(Visually Graded) Vinyl looks Near Mint and sleeve looks VG+. See pics and info for details.
McCoy Tyner – The Real McCoy
Label: Blue Note – BST 84264
Format: Vinyl, LP, Album, Reissue, Stereo, Import, 12", 33rpm
Country: France
Released: 1984
Genre: Jazz
Style: Hard Bop
Tracklist
A1 Passion Dance 8:45
A2 Contemplation 9:10
B1 Four By Five 6:35
B2 Search For Peace 6:25
B3 Blues On The Corner 6:05
Credits
Bass – Ron Carter
Composed By [All Compositions By] – McCoy Tyner
Design [Cover] – Reid Miles
Drums – Elvin Jones
Engineer – Rudy Van Gelder
Liner Notes – Nat Hentoff
Photography By [Cover Photo] – Francis Wolff
Piano – McCoy Tyner
Producer – Alfred Lion, Alfred Lion
Recorded By [Recording By] – Rudy Van Gelder
Tenor Saxophone – Joe Henderson
Notes
Recorded on April 21, 1967.
- bio - Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards.[1] He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner was widely imitated, and is one of the most recognizable and influential pianists in jazz history.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections". - wikipedia
McCoy Tyner – The Real McCoy
Label: Blue Note – BST 84264
Format: Vinyl, LP, Album, Reissue, Stereo, Import, 12", 33rpm
Country: France
Released: 1984
Genre: Jazz
Style: Hard Bop
Tracklist
A1 Passion Dance 8:45
A2 Contemplation 9:10
B1 Four By Five 6:35
B2 Search For Peace 6:25
B3 Blues On The Corner 6:05
Credits
Bass – Ron Carter
Composed By [All Compositions By] – McCoy Tyner
Design [Cover] – Reid Miles
Drums – Elvin Jones
Engineer – Rudy Van Gelder
Liner Notes – Nat Hentoff
Photography By [Cover Photo] – Francis Wolff
Piano – McCoy Tyner
Producer – Alfred Lion, Alfred Lion
Recorded By [Recording By] – Rudy Van Gelder
Tenor Saxophone – Joe Henderson
Notes
Recorded on April 21, 1967.
- bio - Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards.[1] He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner was widely imitated, and is one of the most recognizable and influential pianists in jazz history.
The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with tenor saxophonist Joe Henderson, bassist Ron Carter and drummer Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections". - wikipedia
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- General Standards For Record Grading -
NM-
(NEAR MINT) The vinyl is almost flawless, bright and shiny. A very light minor, barely visible mark or two may be permitted. The disc should play with no audible noise. The label is bright, clean and unmarked. Sleeve looks almost Mint.
VG++/EX
(VERY GOOD ++/ Excellent) Disc plays near perfectly, but may have minor, light scuffs that do not interfere with the sound quality. There can possibly be a light hairline scratch or two but nothing that is obvious or affects play. Vinyl is bright and shiny; label is clean and unmarked. Sleeve is Excellent.
VG+
(VERY GOOD PLUS) Some visible surface wear, very minor scratches and scuffs, but minimal impact on the sound quality. Vinyl will still have good luster; labels may have minor imperfections (small labels or initials, etc.) but otherwise clean. Sleeve may have some shelf wear, or minor writing, no seem splits.
VG
(VERY
GOOD) Vinyl will have noticeable scratches and scuffs that cause surface
noise There should be no skips. Vinyl may appear somewhat dull and
grayish. Labels may have small tears, tape marks, larger writing, etc.
but still easily legible. Sleeve may have moderate wear or writing,
tape, price tags etc, seem splits. May have promo corner, hole or notch
in sleeve.
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