Chick Corea, electric piano
Larry Young, electric piano
John McLaughlin, guitar, electric guitar
Joe Zawinul, organ, electric piano
Jim Riley, percussion
Wayne Shorter, soprano saxophone

	1.	Pharaoh's Dance
	2.	Bitches Brew
	3.	Spanish Key
	4.	John McLaughlin
	5.	Miles Runs The Voodoo Down
	6.	Sanctuary
	7.	Feio

Here are four tracks from one of the classic sessions of all time when a combination of giants gathered in Rudy Van Gelder¹s studio for a historic meeting on Christmas Eve afternoon, 1954. With Thelonious Monk and three-quarters of the Modern Jazz Quartet (Jackson, Heath and Clarke) as his accomplices, Miles blends sophisticated harmonic knowledge with raw, spontaneous invention to produce extraordinary music. The two takes of "The Man I Love" are quite different within their basic similarity.

THEN WE ARE OFFERING THESE ADDITIONAL AUDIOPHILE BONUSES

Kind Of Blue: 50th Anniversary Collector's Edition ~ Francis Davis, album notes writer (Miles Davis) 12x12 INCH SLIPCASE HARDBOUND JACKET, 180 GRAM BLUE VINYL WITH GATEFOLD JACKET, CD'S, DVD & 60 PAGE 10,000 ESSAY PERFECT BOUND BOOK, 8x10 PHOTOS, 22x33 POSTER, PROMOTIONAL BROCHURE & MORE

The Miles Davis Sextet Someday My Prince Will Come 180 GRAM COLLECTORS OUT OF PRINT RECORD STORE DAY RARE NUMBERED 2412  (Mono) LP

180g Vinyl Mono LP! Pressed at RTI! 

Wynton Kelly, Paul Chambers, Jimmy Cobb, Hank Mobley and John Coltrane join Miles Davis for a beautiful addition to the Davis canon. 

"Someday" Is Now! Features The Last Studio Recordings With John Coltrane! 

A beautiful addition to the Davis canon. Recorded over the course of three days in April 1961, Someday My Prince Will Come showcases Miles' second great rhythm section, here at the absolute peak of their telepathic interplay. Wynton Kelly, Paul Chambers and Jimmy Cobb were as tight a unit as any ever formed, grooving so successfully that they went on to leave Miles and form the Wynton Kelly trio. Someday My Prince Will Come also includes some positively blistering solos from guest John Coltrane in his final recording with Miles. And Hank Mobley offers up some beautiful bluesy solos. 

"The set opens with the title, a lilting waltz that nonetheless gets an original treatment here, despite having been recorded by Dave Brubeck. Kelly is in keen form, playing a bit sprightlier than the tempo would allow, and slips flourishes in the high register inside the melody for an 'elfin' feel. Davis waxes light and lyrical with his Harmon mute, playing glissando throughout. Mobley plays a strictly journeyman solo, and then Coltrane blows the pack away with a solo so deep inside the harmony it sounds like it's coming from somewhere else... there is much in the way of precision playing and a fine exposition of Miles' expansive lyricism." - Thom Jurek, allmusic

Features:
• 180g Vinyl 
• Mono
• Pressed at RTI

Musicians:
Miles Davis, trumpet
Hank Mobley, tenor saxophone
John Coltrane, tenor saxophone
Wynton Kelly, piano
Paul Chambers, bass
Jimmy Cobb, drums

Selections:
Side 1:
1. Someday My Prince Will Come
2. Old Folks
3. Pfrancing
Side 2:
1. Drad Dog
2. Teo
3. I Thought About You

Black Lion Records Essential Reissue Series! 
Mastered by Bernie Grundman, Cut by Chris Bellman, Sound & Engineering Consultation by Steve Hoffman! Pressed at Pallas on 180 Gram Vinyl! 

 
Landmark 1946 Historical Release Documents Miles Davis’ First-Known Instance of Open-Voiced Trumpet Playing at One of His Earliest Sessions

Tantalizing Audiophile Restoration Series Resurrects UK Label Black Lion: Mastered at Bernie Grundman Studios by Chris Bellman and Pressed at Pallas

EQ Notes and Curation Performed by Iconic Engineer Steve Hoffman; LPs EQ’d and Set Up by Bernie Grundman

Conceived, Designed, and Manufactured for Collectors and Enthusiasts: Vinyl Jacket Features Exclusive Art

One of Miles Davis’ earliest recording sessions. The very first known instance of the famed trumpeter playing in an “open” style, and in a band with legendary tenor saxophonist Gene Ammons and drummer Art Blakey. Need any more be said? Very few jazz albums possess more historical importance and wow-inspiring significance than Bopping the Blues, which documents a 1946 session in which Davis supported a group and two singers, Earl Coleman and Ann Baker, in a splendid bop affair. Yes, it’s got that elusive Holy Grail quality.

Originally released by the UK label Black Lion, an imprint that specialized in resurrecting rare gems from US jazz and blues legends, Bopping the Blues marks what are indisputably Davis’ initial open-voiced contributions and a can’t-miss opportunity for collectors and enthusiasts to get closer to the man and his music. Helmed by ORG Music, this historical reissue is afforded the ultimate in audiophile production standards, resulting in sonics and presentation befitting the museum-like worth of this record’s existence.

Mastered from the original master tapes at Bernie Grundman Studios by Chris Bellman and pressed at Pallas, the 180g LP was curated by legendary engineer Steve Hoffman and eq’d by Grundman himself. A better team you cannot find; every step involved serious quality-control measures to guarantee gorgeous sound. The superb vinyl jacket features exclusive artwork. Indeed, this is what being a collector is all about. The title may not be widely known to most, but this reissue preserves vital music that will be enjoyed by generations to come. Consider it a buried treasure that, miraculously, has resurfaced in better condition than that when it was originally made.

Jazz fans, Davis devotees, audiophiles, and music fanatics, don’t sleep on this collectable gem!

Features:
• 180g Vinyl
• Mastered by Bernie Grundman 
• Cutting by Chris Bellman
• Mastered from original master tapes
• Pressed at Pallas in Germany
• EQ Notes and Curation Performed by Iconic Engineer Steve Hoffman
• LPs EQ’d and Set Up by Bernie Grundman
• Exclusive cover artwork
• Mono Version

Musicians:
Miles Davis, trumpet
Gene Ammons, tenor saxophone
Connie Wainwright, guitar
Linton Garner, piano
Tommy Potter, bass
Art Blakey, drums
Earl Coleman, vocals
Ann Baker, vocals

Selections:
Side A: 
1. Don't Sing Me The Blues (Take 1)
2. Don't Sing Me The Blues (Take 2)
3. I've Always Got The Blues (Take 1 Incomplete)
4. I've Always Got The Blues (Take 2)
5. I've Always Got The Blues (Take 3)
6. Don't Explain To Me Baby (Take 1)
Side B: 
1. Don't Explain To Me Baby (Take 2)
2. Don't Explain To Me Baby (Take 3)
3. Don't Explain To Me Baby (Take 4)
4. Baby, Won't You Make Up Your Mind (Take 1)
5. Baby, Won't You Make Up Your Mind (Take 2)
6. Baby, Won't You Make Up Your Mind (Take 3

YOU’RE UNDER ARREST - Factory Sealed TREMENDOUSLY RARE OUT OF PRINT COLLECTORS 180 Gram Limited Edition COLUMBIA STEREO SERIES FROM THE EARLY 2000'S OUT OF PRINT GATE FOLD JACKET classic LP high-definition Vinyl pressing for superior fidelity from the Analog Master.

No harsh words of criticism for Miles' 1985 pop-soft jazz effort. While so-called die hard fans of Miles or jazz used adjectives such as "flop", "poor quality", and "worst", it is anything but...The only slight unstable choices he made was to do cover instrumentals of Michael Jackson's Human Nature and Cyndi Lauper's Time After Time at a time when the original songs were still fresh. Instead, he should have opted for writing a couple of original tunes himself (even if they were only going to be filler material---the key word being original).These two tracks ended up being played as light elevator music tunes in department or grocery stores. The rest of the album, however, showed that Miles could adapt to the changing times and styles of music in order to reach younger listeners as well. No longer was his music exclusive to hardcore jazz purists...Miles Davis is for the entire world ! 

Tracks include: One Phone Call/Street Scenes - Human Nature - MD1 Something’s On Your Mind - MD 2 - Ms. Morrisine - Katia Prelude - Katia - Time After Time - You’re Under Arrest - Medley

 MILES DAVIS SKETCHES OF SPAIN STEREO Limited Edition 180 GRAM LIMITED EDITION LP!

Rolling Stone 500 Greatest Albums of All Time - Rated 358/500!

The most luxuriant and stridently romantic of all of Davis' recordings, Sketches of Spain pairs Davis with arranger and composer Gil Evans, with whom he had collaborated on several other projects, on a program of compositions largely derived from the Spanish folk tradition. Recorded between November 1959 and March 1960 - after Coltrane and Cannonball Adderley had left the band - the album features performances by Paul Chambers, Jimmy Cobb and Elvin Jones. Sketches of Spain is regarded as an exemplary recording of Third Stream, a musical fusion of jazz, European classical, and styles from world music.

For Sketches of Spain, Evans and Davis won the 1961 Grammy Award for Best Original Jazz Composition. In 2003, the album was ranked number 358 on Rolling Stone's list of the 500 greatest albums of all time.

"Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements... To listen to it in the 21st century is still a spine-tingling experience, as one encounters a multitude of timbres, tonalities, and harmonic structures seldom found in the music called jazz." - Thom Jurek, AllMusic

Features

180g Vinyl LP

Limited Edition  

Musicians

Danny Bank, bass clarinet

Bill Barber, tuba

John Barrows, French horn

Albert Block, flute

James Buffington, French horn

Eddie Caine, flute, flugelhorn

Paul Chambers, bass

Earl Chapin, French horn

Jimmy Cobb, drums

Johnny Coles, trumpet

Miles Davis, trumpet, flugelhorn

Gil Evans, arranger, conductor

Harold Feldman, clarinet, flute, oboe

Bernie Glow, trumpet

Dick Hixon, trombone

Elvin Jones, percussion

Taft Jordan, trumpet

Jack Knitzer, bassoon

Jose Mangual, percussion

Jimmy McAllister, tuba

Tony Miranda, French horn

Louis Mucci, trumpet

Romeo Penque, oboe

Janet Putnam, harp

Frank Rehak, trombone

Ernie Royal, trumpet

Joe Singer, French horn

Selections

Side A:

Concierto de Aranjuez

Will O' The Wisp

Side B:

The Pan Piper

Saeta

Solea

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AS OF Sep-26-2008 per USPS policy, seller added the following information:

International Buyers – Please Note:

Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying. Note: It's illegal to falsify customs declarations or mark an item as a "GIFT" or mark item at a LESSER VALUE in order to avoid customs fees International Buyers are responsible for their country’s Customs Fees.     

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