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M. G. LEWIS (AUTHOR OF THE MONK)
Artist: G. H. Harlowe ____________ Engraver: J. Hollis |

Note: the title in the table above is printed below the engraving
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PRINT DATE: This engraving was printed in 1833; it is not a modern reproduction in any way.
PRINT SIZE: Overall print size is 6 inches by 8 inches including white borders, actual scene is 4 inches by 4 1/8 inches.
PRINT CONDITION: Condition is excellent. Bright and clean. Blank on reverse. Paper is quality woven rag stock paper.
SHIPPING: Buyer to pay shipping, domestic orders receives priority mail, international orders receive regular air mail unless otherwise asked for. We take a variety of payment options. Full payment details will be in our email after auction close.
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DESCRIPTION OF PRINT SUBJECT: Matthew Gregory Lewis (July 9, 1775 - May 14, 1818) was an English novelist and dramatist, often referred to as "Monk" Lewis, because of the success of his Gothic novel, The Monk. He was born in London and educated for a diplomatic career at Westminster School and Christ Church, Oxford, spending most of his vacations abroad in the study of modern languages; and in 1794 he went to the Hague as attache to the British embassy. Although he only stayed a few months, it was there that he produced, in ten weeks, his romance Ambrosio, or the Monk, which was published in the summer of the following year. It immediately achieved celebrity; but some passages it contained were of such a nature that about a year after its appearance, an injunction to restrain its sale was moved for and a rule nisi obtained. Lewis published a second edition from which he removed what he thought were the objectionable passages, but the work retained much of its horrific character. Lord Byron in English Bards and Scotch Reviewers wrote of "Wonder-working Lewis, Monk or Bard, who fain wouldst make Parnassus a churchyard; Even Satan's self with thee might dread to dwell, And in thy skull discern a deeper hell." Whatever its demerits, ethical or aesthetic, may have been, The Monk did not interfere with the reception of Lewis into the best society; he was favorably noticed at court, and almost as soon as he came of age he obtained a seat in the House of Commons as member for Hindon, Wiltshire. After some years, during which he never addressed the House, he finally withdrew from a parliamentary career. His tastes lay wholly in the direction of literature, and The Castle Spectre (1796), a musical drama of no great literary merit, but which enjoyed a long popularity on the stage, The Minister (a translation from Friedrich Schiller's Kabale und Liebe), Rolla (1797, a translation from Kotzebue), and numerous other operatic and tragic pieces, appeared in rapid succession. The Bravo of Venice, a romance translated from the German, was published in 1804; after The Monk it is his best known work. The death of his father left him with large fortune, and in 1815 he set off for the West Indies to visit his estates; in the course of this tour, which lasted four months, the Journal of a West Indian Proprietor, published posthumously in 1833, was written. A second visit to Jamaica was undertaken in 1817, in the hope of becoming more familiar with, and able to ameliorate, the condition of the slave population; the fatigues to which he exposed himself in the tropical climate brought on a fever which resulted in his death during the homeward voyage.
Please note: the terms used in our auctions for engraving, etching, lithograph, plate, photogravure etc. are ALL prints on paper, and NOT blocks of steel or wood or any other material. “ENGRAVINGS”, the term commonly used for these paper prints, were the most common method in the 1700s and 1800s for illustrating old books, and these paper prints or “engravings” were created by the intaglio process of etching the negative of the image into a block of steel, copper, wood etc, and then when inked and pressed onto paper, a print image was created. These prints or engravings were usually inserted into books, although many were also printed and issued as loose stand alone lithographs. They often had a tissue guard or onion skin frontis to protect them from transferring their ink to the opposite page and were usually on much thicker quality woven rag stock paper than the regular prints. So this auction is for an antique paper print(s), probably from an old book, of very high quality and usually on very thick rag stock paper.
A RARE FIND! AND GREAT DECORATION FOR YOUR OFFICE OR DEN WALL.
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