ART TAYLOR - A.T.'S DELIGHT BLUE NOTE 84047 LIMITED VINYL STEREO LP - IN THE 45 RPM LIMITED 1ST STAMPER EDITION LOW Numbered Limited Edition #109 OF 1000 PRESSINGS WORLDWIDE WITH VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION 45 RPM 180 GRAM MASTERED BY STEVE HOFFMAN & KEVIN GRAY SIGNATURE MARKETING/HYPE STICKER & LIMITED EDITION NUMBERED ON THE BACK OF JACKET PROVING THAT THIS LP SET IS THE ORIGINAL RELEASE AND IS STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF THAT SIGINATURE STICKER IS NOT ON THE FRONT PLASTIC WRAP OR DOESN'T HAVE A LIMITED EDITION NUMBER THEN YOU ARE NOT PURCHASING THIS ORIGINAL 45 RPM ACOUSTECH RELEASE.
COLLECTORS NOTE: THESE LP'S ARE SO OUT OF PRINT THAT THESE VINYL RECORDS DON'T EVEN HAVE A BAR CODES ON THE JACKETS FOR A COLLECTOR PRISTINE JACKETS.
THIS IS OUR ONE AND ONLY COPY FOREVER
THE 45 RPM PRESSING INFORMATION
Rare Numbered Limited Edition!Here's How it was done:
Using only the original analog master tapes, the renowned team of Steve Hoffman & Kevin Gray remastered and cut all of the titles at AcousTech Mastering, which features a pure Class-A disc-cutting system. AcousTech is located at Record Technology, Inc. the plant where the vinyl was pressed. It is a tremendous sonic advantage to have the pressing plant plating department & mastering room in the same facility as Steve & Kevin could cut a lacquer and plated immediately. This prevents the degradation of the grooves in a lacquer which is very fragile to quick deterioration.
And of course cutting at 45 speed is the audiophile choice for the highes quality. A 45-RPM record is sonically superior to a 33 1/3 variety because of a 35 percent reduction of groove curvature compared to a 33 1/3 cut.. It means that while you can't fit as much music into a 45, the undukations of the groove that your cartridge has to track are stretched over a longer distance. For these reissues, the music was displaced onto four sides, meaning each side contains about 10 minutes of music.
This is the ultimate reissues. The only way you'll get closer to this classic music is to listen to the master tapes or have been in the studio with the artist originally during the actual session.
Upgrading Connections at Acoustech! It goes without saying that there are many controversies and debates in the perfectionist audio/LP collector market. But one area of near universal agreement is the quality of mastering that emerges from Kevin Gray’s custom-built AcousTech Mastering studio in Camarillo, CA. Kevin, along with Steve Hoffman, has provided many of the best sounding new and reissued albums on LP during the last 5 or 6 years working outs of AcousTech
THE JACKETS:
Music Matters Exclusive! Music Matters strongly feels that these Blue Note recordings deserve nothing less than the finest graphic presentation. The Music Matters Definitive 45RPM Blue Note jackets are designed to last a lifetime, using ultra-durable extra thick cardboard stock and thick, luxurious lamination... quality you’ll be able to feel in your hand the moment you pick up one of these albums. In addition, Music Matters has obtained exclusive access to a treasure trove of over 30,000 original Blue Note session photos from Mosaic Images for use in this series. The gatefold opens to display these session photos in stunning high resolution - four times sharper than original Blue Note jacket photos.
THE REVIEWS:
Hear what Michael Fremer, Wayne Garcia and others are saying about the Blue Note Definitive 45rpm Reissue Series from Music Matters, Ltd:
"They’re BIG and open and definitely work in stereo because they’re not hard left/right stereo. The cymbals are so "chimey" and the skins so open! Even Rudy's typical boxy piano isn't too bad. These are going to be really good....!!!! (Real time reaction after hearing his first test pressing of Horace Parlan’s Speakin’ My Piece LP.)" - Michael Fremer, Stereophile Magazine
"I’ve heard a lot of Blue Note originals and myriad reissues over the years, but based on the sample test pressings heard so far, none—and I mean none—convey the intensity of living, breathing music-making the way the Music Matter’s Blue Note series does. The sense of air, texture, and dynamic pop in these grooves is astonishing." - Wayne Garcia, The Absolute Sound
"Art Blakey & the Jazz Messengers “The Big Beat” and Horace Parlan, “Speakin’ My Piece.” And if this is any indication of what’s to come, I advise you to get on the list now, before this collection is sold out." - Albert Porter, positive-feedback
"The Music Matters 45s have all immediacy and add a free-flowing naturalness that is surprising at first but very easy to get used to." - Marc Mickelson, soundstage
Art Taylor was one of the greatest drummers in modern jazz
who propelled the bands of Bud Powell, Thelonious Monk, Miles Davis, John
Coltrane, Donald Byrd, Lee Morgan, Dexter Gordon and many more. As a leader
Taylor only recorded a handful of albums including 1960's A.T.'s Delight, which
is a delightful and inventive set of hard bop that interprets the music of
Coltrane, Monk, Davis and Kenny Dorham with a stellar band featuring trumpeter
Dave Burns and tenor saxophonist Stanley Turrentine.
Although Art Taylor was one of the busiest modern
second-generation jazz drummers, working in the studio with Coleman Hawkins,
Donald Byrd, John Coltrane and many others, he only released five albums under
his own name, of which A.T.'s Delight was the third. And a delight it is
indeed, bright and percussive, and when conga player Carlos 'Patato' Valdes
joins Taylor and pianist Wynton Kelly and bassist Paul Chambers on three cuts
(Thelonious Monk's 'Epistrophy,' 'Move' and a Taylor calypso-inflected original
called 'Cookoo and Fungi'), the rhythm pocket opens into a deep blue sea for
the horn men (Stanley Turrentine on tenor sax and Dave Burns on trumpet).
'Move' does exactly that, it moves, and at a blistering pace. Monk's
'Epistrophy,' thanks in part to Valdes, reveals its rumba roots, and has never
sounded brighter. The seldom-covered Coltrane composition 'Syeeda's Song Flute'
seems likewise refreshed and revived. The lone Taylor original, the driving
'Cookoo and Fungi,' is as sharp and alert is a kitten waking from a nap in the
spring sun, and Taylor's drum solo is crisp, efficient and slides seamlessly
into the calypso-informed main theme. A.T.'s Delight is a solid outing, with a
wonderfully nervous but completely focused energy.
-AllMusic
Musicians
Art Taylor drums
Dave Burns trumpet
Stanley Turrentine tenor
saxophone
Wynton Kelly piano
Paul Chambers bass
Carlos "Patato" Valdes congas
Selections
Syeeda's Song Flute
Epistrophy
Move
High Seas
Cookoo And Fungi
Blue Interlude
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