
THE APOCRYPHATranslated out of the Greek and Latin Tongues
Being the Version Set Forth AD 1611
Compared with the Most Ancient
Authorities and Revised AD 1894
The Apocrypha contains some of the best-known stories in the Bible – stories which have captured the popular imagination and sunk deep into our cultural consciousness, permeating music, literature and art.
When St Jerome compiled the Vulgate version of the Old Testament, he marked certain passages which were found in Greek, but not older Hebrew collections, as 'Apocrypha', meaning 'hidden'. Powerful narratives of virtue and vice, heroism and betrayal; magisterial, haunting verse; unique insights to a nation's history of battle and endurance; moving prayers; heroic deeds ... These fifteen books would become a key source of controversy as theologians squabbled over their place or inclusion in the Bible.
Whatever their authority, they are works of transcendent beauty - the language gorgeous, the stories thrilling. The poetry and prayer of 'The Wisdom of Solomon' and 'Ecclesiasticus' are an integral part of our culture. The hymn of praise in 'The Song of the Three Holy Children', not only entered the Christian Liturgy, but formed the central core of Benjamin Britten's opera, The Burning Fiery Furnace. Freud chose the story of 'Judith and Holofernes' as symbolising the 'castration complex', while many of our proverbs, still in daily use, come directly from the Apocrypha.
To painters, they proved irresistible subject matter. The Old Masters returned again and again to the books of the Apocrypha for inspiration. The thirteen interpretations selected to illustrate this new edition span the breadth of the period and reveal its stylistic development. They include Artemisia Gentileschi's Susanna and the Elders, Tintoretto's Creation of the Animals, Ruben's Triumph of Judas Maccabeus. Placed side by side with the text, these luminous artworks become doubly powerful.
It is a tangled history that few scholars could explain with the clarity and authority of Professor David Daniell, whose insightful introduction was commissioned specially for The Folio Society. This magnificent edition brings the fifteen books together in one volume. Quarter-bound in goatskin leather and moiré silk, and illustrated with a selection of paintings from the Old Masters, and comes as shown with the slipcase illustration: "Jeremiah Lamenting the Destruction of Jerusalem", by Rembrandt van Rijn, ca 1630.
As far as I can tell, this is the only fine edition now in print! It is a magnificent volume, giftworthy, elegant and gorgeous!

Founded in 1947, The Folio Society applies the highest standards of design, binding, typography and illustration to commercially-produced books. Nearly sixty years on, they publish books that will stand the test of time, in handsome, imaginatively designed and beautifully made editions - a combination of quality and value that few publishers can match. Care and attention is devoted to every detail of the physical attributes of each book. Exacting standards require that every one has a proper sewn binding and comes in a protective slipcase. A wide range of binding materials are employed, from buckram, silk, leather and hand-marbled papers to traditional woven cloth. We choose from a selection of legible and elegant typefaces, seeking to preserve their character through a combination of modern and traditional printing techniques.
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