JIMI HENDRIX AND THE NOEL REDDINGS EXPERIENCE SESSIONS ON 12" 33 1/3 RPM 200 GRAM VINYL LIMITED 1ST EDITION PRESSING.
THIS TITLE NEVER HAD A STORE PRICING STICKER ATTACHED TO THE PLASTIC WRAP WITH VERIFYING COLLECTORS ORIGINAL RELEASE 1ST EDITION 2006 CLASSIC RECORDS MARKETING/HYPE STICKER SHOWING THAT THIS LP WAS PRESSED ON QUIEX SV-P SUPER VINYL PROFILE 200 GRAM PREMIUM VINYL AND THAT STICKER IS STILL ATTACHED TO THE SEALED PLASTIC WRAP PROTECTING THE LP JACKET & VINYL INSIDE. IF YOU DON'T SEE THIS CLASSIC RECORDS 200 GRAM SV-P STICKER YOU ARE NOT PURCHASING AN ORIGINAL ISSUE OF THIS RELEASE.
THE 200 GRAM PRESSING WHICH HAS THE ORIGINAL CLASSIC RECORDS COMPLETE PLASTIC WRAP SEAL NOT THE 2ND GENERATION OPEN WRAP WITH STICKER SEAL. THIS IS ALSO A WAY TO VERIFY YOU ARE PURCHASING AN EARLY GENERATION PRESSING WHICH ARE MORE VALUABLE IN THE COLLECTORS MARKET.
- 200 GRAM AUDIOPHILE FIRST EDITION ORIGINAL SEALED LP - TREMENDOUSLY RARE OUT OF PRINT VERY LIMITED EDITION PRESSING RUN - WITH THE COMPLETE PLASTIC WRAP SEALING THE ITEM NOT THE SECOND GENERATION WITH THE 3/4 SEAL AND THE STICKER ON TOP AS THE SEAL.
This Classic RECORDS Limited 1st Edition IS PROBABLY THE RAREST AND MOST VALUABLE 200 GRAM Audiophile out of print LIMITED EDITION collectors PRESSING EVER PRODUCED OF THIS TITLE. Was mastered DECADES AGO from the Original Session Tapes to 200 SV-P Gram Heavy Virgin out of print Vinyl.
THESE CLASSIC RECORDS PRESSING NEVER CAME WITH BARCODES TO RUIN THE PRISTINE JACKETS FOR COLLECTORS AND WERE MAINLY ONLY SOLD TO AUDIOPHILE VINYL RETAILERS AND DISTRIBUTORS.
INFO ABOUT “Classic Quiex SV-P Super Vinyl" is a vinyl formulation noticeably superior to all previous vinyl formulas used. The music on records made using Classic Quiex SV-P is more detailed, has richer harmonics and a more precise soundstage presentation Quiex SV-P is used exclusively and will have a sticker that identifies them as such.... This Heavy Vinyl LP has been critically acclaimed as the finest and quietest ever produced. It is a new listening experience that will virtually make you feel as if you were in the studio with the band. The nicest thing you can do for your stylus and ears. So, sit back, relax, enjoy the music, and remember the sound.
PLUS FOR COLLECTORS THESE PRESSING NEVER CAME WITH BAR CODES TO LESSEN THE QUALITY OF THE JACKETS.
Classic Records has proven to be an Audiophile Company second to none in the new millennium AND WENT OUT OF BUSINESS OVER A DECADE AGO. But Classic Records, unlike other top Audiophile Companies, does not place Limited Edition numbers on their LP jackets.
15 years ago, Classic Records changed their vinyl weight from 180 gram to 200 gram.
What this change did for Collectors of the finest vinyl pressings was establish a First Edition element to Classic Records Audiophile pressings. All Classic Records 200 Gram pressings are now Out of Print and Very Limited Edition Collector's First Edition Pressings.
These First Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer. You might still find some limited inventory of MFSL or DCC pressings but I will bet my bottom dollar that you won't be able to find any of these 180 gram Classic Records First Editions. They are simply gone from the market and Mymusicfix has seen these First Editions sell for over $300.
In the long term, First Editions will be what Collectors seek. This pressing was tremendously limited before Classic Records SINCE THEY ARE NO LONGER IN BUSINESS. When you take that into consideration, what will this First Edition Audiophile Pressing be worth in the years ahead? It could be one of the most collectible pressings ever in this 200 Gram First Edition.
How rare and valuable are each one of these still Factory Sealed? Priceless!
Mymusicfix is giving you one of the last chances to collect one of these 200 Gram First Editions. Mymusicfix has a very limited amount of these Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces!
These are tremendous titles and artists that Mymusicfix still has in these 200 Gram First Editions but we have very few pieces left of each title and prices will
continue to rise as inventory continues to dwindle.
E- BAY STORE. 
FOR YOUR INDIVIDUAL COLORED VINYL SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN Hendrix titles use the code JHENDRIX INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR
| NOEL REDDING The Experience Sessions WITH JIMI HENDRIX Noel Redding: The Experience Sessions presents a collection of rare and previously unreleased studio recordings made by Redding during his two-and three quarter year tenure with the Jimi Hendrix Experience, and also contains the master takes of his two stand-out original compositions, Electric Ladyland Little Miss Strange and Axis: Bold As Love She's So Fine. Previously unreleased alternate recordings of these two essential tracks are included, offering fascinating insight into the inner-workings of the group in the studio. This disc is also a cause for celebration simply for the fact that three of the tracks, the previously unissued "There Ain't Nothing Wrong" and "Noel's Tune (Take 1)" plus an out-of-print live rendition of "Red House," feature blistering guitar work from Jimi Hendrix. The basic rhythm track of the album opener, "There Ain't Nothing Wrong," was recorded December 28, 1967 by Hendrix, Mitch Mitchell, and Traffic guitarist Dave Mason during the Electric Ladyland sessions, and it is a thrill to hear previously unearthed examples of Jimi's genius during this highly creative period for himself and the band. This recording is particularly unique in that Noel, under the direction of former Jimi Hendrix Experience producer Chas Chandler in 1989, composed lyrics, recorded a lead vocal, and added new bass parts to this previously unissued Jimi Hendrix session. "Noel's Tune (Take 1)" recorded days after the Experience's historic February 24, 1969 performance at London's Royal Albert Hall, is a rave-up rocker featuring Noel pounding away on funky rhythm guitar while Jimi adds appropriately intense guitar work. "Red House," recorded live at the Olympia Theater in Paris on January 29, 1968, is a rare example of Noel recreating the studio take by forgoing the use of the bass in favor of bass-heavy rhythm guitar; Jimi's playing on this high-energy track is simply spectacular. It was in the aftermath of the release of Axis: Bold As Love that Noel began to develop new solo material in earnest. Noel Redding: The Experience Sessions presents the much sought-after unreleased tracks "Dream" and "Walking Through the Garden," both of which feature Noel on guitar and Jimi on bass, plus a previously unissued demo of "How Can I Live?." Noel would later re-record the song without Hendrix and include the new version as part of his first post-Experience release, Fat Mattress. Mastered from the original analog master tapes, under the supervision of Eddie Kramer, by George Marino at Sterling Sound in New York and released in cooperation with Experience Hendrix by Classic on our proprietary 200g Super Vinyl Profile. Rock at its finest! | |
Track Listings |
Side One
There Ain't Nothing Wrong
Little Miss Strange
Walking Through the Garden
She's So Fine
Little, Little Girl
How Can I Live
Side Two
Noel's Tune [Take 1]
Noel's Tune [Take 2]
Little Miss Strange
She's So Fine
Dream
Red House live with JIMI HENDRIX
Check out Mymusicfix for additional Audiophile Vinyl by hitting 
on the Title Purchase Page to view our current items up on E-Bay. Mymusicfix has been told we have the best collection of Rare, Out of Print music collectibles on E-Bay. CLLP jhendrix
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On Sep-26-08 at 19:59:24 PDT, seller added the following information:
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