"Designs By Lance", Lance McLain, Honolulu, HI, Tattoo Flash VINTAGE (Old Shop Copy), SHOP USED Black And White Tattoo Production Flash Sheet!
THIS IS AN ORIGINAL VINTAGE COPY, NOT A NEW COPY, OR REPRODUCTION!!!!!!!
READY FOR DISPLAY IN YOUR TATTOO SHOP, ART COLLECTION, OR TATTOO MUSEUM!!!!!!!
This is a split sheet, each sheet is 11x14" (Inches APPROXIMATELY). When combined you get a sheet that is roughly 14"X19" Inches.
These OLD, Shop Used, copies came from a collection I purchase, from Fresno Tattoo Co., Fresno, CA.
Old School, Vintage Style Tattoo Flash. Pictured on this Tattoo Flash Sheet are various designs, may be including images such as, Girl, Bikers, Skulls, Reapers, Ships, Butterflies, Rock & Roll, USA, Military, Japanese, Dragons, Dogs, Eagle, Tiger, Sailor, Pirate, Skull, Dagger, Rose, ECT. Please see Pictures as these are the sheets you will receive.
1 TATTOO OUT OF THIS LOT WILL PAY FOR THE ENTIRE SET!
These Designs are Vintage 1980's but still very relevant today! Great Money Makers!
This is a great book of Artwork to display in your shop.
Line work for this sheet IS NOT included.
This is a great investment for any Tattoo Shop!
Will Ship Flat, Priority Mail. I WILL COMBINE SHIPPING ON MULTIPLE ITEMS!
Lance McLain (b. 1952), who owns and operates Dragon Tattoo in
Wahiawa, is one of the few remaining tattoo artists from the Sailor
Jerry lineage who is still working full-time in the “Old School” or
classic American style. McLain grew up in Burbank, California, where his
mother worked in an office for Universal Studios. His friends’ parents
were Hollywood animators, set builders, electricians, and lighting
technicians. “I was brought up in front of a TV set,” says McLain.
“They didn’t know it was detrimental for kids back then. I was being
programmed early with images of movies going through my head, so that is
reflected in my work.” After high school, he joined the Navy, ending
up stationed in San Diego in 1972, where he met tattoo artists Don Ed
Hardy, Mike Malone, and Zeke Owen and decided he had finally found his
calling. Hardy and Owens showed him Sailor Jerry’s flash, and McLain
promised himself he would one day meet him. In 1973, when his ship was
temporarily docked in Honolulu, McLain took a bus to Chinatown and spent
three days talking with Sailor Jerry about tattooing.
Less than a year later, after Sailor Jerry died, his widow sold China
Sea Tattoo to Mike Malone, who hired McLain to be his apprentice.
Malone showed him the fundamentals, as well as the finer points of
tattooing, and shared Sailor Jerry’s trade secrets with him. McLain
worked for Malone from 1976 to 1980, until Malone sold him his Waikiki
shop, Floating World.
The faces of McLain’s pinup girls are softer and more vulnerable than
Sailor Jerry’s. His work is deceptively simple and is distinguished by
strong, dark lines, bold, brilliant colors, and solid shapes. He avoids
fussy shading, nuances and tones. “There’s a rule in tattooing that if
someone can’t perceive what they’re looking at in seven seconds, your
tattoo has not been successful, “ says McLain. “It has to be immediate,
and it has to be absorbed instantaneously.”