Artist Name: Moshe Bernstein

Title: Portrait of a Jewish Yeshiva Boy

Signature Description: Hand-signed in English lower left 

Technique: Ink on paper

Image Size: 60 x 38 cm / 23.62" x 14.96" inch

Frame: The painting is unframed.

Condition: Good condition.

Artist's Biography:

Moshe Bernstein, painter, illustrator and Yiddish poet, born in Poland, 1920.

Moshe Bernstein was born in Bereza, Poland.
He graduated from Vilna Academy of Art in 1939. His family was wiped out in the Holocaust, but he survived the war and remained in Russia until 1947, when he attempted to immigrate illegally to the Land of Israel with Aliyah Bet.
He ended up in a detention camp in Cyprus, where he remained until the establishment of the State of Israel in 1948. He fought in the War of Independence. Bernstein's art focused on his memories from the shtetl.
In 1999, the Massuah Institute for the Study of the Holocaust awarded him a prize for his "documentation of a vanished world."
He also illustrated volumes of Yiddish poetry and other books.

Education
1935-1939 Art Academy of Vilna
1974 sculpture under Zeev Ben Zvi in Cyprus

Awards and Prizes
1980 City Medal, Tel Aviv

Solo Exhibitions

1979 Art Gallery at Beit Leivik, Tel Aviv
1968 Chemerinsky Art Gallery, Tel Aviv
1961 Chemerinsky Art Gallery, Tel Aviv
1945 / 1951 / 1953 / 1954 / 1957 Katz Gallery, Tel Aviv

Group Exhibitions

2016 Men and Women from the Museum Collection, The Bar David Museum for Art and Judaica, Kibbutz Bar'am
2013 “Sacred”, The Bar David Museum for Art and Judaica, Kibbutz Bar'am
2009 Jerusalem Through the Ages, Municipal Art Gallery, Jerusalem
2008 The First Decade: Hegemony and Plurality, Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod
         1948, Eretz-Israeli Art Leading to the Future, Mishkan Le'omanut, Museum of Art, Kibbutz Ein Harod
2004 Israeli Art in Jewish Art Path: Historical Sketch, Time for Art - Center for Israeli Art, Tel Aviv
2003 Art and Jewish Art, The Bar David Museum for Art and Judaica, Kibbutz Bar'am
1988 Modern Drawing - New Approaches, Haifa Museum of Modern Art
         Rovina - Israeli Artists paint Chana Rovina, Rubin Museum, Tel Aviv
         A People Build Its Land: Israeli History as Reflected in Art, Herzliya Museum of Contemporary Art
1983 The Ruja and Arie Dobron Collection, Yad Labanim Museum, Petach-Tikva
1982 Yad Labanim Museum, Petach-Tikva
1978 Summer Exhibition 1978, Yad Labanim Museum, Petach-Tikva
1969 Art Festival, Painting & Sculpture in Israel 1969, The Exhibition Grounds, Tel Aviv
1968 Artists' Day: Exhibition of Paintings Jerusalem,
1967 General Exhibition, Art in Israel, Tel Aviv Museum of Art
          Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion
          Jerusalem Seen by Israeli Artists, Israel Museum, Jerusalem
1966 The Country Landscapes Exhibition, Artist House, Tel Aviv
1965 The ''Shtetl'', Yad Vashem, Jerusalem
1961 / 62 / 63 / 1965 Central Exhibition, Art in Isreal, Tel Aviv Art Museum
1964 Exhibition of Drawings and Ceramics, Artist Pavillion, Tel-Aviv
1959 General Exhibition, On the Occasion of the 50th Anniversary of the City of Tel-Aviv, Tel Aviv Art Museum
1958 Ten Years [of] Israeli Painting, Tel Aviv Art Museum
         First Decade Exhibition for Painting, Ramat Gan
1951 /1954 / 1955 / 1956 / 1957 Annual Exhibition, Art in Israel, Tel Aviv Art Museum
1954 Young Israeli Painters, Tel Aviv Art Museum

Moshe Bernstein (1920 - 2006) was an Israeli painter, illustrator and Yiddish poet.
Much of his work focused on the world of the Jewish town of Eastern Europe, the “Shtetl”, which was destroyed during the Holocaust.
An Honorary Citizen of the city of Tel Aviv-Jaffa.

Moshe Bernstein was born on August 15, 1920 in the city of Barza Cartuska, Poland (now southwest of Belarus). 
At the age of 15 he began studying art at the Art Academy in Vilnius and studied there until 1939. 
During World War II, he remained in the Soviet Union, and in 1947 immigrated to Palestine (then inder the British Mandate) on immigration B (illegal). 
His family, who remained in Poland, perished in the Holocaust.

Upon his immigration, he was captured and sent to a detention camp in Cyprus, where he became acquainted with the painter Naftali Bezem, who came to visit the illegal immigrants at the camp. The prints album that came out later for Bwzem's activities among the refugees also includes Bernstein's linoleum.

In 1964, he married Ilana-Lena Obshani from Kibbutz Ein Harod. They had two daughters - Chasia (after his mother) and Rebecca (after his sister), members of his family who perished in the Holocaust. 
Bernstein was a prominent figure in the Bohemian circles of Tel Aviv, characterized by his small stature and long haircut. 

His paintings were, among other things, painted on the walls of Cafe Kassit, a veritable cornerstone of Israeli cultural life and a meeting place of famous Tel Aviv artists. 
Bernstein died in 2006 in Tel Aviv at the age of 86. Buried in the cemetery at Kibbutz Ein Harod. Survived by wife and two daughters.

Career

In Israel, too, Bernstein continued to paint the Jewish town in Eastern Europe and founded it difficult to take his place among the new Israeli artists. 
However, from the late 1940s to the 1970s, he was recognized and participated in various exhibitions, including at the Tel Aviv Art Museum and the Artists' House in Tel Aviv. 
In 1967 he exhibited a solo exhibition at the Haifa Museum pf Modern Art and in 1973 he exhibited a retrospective exhibition at the Art Museum in Kibbutz Ein Harod  
Bernstein's works have been exhibited in private and public galleries and museums in Israel (in Katz Art Gallery and in the Chemerinsky Gallery, Tel Aviv) and abroad (among others in The Hague, Amsterdam, Paris and Prague ).
Additionally, Bernstein illustrated poetry books in Yiddish.
In 1998, Bernstein presented an exhibition of paintings of the Jewish town in Parma, Italy. 
In 2000, he presented an exhibition about the Jewish town in Eastern Europe at the Municipal Gallery at Beit Yad Layanim in Ra'anana.
In Purim 2002, the Philatelic Service issued a stamp in honor of the Yiddish language, designed by Moshe Bernstein and Zvika Roitman. 

Awards and recognition

In 1992 Bernstein was awarded the Honorary Citizen of the city of Tel Aviv-Jaffa . In 1999 he was awarded the creation prize from the Massuah Museum, an institute for Holocaust Research, for "Documenting the World Lost in Its Beginning". 
The Tel Aviv Municipality has set up a memorial plaque at the entrance to its home at 184 Dizengoff Street in Tel Aviv.

Additional Information:

Moshe Bernstein, Painter and Illustrator, Dies at 86

Born in Poland in 1920, Bernstein was a well-known figure in Tel Aviv's old bohemian circles and the art world.

Haaretz / Dec 11, 2006

The painter Moshe Bernstein, a well-known figure in Tel Aviv's old bohemian circles and in the world of art, died late last week. He was 86.

Born in Poland in 1920, Bernstein completed his art studies in the Academy of Vilna in 1939. His family was wiped out in the Holocaust, but he survived the war and lived in Russia until 1947, when he immigrated to Palestine as part of the "illegal immigration" (aliyah bet). He was caught and spent time in a detention camp in Cyprus.

Bernstein's artistic path in Israel recalls that of other painters who reflected their memories of small Jewish Diaspora towns, or shtetls. At a certain stage, these artists were rejected by the local art scene. In the 1950s, '60s and '70s, the subject aroused public interest and recognition. In 1948, Bernstein participated in a group exhibit in the Tel Aviv Museum of Art, and in 1949 in a group exhibit at Artists' House (then known as the Artists' Pavilion). In 1954, he participated in another exhibition - of young artists - in the Tel Aviv Museum. In 1962, he had a solo exhibition at the Tel Aviv Museum, another in 1967 at the Haifa Museum, and a retrospective in 1973 in the Ein Harod Museum of Art. Interspersed among these events were shows at the Katz and Chemerinsky Galleries in Tel Aviv.

A Bernstein exhibit, which included paintings of the shtetl, was shown in 1998 at the international theater festival in Parma, Italy. In 1999, he was awarded a prize by the Massuah Institute for the Study of the Holocaust, for his "documentation of the world that vanished at the beginning of his career."

His paintings appeared on the walls of the defunct Kassit cafe in Tel Aviv, and in the Kiton restaurant - "places in which he ate and gave paintings," says gallery owner Zaki Rosenfeld, whose father, Eliezer Rosenfeld, worked with Bernstein.

Bernstein's paintings always touched on memories of the Jewish town he was forced to leave at a young age. They were a constant reminder of the destruction of European Jewry, but also expressed great yearning. Bernstein wrote in the catalogue of the 1973 exhibition in Ein Harod: "In this exhibition, I once again bring you the experiences and dreams of my longed-for past, because for me it is an enchanted garden which I walk as if intoxicated by its fragrances and its beauty, and from which I draw the inspiration for my work."

"Moshe was one of those young artists who gave expression to a different kind of experience in that period," says Galia Bar-Or, curator and director of the Ein Harod Museum of Art. "He is perceived as the kind of Jewish artist that gives sentimental expression to the memory of a Jewish culture that is gone forever. He also illustrated books of Yiddish poetry. He did the typography by hand, in black ink; and in his decorations around the sides there appeared that same figure of a Jewish girl, with a black braid and big eyes, and the houses of the town."

At a certain stage he began to concentrate increasingly on graphic art. Among others, he illustrated Israel Ch. Biletzky's book, "A Jewish Shtetl," which was published in 1986.

"My father, who also came from the shtetl, worked with him for years, and loved his work," says Zaki Rosenfeld about Bernstein. "He belonged to that same vanishing group of artists who represented and preserved the cultural fabric from which they themselves came. When I turned the gallery into a gallery of contemporary art, he would walk down Dizengoff Street, look at the gallery, spit on the ground, make sure I had seen him, and continue on his way. There is no doubt that the face of this little man, and what he represented, will be missed on the Tel Aviv landscape."