Jack the Ripper
Collection of Five Letters

These are Five Letters from 1888 which have been Reproduced
They are signed "Jack The Ripper" and were originally posted to the Police and the Newspapers

Jack the Ripper was the never caught and created hysteria and speculation throughout the Victorian era, even royalty were once considered as suspects. His grizzly murders were never solved and his name has been passed down in history. Many people still study his gruesome murders. These Letter are high quality reproduced paper during this dark period during Victorian Britain. An excellent educational resource for students, our Jack the Ripper letters are a must for all those interested in this sinister murderer.

They include an envelope with a Victorian stamp and the infamous "Dear Boss" Letter. 
This was the first time Jack the Ripper was mentioned anywhere
Another one starts with the comment "From Hell"
Very Chilling and revealing into the mind of the most notorious Serial Killer ever

Printed by a professional printing company on paper similar to the original

in Excellent Condition

Delve into the grim history of London's East End with this unique set of memorabilia letters, each bearing the signatures of the notorious Jack the Ripper. These antiques, dating back to 1888, are a must-have for collectors and enthusiasts of urban art and historical phenomena. The letters are elegantly penned on paper, capturing the essence of a bygone era. This collection is a licenced reproduction, ensuring authenticity and a connection to the actual events that took place in the heart of the Victorian city. The small size of each piece makes them ideal for display, allowing you to own a tangible piece of history without compromising on visibility. Explore the darker threads of British heritage with these chilling artefacts. This is a facsimile of a handwritten manuscript by Jack the Ripper, detailing the infamous London 1888 murders. The manuscript is signed and dated from that period, offering a unique insight into the history of the time. Written in English, the document is a piece of European history with a focus on the subject of the murders, making it a rare and unusual collectable item.

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The Ripper Letters
Yours Truly, Jack the Ripper

During the period of the Ripper murders, the media, police and other officials had received a sea of letters. The Whitechapel Murders had created such a media frenzy that many local citizens found it irresistible to not want to be a part of this sensational investigation.

Some of the letters were sent by concerned citizens offering their support in the ongoing investigation, yet hundreds of letters were written by pranksters – with the intent of taunting police. Apart from a few well-intentioned letters from Whitechapel citizens hoping to aid police in their efforts to apprehend Jack the Ripper, the bulk of these letters were crass, distasteful or simply worthless.

Several of the ‘Ripper Letters' were written as if by the killer himself. The vast majority of them, if not all, were believed to be hoaxes. Yet, there are three letters that stand out in particular…

Dear Boss Letter
Jack the Ripper "Dear Boss Letter" EnvelopeThe Dear Boss Letter, which was dated September 25th, was received by the Central News Agency on September 27, 1888, the same day as its postmark. This letter was then sent on to Scotland Yard two days later.

Though initially viewed as a prank, the Dear Boss Letter quickly gained attention after Catherine Eddowes' murder on September 30th. In the letter, the author made mention of clipping off his next victim's ears. Eddowes was found with one earlobe severed.

In the same manner as the other famed Ripper Letters, the Dear Boss Letter is rife with misspellings, as well as grammatical and punctuation errors.

Jack the Ripper Dear Boss Letter
Facsimile of the Dear Boss Letter

Jack the Ripper Dear Boss Letter
Facsimile of the Dear Boss Letter

It Reads:

Dear Boss,
I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled. Grand work the last job was. I gave the lady no time to squeal. How can they catch me now. I love my work and want to start again. You will soon hear of me with my funny little games. I saved some of the proper red stuff in a ginger beer bottle over the last job to write with but it went thick like glue and I cant use it. Red ink is fit enough I hope ha. ha. The next job I do I shall clip the ladys ears off and send to the police officers just for jolly wouldn't you. Keep this letter back till I do a bit more work, then give it out straight. My knife's so nice and sharp I want to get to work right away if I get a chance. Good Luck.

Yours truly

Jack the Ripper

Dont mind me giving the trade name

PS Wasnt good enough to post this before I got all the red ink off my hands curse it No luck yet. They say I'm a doctor now. ha ha

The Dear Boss Letter is arguably the most famous of the three most prominent “Ripper Letters”, as it marked the first usage of the moniker that would later become legend… the author signed it,

Yours truly

Jack the Ripper

Soon after the Dear Boss Letter was made public, hundreds more letters were received claiming to be written by Jack the Ripper; all of them undoubtedly hoaxes. Most of them possessed the same tone and catch phrases from the Dear Boss Letter and were signed using the previously unknown nickname of Jack the Ripper.

The Dear Boss Letter, along with the Saucy Jack Postcard, were published by Metropolitan Police and handed out to citizens in hopes that someone would be able to identify the handwriting, yet nothing came of it. Newspapers also reprinted the messages, creating a worldwide media frenzy and increasing the celebrity of Jack the Ripper.

Some sources claim there was a previous letter, which had been dated September 17th, in which the author referred to himself as Jack the Ripper. However, most experts discount that letter as a modern day hoax which was placed in police records during the 1900s, well after the time of the murders.

While not well publicized, police officials later stated that they believed the Dear Boss Letter and Saucy Jack Postcard to be the work of a local journalist by the name of Tom Bullen.

Years later, in 1931, a journalist named Fred Best reportedly confessed to writing the Dear Boss Letter and Saucy jack Postcard in an attempt to “keep the business alive”. It is not known if his claims were genuine, but it is probable.

Shortly after the investigation ended, the Dear Boss Letter came up missing from police files. It's believed that one of the investigating officers in the Ripper case had kept it as a souvenir. In 1988, nearly a century after the case had been closed, it was returned to Metropolitan Police by an anonymous party.

victorian_scroll

Saucy Jack Postcard
Saucy jack PostcardThe Central News Agency received the Saucy Jack Postcard on October 1, 1888, the same day as its postmark. The writer's handwriting on the postcard was very similar to that seen in the Dear Boss Letter. The Saucy Jack Postcard makes mention of a “double event“, which was obviously in reference to the murders of Elizabeth Stride and Catherine Eddowes, both of which occurred the morning of September 30th.

It Reads:

I was not codding dear old Boss when I gave you the tip, you'll hear about Saucy Jacky's work tomorrow double event this time number one squealed a bit couldn't finish straight off. Had not got time to get ears off for police thanks for keeping last letter back till I got to work again.
Jack the Ripper

Jack the Ripper Saucy Jack Postcard
Facsimile of the Saucy Jack Postcard

It's worth noting that part of Eddowes' ear was found severed at the crime scene. Some believe this was an unintentional result of the facial mutilations that the killer performed. Others argue it was deliberate.

Another topic of debate has been whether or not the postcard was sent prior to the murders, or afterward. Some suggest that the message was sent before news of the murders hit local papers, thus substantiating the fact that it was written by someone with firsthand knowledge of the crime. Others argue that because the letter was postmarked more than 24 hours after the killings, it was likely a hoax since most details surrounding the murders were already being reported by the media.

Police later claimed to have identified journalist Tom Bullen, as the author behind both the Saucy Jack Postcard and Dear Boss Letter.

Years later, journalist Fred Best came forth with a confession, claiming to be responsible for both the letter and postcard.

As with the Dear Boss Letter, the Saucy Jack Postcard later turned up missing from police files. Unlike the Dear Boss Letter however, which had been returned in 1988, the Saucy Jack Postcard is still missing. Only a facsimile of it exists in the files.

victorian_scroll

From Hell Letter
The From Hell letter is arguably the most disturbing and noteworthy of the three most prominent Jack the Ripper messages. This is mainly due to how the letter arrived… inside a small box, accompanied by half of a human kidney. Coincidentally, Catherine Eddowes' killer had removed one of her kidneys.

This letter is also distinct in that not only is the handwriting unique, but the writer also left it unsigned. The From Hell Letter also appears to be penned by someone with even less literary prowess than those responsible for the Dear Boss Letter and Saucy Jack Postcard.

Jack the Ripper From Hell Letter
The infamous “From Hell” Letter

The letter, postmarked October 15, was received by George Lusk, head of the Whitechapel Vigilance Committee, on October 16, 1888.

It Reads:

From hell
Mr Lusk,
Sor
I send you half the Kidne I took from one women prasarved it for you tother piece I fried and ate it was very nise. I may send you the bloody knif that took it out if you only wate a whil longer
signed
Catch me when you can Mishter Lusk

The kidney had been preserved in alcohol and was in fact confirmed to be that of a human female's. Lusk, along with members of the medical field, believed the kidney and accompanying message to be a practical joke played by medical students who'd obtained the organ from a cadaver.

Dr Thomas Openshaw
Dr Thomas Openshaw

Dr. Thomas Openshaw, the physician who examined the kidney, concluded that it had come from a woman about 45 years of age, who also suffered from Bright's Disease. This disease is a failing of the kidneys as a result of heavy drinking.

Catherine Eddowes was 46 at the time of her murder and was known to drink quite heavily.

Like much of the other evidence in the Jack the Ripper case files, the From Hell Letter and accompanying kidney have either been lost or stolen. All that remains on file is a photograph of the letter taken before its disappearance.

How many letters were received during the time of the Ripper Murders?
It's not exactly known just how many letters were received by authorities, media and other notable figures in Whitechapel during the time of the murders, but it's possible the number may have totaled a few thousand. In the October 20, 1888 edition of The Illustrated Police News, it was reported that over 700 letters had been investigated by police.

Since most of these letters were either discarded, lost, or later destroyed during the bombings in WWII, we can only guess as to what the actual number may have been, but we do know that as many as 300 of the letters are still preserved at the Corporation of London Records Office.


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THE DEAR BOSS LETTER - YOURS TRULY JACK THE RIPPER

THE BIRTH OF A LEGEND
The name "Jack the Ripper" didn't enter the investigation until after the night of the so-called "double murder" of Elizabeth Stride and Catherine Eddowes on 30th September 1888.

Up until that point the killer had been known variously as the "Red Fiend", "The Whitechapel Murderer," and "Leather Apron."

It was the arrival of a gloating letter posted to a London news agency in later September 1888 that would introduce the name 'Jack the Ripper' into the saga.

The letter in question was received by the Central News agency at their premises in the City of London on 27th September 1888.

IGNORED AT FIRST
At first the staff of the news agency weren't too concerned about the letter, and it would be two days before, on September 29th, they would decide to pass it on to the Metropolitan Police.

The letter, written in a boastful tone, was addressed to "The Boss, Central News Office, London, City."

It read:-

Dear Boss,

I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled. Grand work the last job was. I gave the lady no time to squeal.

How can they catch me now. I love my work and want to start again. You will soon hear of me with my funny little games. I saved some of the proper red stuff in a ginger beer bottle over the last job to write with but it went thick like glue and I cant use it. Red ink is fit enough I hope ha ha. The next job I do I shall clip the ladys ears off and send to the police officers just for jolly wouldn't you. Keep this letter back till I do a bit more work, then give it out straight.

My knife's so nice and sharp I want to get to work right away if I get a chance.

Good Luck.

Yours truly

Jack the Ripper

Dont mind me giving the trade name. Wasnt good enough to post this before I got all the red ink off my hands curse it No luck yet. They say I'm a doctor now. ha ha”

PERUSE THE DEAR BOSS LETTER
A photo of the Dear Boss Envelope.
A photo of the front side of the Dear Boss letter.
A photo of the reverse side of the letter with the signature Jack the Ripper.
POLICE SCEPTICISM
The police were initially sceptical about this piece of correspondence actually having been written by the killer and believed it to be a hoax.

But, within a day of the agency having passed it to them, two more women - Elizabeth Stride and Catherine Eddowes - were murdered in the early hours of the 30th September.

The police found themselves with little choice but to take a closer look at what "Jack the Ripper" had written.

The statement "I want to get to work right away if I get a chance", given that he had apparently done just that, apparently backed up the author's claim that he was the murderer.

Meanwhile, the threat to "clip the ladys ears off and send to the police officers"; when her killer had indeed mutilated Catharine Eddowes's earlobes was, so the police thought, a bit too prophetic for them to dismiss it as an idle boast.

Furthermore, with their investigation floundering, and press criticism of their lack of progress increasing, they desperately needed a breakthrough in their hunt for the killer. Perhaps this letter would provide that sought after breakthrough?

THE POLICE RELEASE THE LETTER
So, on the 1st October, the police made the Dear Boss letter public and, in so doing, the escapades of an unknown East End murderer and his sordid set of crimes were given a gruesome immortality and, as a result, an almost bizarre element of melodrama entered the case.

ANOTHER LETTER IS RECEIVED
In the early mail on Monday October 1st, a postcard that was written in a similar handwriting to the "Dear Boss" letter, arrived at the Central News Agency.

This too was scrawled in red ink but, in addition, there were what appeared to be bloodstains on it.

The writer had not put a date on the postcard but it did bear the postmark LONDON E, and this was dated the 1st of October.

If the author was not the same writer responsible for the "Dear Boss" letter, there was little doubt that he was at least familiar with the contents of that missive.

SAUCY JACKY
The postcard read:-

I was not codding dear old Boss when I gave you the tip, you'll hear about Saucy Jacky's work tomorrow double event this time number one squealed a bit couldn't finish straight off had not the time to get ears for police. thanks for keeping last letter back till I got to work again.

Jack the Ripper.”

PERUSE THE SAUCY JACK POST CARD
A photo of the front of the Saucy Jack postcard.
A photo of the reverse side of the Saucy Jack postcard.
It was obvious that whoever had penned the postcard was inferring that it had been written a very short time after the murders had taken place, and that the writer was boasting to the police about the two murders he had, supposedly, just committed.

In addition, it included the taunt that he had indeed tried to carry out his threat from the previous communiqué of clipping a victim's ears off.

THE LETTERS START COMING IN
Within days of the "Dear Boss" letter and postcard being made public, copies of them began appearing in the worldwide press.

This publicity proved a bane to the police endeavours to catch the killer as it sparked off a national past time that saw hoaxers countrywide reaching for their pens and, very soon, the beleaguered police investigation was swamped by a veritable tidal wave of bogus correspondence that purported to come from the murderer.

The police had no choice but to read and assess each letter, form a judgment on its veracity and, if possible, trace and investigate the writer.

GEORGE SIMS OPINION
George Sims, the journalist, writing in his Dagonet column for the Referee on Sunday October 7th, aptly summed up the effect that the release of the letter and post card - and the arrival in the public consciousness of the name Jack the Ripper - had had:-

JACK THE RIPPER is the hero of the hour. A gruesome wag, a grim practical joker, has succeeded in getting an enormous amount of fun out of a postcard which he sent to the Central News. The fun is all his own, and nobody shares in it, but he must be gloating demonically at the present moment at the state of perturbation in which he has flung the public mind. Grave journals have reproduced the sorry jest, and have attempted to seriously argue that the awful Whitechapel fiend is the idle and mischievous idiot who sends blood-stained postcards to the news agency. Of course the whole business is a farce.”

WHAT THE COMMISSIONER THOUGHT
By this time, the police were certain that the correspondence had most certainly not been penned by the same hand that had murdered Mary Nichols, Annie Chapman, Elizabeth Stride and Catharine Eddowes. But, of course they had been duty bound to investigate them, if only to trace the author and eliminate him or her from their enquiries.

On 10th October Sir Charles Warren informed the Home Office that:-

At present I think the whole thing a hoax but of course we are bound to try & ascertain the writer in any case.”

ROBERT ANDERSON'S OPINION
In 1910, in his memoirs, Robert Anderson, who at the time of the murders was the Assistant Police Commissioner and head of the Detective Department, was even more emphatic that the letter had been a hoax.

He even stated that the police knew the prankster's identity:-

I will only add here that the "Jack the Ripper" letter which is preserved in the Police Museum at New Scotland Yard is the creation of an enterprising London Journalist.”

THE WRITER KNEW HOW THE PRESS WORKED
The fact that whoever was responsible for sending the letter and creating the name Jack the Ripper sent it to a news agency, rather than to a newspaper, suggests that the writer was, in fact, familiar with the workings of the press at the time.

As George Sims observed to his readers:-

The fact that the self-postcard-proclaimed assassin sent his imitation blood-besmeared communication to the Central News people opens up a wide field for theory. How many among you, my dear readers, would have hit upon the idea of "the Central News" as a receptacle for your confidence? You might have sent your joke to the Telegraph, the Times, any morning or any evening paper, but I will lay long odds that it would never have occurred to communicate with a Press agency. Curious, is it not, that this maniac makes his communication to an agency which serves the entire Press? It is an idea which might occur to a Pressman perhaps; and even then it would probably only occur to someone connected with the editorial department of a newspaper, someone who knew what the Central News was, and the place it filled in the business of news supply. This proceeding on Jack's part betrays an inner knowledge of the newspaper world which is certainly surprising. Everything therefore points to the fact that the jokist is professionally connected with the Press. And if he is telling the truth and not fooling us, then we are brought face to face with the fact that the Whitechapel murders have been committed by a practical journalist - perhaps by a real live editor! Which is absurd, and at that I think I will leave it.”

THE LETTER FROM HELL
George Sims may have been content to leave it, but the letter writers most certainly were not.

As October progressed, more and more letters continued to arrive.

Then, on the 16th October 1888, Mr. George Lusk, the President of the Mile End Vigilance Committee received what is now the second most famous of all the letters, the letter "From Hell."

PICK A NAME, ANY NAME! WHO WAS JACK THE RIPPER? The number of Jack the Ripper Suspects now runs to well over a hundred. Some of them are highly possible contenders for the mantle of Jack the Ripper, others are just downright ridiculous. Each year several books come out claiming that the authors have managed to crack the case and have solved the world's greatest murder mystery. Some of them, admittedly, have managed to unearth fascinating little nuggets of information and, in so doing, have added an extra little piece to the jigsaw. But the majority tend to twist the facts to fit their particular theory as opposed to looking at the theory and demonstrating how it stands up against the known facts about the case. CONTEMPORARY JACK THE RIPPER SUSPECTS In the early days, the police appear to have believed that the crimes were being carried out by one of the local gangs, and thus their investigations focussed on these so-called "High-Rip" gangs. However, by early September 1888, the police had come to the conclusion that, were the local gangs responsible, the publicity and panic that the murders had generated would have led one of the members to inform on the others. THE POLICE LOOK FOR A LONE ASSASSIN By the time of the murder of Annie Chapman on 8th September 1888, the police seem to have decided that they were, in fact, looking for a lone assassin and began seeking ways of bringing him to justice. DID THE MURDERER HAVE MEDICAL KNOWLEDGE? There was a great amount of speculation that the killer demonstrated some amount of medical and/or anatomical knowledge. To this end the police began looking into the activities of several medical students who had spent time in asylums. However, this line of enquiry drew a blank as the movements of these students were accounted for and they were ruled out of involvement in the crimes. WAS HE A BUTCHER OR SLAUGHTER MAN? Others disagreed that the murderer was demonstrating any great degree of medical skill and opined that his abilities were little more than those of a butcher or slaughter man. The police, therefore, carried out extensive enquiries amongst the numerous local butchers and slaughter houses. But, yet again, nothing came of their investigations as all the alibis checked out thus eliminating those interviewed as suspects. DID HE LIVE IN THE AREA? Throughout the hunt for Jack the Ripper the police remained convinced that they were looking for a suspect who lived in the district and, on the whole, their enquiries and investigation focussed on the neighbourhood where the crimes were occurring. Over 2,000 interviews were carried out by the Victorian police officers, more than 300 people were actually investigated and 80 people were detained in police custody. It is possible that Jack the Ripper was one of these, but none of the interviews, investigations or detentions yielded anything concrete that enabled the police to point the finger at one suspect and say that he was Jack the Ripper. A SUSPECT LIST THAT KEEPS GROWING Ever since the Jack the Ripper Murders ended suspect after suspect has been put forward as being responsible for them. Prince Albert Edward Victor, Lewis Carol, The Freemasons and Dr Barnardo are just a few of the more outlandish Jack the Ripper suspects to have been put forward. Others, such as Thomas Cutbush and Carl Feigenbaum were put forward around the time of the murders, discarded as likely suspects, and then found themselves brought back into the frame thanks to modern research, or their asylum records being opened to the public. Our Jack the Ripper Suspects resource presents the case both for and against some of the more popular suspects. In so doing you will then be able to sift through the evidence and decide for yourself which of them, if any, you think is the likeliest of all the Jack the Ripper Suspects. CATCH ME WHEN YOU CAN HA HA CORRESPONDENCE FROM HELL One of the more bizarre aspects of the Jack the Ripper case is the number of letters that the police, newspapers, authorities and notable citizens received from anonymous members of the public either offering information on the best way to apprehend the killer, or else purporting to come from the murderer himself. HOW MANY LETTERS WERE THERE? With the passage of over 100 years since the Whitechapel murders it is difficult to put an exact figure on the number of Jack the Ripper Letters that were sent by ordinary men and women who found the allure of the murders difficult to resist and who, egged on by the huge amount of publicity being generated by the crimes, developed an irresistible urge to inject themselves into the police investigation, either by offering advice on how the miscreant could be brought to justice, or else taunting the police by claiming to be the killer and telling them where he was going to strike next and what he would do to his next victim. On 20th October 1888 the Illustrated Police news reported that the police had looked into the provenance of over 700 letters. These can, of course, be broken down into letters that were offering suggestions as to how the murderer might be apprehended, or even information that might have been intended to actually help the police bring the killer to justice. Some of the missives were malicious in intent - the result, perhaps, of a neighbourly or spousal feud. But many of them - maybe as many as 300 - were prank letters written by people who saw the murders of five East End prostitutes as a hugely entertaining public melodrama in which they just had to have a part - albeit, in the majority of cases, anonymously. THE EARLY LETTERS On the 24th September, the closing day for the inquest into the death of Annie Chapman an unknown author sent a letter to Sir Charles Warren, the Metropolitan Police Commissioner. There is nothing that suggests that the police actually took this missive seriously. Indeed, crank letters were common with high profile cases that had received extensive press coverage. The significance of this letter, however, is that it was a precursor to hundreds of such letters that would bring the police investigation into the Jack the Ripper Murders close to meltdown. The letter bore a LONDON. S. E postmark and was headed "on her majesty's service." It read:- Dear Sir I do wish to give myself up I am in misery with nightmare I am the man who committed all these murders in the last six months...I am a horse slauterer...I have found the woman I wanted that is chapman and I done what I called slautered her but if any one comes I will surrender... The letter contained crude illustrations one showing a coffin and the other showing a knife, both of which were drawn in heavy black ink. Beneath the knife the letter's author had written:- ...this is the knife that I done these murders with it is a small handle with a large long blade sharpe both sides A NATIONAL PASTIME IS BORN The police, no doubt, were quick to dismiss this letter as, what it undoubtedly was, a hoax. But what they could not have envisioned, as they filed this prank missive away, was that - somewhere in London - another prankster was sitting down to compose another letter, and this letter would not only have huge ramifications on their investigations but would also give the killer a name that would ensure that the gruesome street pantomime that the murders were rapidly becoming would run and run. DEAR BOSS - YOURS TRULY JACK THE RIPPER Indeed, it is probable that the unknown author himself didn't realise the impact his missive would have as he scrawled the - now infamous - first words of his letter "Dear Boss". Having treated his readers to a barrage of gloating gruesomeness, and warning them that he wanted to "...get to work right away if I get a chance", he gleefully ended his missive with a flourish as he signed it "Yours truly Jack the Ripper" He then dropped it into the post and sat back to see whether his Jack the Ripper Letter would be taken seriously. Two days later, his letter was opened and read by the staff at the Central News Agency and a legend was well and truly born. Jack the Ripper By: History.com Editors Updated: June 7, 2019 | Original: November 8, 2010 copy page link Print Page A street in Whitechapel: the last crime of Jack the RipperA street in Whitechapel: the last crime of Jack the Ripper, from 'Le Petit Parisien', 1891 (Photo by Stefano Bianchetti/Corbis via Getty Images) Stefano Bianchetti/Corbis via Getty Images Table of Contents The ‘Whitechapel Butcher’ The Legacy of Jack the Ripper Jack the Ripper terrorized London in 1888, killing at least five women and mutilating their bodies in an unusual manner, indicating that the killer had a substantial knowledge of human anatomy. The culprit was never captured—or even identified—and Jack the Ripper remains one of England’s, and the world’s, most infamous criminals. All five killings attributed to Jack the Ripper took place within a mile of each other, in or near the Whitechapel district of London’s East End, from August 7 to September 10, 1888. Several other murders occurring around that time period have also been investigated as the work of “Leather Apron” (another nickname given to the murderer). A number of letters were allegedly sent by the killer to the London Metropolitan Police Service (often known as Scotland Yard), taunting officers about his gruesome activities and speculating on murders to come. The moniker “Jack the Ripper” originates from a letter—which may have been a hoax—published at the time of the attacks. Despite countless investigations claiming definitive evidence of the brutal killer’s identity, his or her name and motive are still unknown. Various theories about Jack the Ripper’s identity have been produced over the past several decades, which include claims accusing the famous Victorian painter Walter Sickert, a Polish migrant and even the grandson of Queen Victoria. Since 1888, more than 100 suspects have been named, contributing to widespread folklore and ghoulish entertainment surrounding the mystery. The ‘Whitechapel Butcher’ In the late 1800s, London’s East End was a place that was viewed by citizens with either compassion or utter contempt. Despite being an area where skilled immigrants—mainly Jews and Russians—came to begin a new life and start businesses, the district was notorious for squalor, violence and crime. Prostitution was only illegal if the practice caused a public disturbance, and thousands of brothels and low-rent lodging houses provided sexual services during the late 19th century. At that time, the death or murder of a working girl was rarely reported in the press or discussed within polite society. The reality was that “ladies of the night” were subject to physical attacks, which sometimes resulted in death. Among these common violent crimes was the attack of English prostitute Emma Smith, who was beaten and raped with an object by four men. Smith, who later died of peritonitis, is remembered as one of many unfortunate female victims who were killed by gangs demanding protection money. However, the series of killings that began in August 1888 stood out from other violent crime of the time: Marked by sadistic butchery, they suggested a mind more sociopathic and hateful than most citizens could comprehend. Jack the Ripper didn’t just snuff out life with a knife, he mutilated and disemboweled women, removing organs such as kidneys and utereses, and his crimes seemed to portray an abhorrence for the entire female gender. The Legacy of Jack the Ripper Jack the Ripper’s murders suddenly stopped in the fall of 1888, but London citizens continued to demand answers that would not come, even more than a century later. The ongoing case—which has spawned an industry of books, films, TV series and historical tours—has met with a number of hindrances, including lack of evidence, a gamut of misinformation and false testimony, and tight regulations by the Scotland Yard. Jack the Ripper has been the topic of news stories for more than 120 years, and will likely continue to be for decades to come. More recently, in 2011, British detective Trevor Marriott, who has long been investigating the Jack the Ripper murders, made headlines when he was denied access to uncensored documents surrounding the case by the Metropolitan Police. According to a 2011 ABC News article, London officers had refused to give Marriott the files because they include protected information about police informants, and that handing over the documents could impede on the possibility of future testimony by modern-day informants. Postcard Article Talk Read Edit View history Tools From Wikipedia, the free encyclopedia For other uses, see Postcard (disambiguation) and Postcards (disambiguation). Not to be confused with POST card or Postal card. Example of a court card, postmarked 1899, showing Robert Burns and his cottage and monument in Ayr Postcard depicting people boarding a train at the Shawnee Depot in Colorado, late 1800s. Postcard depicting people boarding a train at the Shawnee Depot in Colorado, late 1800s A postcard or post card is a piece of thick paper or thin cardboard, typically rectangular, intended for writing and mailing without an envelope. Non-rectangular shapes may also be used but are rare. In some places, one can send a postcard for a lower fee than a letter. Stamp collectors distinguish between postcards (which require a postage stamp) and postal cards (which have the postage pre-printed on them). While a postcard is usually printed and sold by a private company, individual or organization, a postal card is issued by the relevant postal authority (often with pre-printed postage).[1] Production of postcards blossomed in the late 19th and early 20th centuries.[2] As an easy and quick way for individuals to communicate, they became extremely popular.[2] The study and collecting of postcards is termed deltiology (from Greek deltion, small writing tablet, and the also Greek -logy, the study of).[1] History 1840 to 1864 Lipman's Postal Card Cards with messages have been sporadically created and posted by individuals since the beginning of postal services. The earliest known picture postcard was a hand-painted design on card created by the writer Theodore Hook. Hook posted the card, which bears a penny black stamp, to himself in 1840 from Fulham (part of London).[3][4] He probably did so as a practical joke on the postal service, since the image is a caricature of workers in the post office.[4][5] In 2002 the postcard sold for a record £31,750.[4] In the United States, the custom of sending through the mail, at letter rate, a picture or blank card stock that held a message, began with a card postmarked in December 1848 containing printed advertising.[6] The first commercially produced card was created in 1861 by John P. Charlton of Philadelphia, who patented a private postal card, and sold the rights to Hymen Lipman, whose postcards, complete with a decorated border, were marketed as "Lipman's Postal Card".[1][2] These cards had no images. While the United States government allowed privately printed cards as early as February 1861, they saw little use until 1870, when experiments were done on their commercial viability.[7][2] First postals and private postcards (c. 1865 to 1880) "Feldpost-Correspondenzkarte" (lit. field post correspondence card) used during the Franco-Prussian War of 1870 A Prussian postal official, Heinrich von Stephan, first proposed an "open post-sheet" made of stiff paper in 1865.[7][1][8] He proposed that one side would be reserved for a recipient address, and the other for a brief message.[8] His proposal was denied on grounds of being too radical and officials did not believe anyone would willingly give up their privacy.[8] In October 1869, the post office of Austria-Hungary accepted a similar proposal, also without images, and 3 million cards were mailed within the first three months.[1][8] With the outbreak of the Franco-Prussian War in July 1870, the government of the North German Confederation decided to take the advice of Austrian Emanuel Herrmann and issued postals for soldiers to inexpensively send home from the field.[7][1] The period from 1870 to 1874 saw a great number of countries begin the issuance of postals. In 1870, the North German Confederation was joined by Baden, Bavaria, Great Britain, Luxembourg and Switzerland.[7][9] The year 1871 saw Belgium, Canada, Denmark, Finland, the Netherlands, Norway, and Sweden introduce their own postals.[7][9] Algeria, Chile, France and Russia did so in 1872, and were followed by France, Japan, Romania, Serbia, Spain and the United States between 1873 and 1874.[9][7] Many of these postals included small images on the same side as the postage.[7] Postcards began to be sent internationally after the first Congress of the General Postal Union, which met in Bern, Switzerland in October 1874.[9][10] The Treaty of Bern was ratified in the United States in 1875.[10] The claimed first printed picture postcard The first known printed picture postcard, with an image on one side, was created in France in 1870 at Camp Conlie by Léon Besnardeau (1829–1914). Conlie was a training camp for soldiers in the Franco-Prussian War. The cards had a lithographed design printed on them containing emblematic images of piles of armaments on either side of a scroll topped by the arms of the Duchy of Brittany and the inscription "War of 1870. Camp Conlie. Souvenir of the National Defence. Army of Brittany" (in French).[11] While these are certainly the first known picture postcards, there was no space for stamps and no evidence that they were ever posted without envelopes.[12] In Germany, the bookdealer August Schwartz from Oldenburg is regarded as the inventor of the illustrated postcard. On July 16, 1870, he mailed a post correspondence card with an image of a man with a cannon, signaling the looming Franco-Prussian war.[13][14] In the following year the first known picture postcard in which the image functioned as a souvenir was sent from Vienna.[15] The first advertising card appeared in 1872 in Great Britain and the first German card appeared in 1874. Private advertising cards started appearing in the United States around 1873, and qualified for a special postage rate of one cent.[7] Private cards inspired Lipman's card were also produced concurrently with the U.S. government postal in 1873.[7][1] The backs of these private cards contained the words "Correspondence Card", "Mail Card" or "Souvenir Card" and required two-cent postage if they were written upon.[7][2] Golden age of postcards (c. 1890 to 1915) Cards showing images increased in number during the 1880s. Images of the newly built Eiffel Tower in 1889 and 1890 gave impetus to the postcard, leading to the so-called "golden age" of the picture postcard.[7] This golden age began slightly earlier in Europe than the United States, likely due to a depression in the 1890s.[7] Still, the Chicago World's Fair in 1893 excited many attendees with its line of "Official Souvenir" postals, which popularized the idea of picture postcards.[1][16] The stage was now set for private postcard industry to boom, which it did once the United States government changed the postage rate for private cards from two cents to one in May 1898.[1][16] Spanning from approximately 1905 to 1915 in the United States, the golden age of postcards stemmed from a combination of social, economic, and governmental factors.[1][16] Demand for postcards increased, government restrictions on production loosened, and technological advances (in photography, printing, and mass production) made the boom possible.[1] In addition, the expansion of Rural Free Delivery allowed mail to be delivered to more American households than ever before.[1] Billions of postcards were mailed during the golden age, including nearly a billion per year in United States from 1905 to 1915, and 7 billion worldwide in 1905.[17][18] Many postcards from this era were in fact never posted but directly acquired by collectors themselves.[19] Austrian postcard from 1901 Despite years of incredible success, economic and government forces would ultimately spell the end of the golden age. The peak came sometime between 1907 and 1910 for the United States.[1][2] In 1909, American publishers successfully lobbied to place tariffs on high quality German imports with the Payne-Aldrich Tariff Act.[1] The effects of tariffs really started to make a large impact, and escalating hostilities in Europe made it difficult to import cards and ink into the United States.[1] The fad may have also simply run its natural course.[1] The war disrupted production efforts in Europe, although postcard production did not entirely stop.[20] Cards were still useful for propaganda, and for boosting troop morale.[17][20][21] Post-World War I (1918 to present) A street with buildings and hydro lines on both sides. There is a horse and buggy parked on the street. Postcard depicting Dalhousie Street, Amherstburg, Ontario, c. 1920, from the Alvin D. McCurdy fonds held at the Archives of Ontario After the war, the production of postcards continued, albeit in different styles than before. Demand for postcards decreased, especially as telephone usage grew.[1] There was still a need for postcards, which would be dubbed the "poor man's telephone".[22] As tastes changed, publishers began focusing on scenic views, humor, and fashion.[20] "White border" cards, which existed prior to the war, were produced in greater numbers from roughly 1915 to 1930 in the United States.[1][2] They required less ink and had lower production standards than fine German cards.[20] These were later replaced by "linen" postcards in the 1930s and 1940s, which used a printing process popularized by Curt Teich.[1][2] Finally, the modern era of Photochrom (often shortened simply to "chrome") postcards began in 1939, and gained momentum around 1950.[2] These glossy, colorful postcards are what we most commonly encounter today.[2] Postcard sales dropped to around 25% of 1990s levels,[23] with the growing popularity of social media around 2007, resulting in closure of long-established printers such as J Salmon Ltd in 2017.[24] Country specifics India In July 1879, the Post Office of India introduced a quarter anna postcard that could be posted from one place to another within British India. This was the cheapest form of post provided to the Indian people to date and proved a huge success. The establishment of a large postal system spanning India resulted in unprecedented postal access: a message on a postcard could be sent from one part of the country to another part (often to a physical address without a nearby post office) without additional postage affixed. This was followed in April 1880 by postcards meant specifically for government use and by reply postcards in 1890.[25]: 423–424  The postcard facility continues to this date in independent India. Japan Postcard by Takehisa Yumeji, 1912 Official postcards were introduced in December 1873, shortly after stamps were introduced to Japan.[26][27] Return postcards were introduced in 1885, sealed postcards in 1900, and private postcards were allowed from 1900.[26] Official Japanese postcards have one side dedicated exclusively to the address, and the other side for the content, though commemorative picture postcards and private picture postcards also exist. In Japan today, two particular idiosyncratic postcard customs exist: New Year's Day postcards (年賀状, nengajō) and return postcards (往復はがき, ōfuku-hagaki). New Year's Day postcards serve as greeting cards, similar to Western Christmas cards, while return postcards function similarly to a self-addressed stamped envelope, allowing one to receive a reply without burdening the addressee with postage fees. Return postcards consist of a single double-size sheet, and cost double the price of a usual postcard – one addresses and writes one half as a usual postcard, writes one's own address on the return card, leaving the other side blank for the reply, then folds and sends. Return postcards are most frequently encountered by non-Japanese in the context of making reservations at certain locations that only accept reservations by return postcard, notably at Saihō-ji (moss temple). For overseas purposes, an international reply coupon is used instead. Russia In the State Standard of the Russian Federation "GOST 51507-99. Postal cards. Technical requirements. Methods of Control" (2000)[28] gives the following definition: Post Card is a standard rectangular form of a paper for public postings. According to the same state standards, cards are classified according to the type and kind. Standard stamped postcard Russia Depending on whether or not the image on the card printing postage stamp cards are divided into two types: marked; unmarked. Depending on whether or not the card illustrations, cards are divided into two types: illustrated; simple, that is non-illustrated. Cards, depending on the location of illustrations divided into: Vector card at the location on the front side; on the reverse side. Depending on the walking area cards subdivided into: cards for shipment within the Russian Federation (internal post); cards for shipment outside of the Russian Federation (international postage). United Kingdom History In Britain, postcards without images were issued by the Post Office in 1870, and were printed with a stamp as part of the design, which was included in the price of purchase. These cards came in two sizes. The larger size was found to be slightly too large for ease of handling, and was soon withdrawn in favour of cards 13mm (1⁄2 inch) shorter.[29] 75 million of these cards were sent within Britain during 1870.[8] In 1973 the British Post Office introduced a new type of card, PHQ Cards, popular with collectors, especially when they have the appropriate stamp affixed and a first day of issue postmark obtained. Seaside postcards In 1894, British publishers were given permission by the Royal Mail to manufacture and distribute picture postcards, which could be sent through the post. It was originally thought[by whom?] that the first UK postcards were produced by printing firm Stewarts of Edinburgh but later research, published in Picture Postcard Monthly in 1991, has shown that the first UK picture card was published by ETW Dennis of Scarborough.[30] Two postmarked examples of the September 1894 ETW Dennis card have survived but no cards of Stewarts dated 1894 have been found.[31] Early postcards were pictures of landmarks, scenic views, photographs or drawings of celebrities and so on. With steam locomotives providing fast and affordable travel, the seaside became a popular tourist destination, and generated its own souvenir-industry. A seaside postcard In the early 1930s, cartoon-style saucy postcards became widespread, and at the peak of their popularity the sale of saucy postcards reached 16 million a year. They were often bawdy in nature, making use of innuendo and double entendres, and traditionally featured stereotypical characters such as vicars, large ladies, and put-upon husbands, in the same vein as the Carry On films. A notable artist of seaside postcards, often saucy, was the illustrator Thomas Henry, most known for his portrayal of William Brown in the Just William book series by Richmal Crompton. He started drawing postcards as early as 1913, continuing well into the 1950s. In the early 1950s, the newly elected Conservative government were concerned at the apparent deterioration of morals in the UK and decided on a crackdown on these postcards. The main target of their campaign was the postcard artist Donald McGill. In the more liberal 1960s, the saucy postcard was revived and later came to be considered, by some, as an art form.[32] Original postcards are now highly sought after, and rare examples can command high prices at auction. The best-known saucy seaside postcards were produced by the publishing company Bamforths of Holmfirth, West Yorkshire. Despite the decline in popularity of postcards that are overtly "saucy", postcards continue to be a significant economic and cultural aspect of British seaside tourism. Sold by newsagents and street vendors, as well as by specialist souvenir shops, modern seaside postcards often feature multiple depictions of the resort in unusually favourable weather conditions. John Hinde used saturated colour and meticulously planned his photographs, which made his postcards of the later twentieth century become collected and admired as kitsch. Such cards are also respected as important documents of social history, and have been influential on the work of Martin Parr. United States Main article: History of postcards in the United States The United States Postal Service defines a postcard as: rectangular, at least 3+1⁄2 inches (88.9 mm) high × 5 inches (127 mm) long × 0.007 inches (0.178 mm) thick and no more than 4+1⁄4 inches (108 mm) high × 6 inches (152.4 mm) long × 0.016 inches (0.406 mm) thick.[33] However, some postcards have deviated from this (for example, shaped postcards). Controversies Legalities and censorship The initial appearance of picture postcards (and the enthusiasm with which the new medium was embraced) raised some legal issues. Picture postcards allowed and encouraged many individuals to send images across national borders, and the legal availability of a postcard image in one country did not guarantee that the card would be considered "proper" in the destination country, or in the intermediate countries that the card would have to pass through. Some countries might refuse to handle postcards containing sexual references (in seaside postcards) or images of full or partial nudity (for instance, in images of classical statuary or paintings). For example, the United States Postal Service would only allow the delivery of postcards showing a back view of naked men from Britain if their posteriors were covered with a black bar.[34] Early postcards often showcased photography of nude women. Illegal to produce in the United States, these were commonly known as French postcards, due to the large number of them produced in France. Other countries objected to the inappropriate use of religious imagery. The Ottoman Empire banned the sale or importation of some materials relating to the Islamic prophet Muhammad in 1900. Affected postcards that were successfully sent through the Ottoman Empire before this date (and are postmarked accordingly) have a high rarity value and are considered valuable by collectors. Lynchings Main article: Lynching postcards In 1873, the Comstock Act was passed in the United States, which banned the publication of "obscene matter as well as its circulation in the mails".[35] In 1908, §3893 was added to the Comstock Act, stating that the ban included material "tending to incite arson, murder, or assassination".[35] Although this act did not explicitly ban lynching photographs or postcards, it banned the explicit racist texts and poems inscribed on certain prints. According to some, these texts were deemed "more incriminating" and caused their removal from the mail instead of the photograph itself because the text made "too explicit what was always implicit in lynchings".[35] Some towns imposed "self-censorship" on lynching photographs, but section 3893 was the first step towards a national censorship.[35] Despite the amendment, the distribution of lynching photographs and postcards continued. Though they were not sold openly, the censorship was bypassed when people sent the material in envelopes or mail wrappers.[36] World War I Main article: Postal censorship Censorship played an important role in the First World War.[37] Each country involved utilized some form of censorship. This was a way to sustain an atmosphere of ignorance and give propaganda a chance to succeed.[37] In response to the war, the United States Congress passed the Espionage Act of 1917 and Sedition Act of 1918. These gave broad powers to the government to censor the press through the use of fines, and later any criticism of the government, army, or sale of war bonds.[37] The Espionage Act laid the groundwork for the establishment of a Central Censorship Board which oversaw censorship of communications including cable and mail.[37] Postal control was eventually introduced in all of the armies, to find the disclosure of military secrets and test the morale of soldiers.[37] In Allied countries, civilians were also subjected to censorship.[37] French censorship was modest and more targeted compared to the sweeping efforts made by the British and Americans.[37] In Great Britain, all mail was sent to censorship offices in London or Liverpool.[37] The United States sent mail to several centralized post offices as directed by the Central Censorship Board.[37] American censors would only open mail related to Spain, Latin America or Asia—as their British allies were handling other countries.[37] In one week alone, the San Antonio post office processed more than 75,000 letters, of which they controlled 77 percent (and held 20 percent for the following week).[37] Soldiers on the front developed strategies to circumvent censors.[38] Some would go on "home leave" and take messages with them to post from a remote location.[38] Those writing postcards in the field knew they were being censored, and deliberately held back controversial content and personal matters.[38] Those writing home had a few options including free, government-issued field postcards, cheap, picture postcards, and embroidered cards meant as keepsakes.[39] Unfortunately, censors often disapproved of picture postcards.[39] In one case, French censors reviewed 23,000 letters and destroyed only 156 (although 149 of those were illustrated postcards).[39] Censors in all warring countries also filtered out propaganda that disparaged the enemy or approved of atrocities.[37] For example, German censors prevented postcards with hostile slogans such as "Jeder Stoß ein Franzos" ("Every hit a Frenchman") among others.[37] Historical value Postcards document the natural landscape as well as the built environment—buildings, gardens, parks, cemeteries, and tourist sites. They provide snapshots of societies at a time when few newspapers carried images.[16] Postcards provided a way for the general public to keep in touch with their friends and family, and required little writing.[16] Anytime there was a major event, a postcard photographer was there to document it (including celebrations, disasters, political movements, and even wars).[16] Commemorating popular humor, entertainment, fashion, and many other aspects of daily life, they also shed light on transportation, sports, work, religion, and advertising.[16] Cards were sent to convey news of death and birth, store purchases, and employment.[16] Postcard of Paris from 1971. Motive: 1960s Eiffel Tower Stool. As a primary source, postcards are incredibly important to the types of historical research conducted by historians, historic preservationists, and genealogists alike. They give insight into both the physical world, and the social world of the time. During their heyday postcards revolutionized communication, similar to social media of today.[8] For those studying communication, they highlight the adoption of media, its adaptation, and its ultimate discarding.[8] Postcards have been used to study topics as diverse as theatre, racial attitudes, and war.[40][18][41][42][43] Digital collections Libraries, archives, and museums have extensive collections of picture postcards; many of the postcards in these collections are digitized[44] Efforts are continuously being made by professionals in these fields to digitize these materials to make them more widely accessible to the public. For those interested, there are already several large collections viewable online. Some large digital collections of postcards include: OldNYC (New York Public Library) Digital Collections (New York Public Library) These collections include the Detroit Publishing Company, holiday postcards, WWI postcards, and more. Curt Teich Postcard Archives Digital Collection (Newberry Library) Historische Bildpostkarten Universität Osnabrück (Osnabrueck University Library, Germany) The Pendergast Years (Kansas City Public Library) Northwest Historical Postcards Collection (University of Idaho) Kansas City, Kansas Postcard Collection (Kansas City, Kansas Public Library) Ernest G. Best postcard collection of merchant vessels, naval vessels and sailing vessels, 1900–1940. State Library of New South Wales, PXE 722/Items 1–4961. Collecting Main article: Deltiology It is likely that postcard collecting first began as soon as postcards were mailed. One could argue that actual collecting began with the acquisition of souvenir postcards from the world's fairs, which were produced specifically with the collector (souvenir hunter) in mind.[16] Later, during the golden age of postcards, collecting became a mainstream craze.[16] The frenzy of purchasing, mailing, and collecting postcards was often referred to as "postcarditis", with up to half purchased by collectors.[45][19] Clubs such as The Jolly Jokers, The Society for the Promulgation of Post Cards, and the Post Card Union sprang up to facilitate postcard exchanges, each having thousands of members.[17] Postcard albums were commonly seen in Victorian parlors, and had a place of prominence in many middle and upper class households.[16] Today, postcard collecting is still a popular and widespread hobby. The value of a postcard is mainly determined by the image illustrated on it. Other important factors for collectors can be countries, issuers, and authors. Online catalogs can be found on collector websites and clubs.[46] These catalogs provide detailed information about each postcard alongside their picture. In addition, these websites include collection management tools, trading platforms, and forums to assist with discussions between collectors. The oldest continuously run club in the United States is the Metropolitan Postcard Club of New York City, founded in 1946.[47] Glossary of terminology Most of the terms on this list were devised by modern collectors to describe cards in their possession. For the most part, these terms were not used contemporaneously by publishers or others in the industry. 3D Postcard Postcards with artwork that appears in 3D. This can be done with different techniques, such as lenticular printing or hologram. Advertising Postcard Specialist marketing companies in many countries produce and distribute advertising postcards which are available for free. These are normally offered on wire rack displays in plazas, coffee shops and other commercial locations, usually not intended to be mailed. Appliqué A postcard that has some form of cloth, metal or other embellishment attached to it. Art Déco Artistic style of the 1920s, recognizable by its symmetrical designs and straight lines. Folies Bergère costume, c. 1900 Art Nouveau Artistic style of the turn of the century, characterized by flowing lines and flowery symbols, yet often depicting impressionist more than representational art. Artist Signed Postcards with artwork that has the artist's signature, and the art is often unique for postcards. Bas Relief Postcards with a heavily raised surface, giving a papier-mâché appearance. Big Letter A postcard that shows the name of a place in very big letters that do not have pictures inside each letter (see also Large Letter). Composites A number of individual cards, that when placed together in a group, form a larger picture. Also called "installment" cards. Court Card The official size for British postcards between 1894 and 1899, measuring 115 mm × 89 mm (4.5 in × 3.5 in). Divided Back Postcards with a back divided into two sections, one for the message, the other for the address. British cards were first divided in 1902 and American cards in 1907.[48] Early Any card issued before the divided back was introduced (pre-1907). Embossed Postcards with a raised surface. Exaggeration Postcards featuring impossibly large animals and crops, created using trick photography and other methods. Folded Postcards that are folded, so that they have at least 4 pages. Most folded cards need to be mailed inside an envelope, but there are some that can be mailed directly. Ōura Church, hand-tinted postcard Hand-tinted Black-and-white images were tinted by hand using watercolors and stencils. Hold-to-Light Also referred to as 'HTL', postcards often of a night time scene with cut out areas to show the light. Intermediate Size The link between Court Cards and Standard Size, measuring 130 mm × 80 mm (5.1 in × 3.1 in). Kaleidoscope Postcards with a rotating wheel that reveals a myriad of colours and patterns when turned. "Large Letter" card c. 1940s Large Letter A postcard that has the name of a place shown as a series of very large letters, inside of each of which is a picture of that locale (see also Big Letter). Maximum Card Postcards with a postage stamp placed on the picture side of the card and tied by the cancellation, usually the first day of issue. Midget Postcard Novelty cards of the size 90 mm × 70 mm (3.54 in × 2.76 in). Novelty Any postcard that deviates from the norm. These include cards which do something (such as mechanical postcards) or which have articles attached to them.[49] They could also be printed in an unusual size or shape, or made of strange materials (including leather, wood, metal, silk, or coconut).[49] Oilette A trade name used by London publisher Raphael Tuck & Sons for postcards reproduced from original painting. Postcard Folder A set of picture postcards, printed on light-weight paper, which fold out accordion-style from an outer envelope (folder). These typically contain more than 5 cards. Postcardese The style of writing used on postcards; short sentences, jumping from one subject to another. QSL Card Postcards that confirms a successful reception of a radio signal on amateur radio. Real Photographic "Real photo postcards", as collectors have dubbed them, are often abbreviated as "RP" or "RPPC". Most of these were produced in small batches from an original negative by an individual or a local store.[50] They are not printed. Reward Card Cards that were given away to school children for good work. Special Property Card Postcards that are made of a material other than cardboard or contains something made not of cardboard. Standard Size Introduced in Britain in November 1899, measuring 140 mm × 89 mm (5.5 in × 3.5 in). A Topographical postcard of Benwick, UK, featuring a vignette, therefore likely an undivided back (pre-1907) Topographical Postcards showing street scenes and general views. Judges Postcards produced many British topographical views. Undivided Back Postcards with a plain back where all of this space was used for the address. This is usually in reference to early cards, although undivided were still in common use up until 1907. In 1907,[51] the Universal Postal Congress published a series of decrees that permitted postcards to bear messages on the left half of the card's back. This allowed printers to eschew the vignette in favor of extending the picture to the edges, ensuing the divided-back "Golden Age of Postcards."[52][53] Vignette Usually found on "undivided back" cards, consisting of a design that does not occupy the whole of the picture side. Vignettes may be anything from a small sketch in one corner of the card, to a design cover three quarters of the card. The purpose is to leave some space for the message to be written, as the entire reverse of the card could only be used for the address. Write-Away A card with the opening line of a sentence, which the sender would then complete. Often found on early comic cards. Gallery Entry of the Great Mosque of Kairouan, postcard from 1900 Entry of the Great Mosque of Kairouan, postcard from 1900 Fortress in Vyborg, postcard from 1917 Fortress in Vyborg, postcard from 1917 Richmond, Virginia, c. late 1923. The intersection shown is at 8th & Broad streets. Richmond, Virginia, c. late 1923. The intersection shown is at 8th & Broad streets. Hawaiian Aloha nui Postcard c. 1908 Hawaiian Aloha nui Postcard c. 1908 German postcard with inscription "This beer belongs to my master!" German postcard with inscription "This beer belongs to my master!" Gruss aus-type postcard, published by the Munich-based German printing house Purger & Co. Gruss aus-type postcard, published by the Munich-based German printing house Purger & Co. See also Advertising postcard Frances Brundage Ellen Clapsaddle Deltiology e-card Francis Frith Greeting card Esther Howland Illustrated stamped envelope Judges Postcards Mail Art Paper sizes PHQ Cards Postal card Postcardware Postcrossing Postino PostSecret QSL card Real photo postcard F. G. O. Stuart James Valentine Comité des Étudiants Américains de l'École des Beaux-Arts Paris References United States Postal Service (September 2014). "Stamped Cards and Postcards" (PDF). United States Postal Service. Archived (PDF) from the original on 2019-08-26. Retrieved 2020-03-31. "Postcard History | Smithsonian Institution Archives". 2018-11-23. Archived from the original on 2018-11-23. Retrieved 2020-04-01. "Oldest picture postcard". Guinness World Records. Retrieved 1 March 2017. "Oldest postcard sells for £31,750". BBC News. 2002-03-08. Retrieved 2012-06-16. Arifa Akbar, "Oldest picture postcard in the world snapped up for £31,750", The Independent, 9 March 2002. "Pre History of the Postcard 1848–1872". Metropolitan Postcard Club of New York City. Archived from the original on 2017-10-24. Retrieved 2013-02-01. Petrulis, Alan. "MetroPostcard History of Postcards 1873–1897". www.metropostcard.com. Archived from the original on 2022-04-11. Retrieved 2020-04-01. Cure, Monica (2013-06-22). "Tweeting by mail: The postcard's stormy birth". Los Angeles Times. Retrieved 2020-04-01. "Chicago Postcard Museum – How to Age a Postcard". www.chicagopostcardmuseum.org. Retrieved 2020-04-01. "Treaties and Other International Agreements of the United States of America 1776–1949 Compiled under the direction of Charles I. Bevans LL.B." avalon.law.yale.edu. Retrieved 2020-04-01. The New York Times, September 21, 1904. "Histoire de la Carte Postale, Cartopole, Baud" (in French). Cartolis.org. Archived from the original on 2011-07-18. Retrieved 2012-06-16. Dagmar Breitenbach: Instagram, 19th-century style: The first German postcard In: Deutsche Welle, July 16, 2020, Retrieved 2021-02-07. Helmfried Luers: The First Picture Postcard In: The Postcard Album #21, Retrieved 2021-02-07. Frank Staff, The Picture Postcard & Its Origins, New York: F.A. Praeger, p.51. Bassett, Fred (2018-12-13). "Postcard Collection – Essay, Appendix C: New York State Library". Archived from the original on 2018-12-13. Retrieved 2020-04-01. Petrulis, Alan. "The Peak and Decline of the Golden Age 1907–1913". www.metropostcard.com. Baldwin, Brooke (1988). "On the Verso: Postcard Messages as a Key to Popular Prejudices". Journal of Popular Culture. 22 (3): 15–28. doi:10.1111/j.0022-3840.1988.2203_15.x. Petrulis, Alan. "MetroPostcard History of Postcards". www.metropostcard.com. Archived from the original on 2015-02-06. Retrieved 2020-04-01. Petrulis, Alan. "MetroPostcard History of Postcards 1914–1945". www.metropostcard.com. Archived from the original on 2020-02-03. Retrieved 2020-04-01. Frank Jacob and Mark D. Van Ells, A Postcard View of Hell: One Doughboy's Souvenir Album of the First World War. Wilmington, DE: Vernon Press, 2019. Gendreau, Bianca: Putting Pen to Paper, Special Delivery: Canada's Postal Heritage, ed. Francine Brousseau, Canadian Museum of Civilization, Fredericton 2000, pp. 27–29 Settembre, Jeanette (30 Sep 2017). "Postcards are becoming extinct and 5 other industries millennials are killing". MarketWatch. Retrieved 2021-02-01. "Postcards on the edge as Britain's oldest publishers signs off". The Guardian. 2017-09-25. Retrieved 2021-02-01. The Imperial Gazetteer of India. (1908). Vol 3 (Economic), p. 424 "PostcardGuide Japan/Konnichiwa!". www.photojpn.org. PostcardGuide Japan, April 2, 1997 "ГОСТ Р 51507-99 – НАЦИОНАЛЬНЫЕ СТАНДАРТЫ". protect.gost.ru. Willoughby, Martin (1992). A History of Postcards. London England: Bracken Books. p. 160. ISBN 1858911621. Sept and Dec 1991 Picture Postcard Monthly PPC Annual 2015 Nick Collins (5 August 2010). "Bawdy seaside postcards on display". The Telegraph. Archived from the original on 2022-01-12. Retrieved 12 September 2011. "USPS – Mail Characteristics – Sizes for Cards". USPS. Archived from the original on 2008-01-20. Retrieved 2 June 2011. "Naked film postcards returned to sender". BBC News. 30 July 2001. Retrieved 2011-06-05. Kim, Linda (2012). "A Law of Unintended Consequences: United States Postal Censorship of Lynching Photographs". Visual Resources. Taylor & Francis. 28 (2): 171–193. doi:10.1080/01973762.2012.678812. Apel, Dora (2004). Imagery of Lynching: Black Men, White Women, and the Mob. New Brunswick, N.J.; London: Rutgers University Press. ISBN 978-0-8135-3459-6. Demm, Eberhard. "Censorship | International Encyclopedia of the First World War (WW1)". International Encyclopedia of the First World War. Archived from the original on 2020-01-20. Retrieved 2020-04-03. "Circumventing the censorship and "self-censorship"". The World of the Habsburgs. Archived from the original on 2018-12-21. Retrieved 2020-04-02. Hanna, Martha (2014-10-08). "War Letters: Communication between Front and Home Front | International Encyclopedia of the First World War (WW1)". International Encyclopedia of the First World War. Archived from the original on 2019-03-26. Retrieved 2020-04-03. Farfan, P. (2012). ""The Picture Postcard is a sign of the times": Theatre Postcards and Modernism". Theatre History Studies. 32: 93–119. doi:10.1353/ths.2012.0018. S2CID 192002863. Vanderwood, Paul (1988). "Writing History with Picture Postcards". The Journal of San Diego History. 34 (1). Archived from the original on 2016-06-29. Eiland, Murray (2019). "Heraldry on German Patriotic Postcards". The Armiger's News. 41 (2): 1–5 – via academia.edu. Eiland, Murray (2019). "Heraldry on American Patriotic Postcards". The Armiger's News. 41 (1): 1–3 – via academia.edu. "Old Postcards: Messages about the Past". Primary Source Bazaar. 24 May 2019. "18 August 1906". The American Stationer. Vol. 60. Redman & Kerry. 1906. p. 8. "Postcards on Colnect". colnect.com. Retrieved 2019-01-31. "Metropolitan Postcard Club of New York City". www.metropolitanpostcardclub.com. Retrieved 2020-04-01. Petrulis, Alan. "Post Card undivided". www.metropostcard.com. Archived from the original on 2020-02-13. Retrieved 2020-04-01. "Novelty leather postcards". Barr's Postcard News & Ephemera. 2016-11-21. Novelty postcards include Hold-to-lights, Die-cuts, leather, silk or metal applied, printed on silk, burnt wood, mechanical and on and on. They are just about anything but the flat printed or real photo postcards. One category is postcards made of leather. Palmer, Richard. "Postcard Craze Engulfs the Great Lakes". Inland Seas. 50 (1): 39–45. "Undivided Backs (Pre-1907) - Postcards - Dating - Landscape Change Program". glcp.uvm.edu. Retrieved 2023-06-15. KapsalisE (2013-09-19). "Postcard History". Smithsonian Institution Archives. Retrieved 2023-06-15. "Golden Age of Postcards (1907–1915) – Greetings from Delaware". Retrieved 2023-06-15. External links Wikimedia Commons has media related to Postcards. The Postcard Traders association—Represents professionals within the UK postcard industry. The International Federation of Postcard Dealers—Represents professional postcard dealers worldwide. Japanese Postcard Collecting Research きのう屋日本の絵葉書コレクション Bowden Postcard Collection Online. Approximately 30,000 digitized postcards, maintained by the Walter Havighurst Special Collections in the Miami University Libraries. johnhindecollection.com, a website dedicated to John Hinde Postcards "Plowman Family Postcard Collection". University of St. Michael's College, John M. Kelly Library. Archived from the original on 2017-07-09. Retrieved 15 October 2015. The full text of A New Thing in Postage (report on the first cheap postcard used in Austria) at Wikisource PostcardTree. 30,000+ digitized and postally used postcards. Newberry Postcards at Internet Archive – digital collection of 26,000+ postcards National Trust Library Historic Postcard collection at the University of Maryland libraries Institute of American Deltiology Postcard collection at the University of Maryland libraries vte Paper products Containers BoxCartonCigarette packCoffee cup sleeveCorrugated boxCorrugated fiberboardEnvelopeMolded pulpOyster pailPaper bagPaper cupPaperboardShipping tube Hygiene Facial tissueNapkinPaper towelToilet paperWet wipe Stationery Continuous stationeryGreeting cardIndex cardLetterManila folderNotebookPostage stampPostcardPost-it note Financial BanknoteBusiness cardCouponPaper moneyPassbookVisiting card Decorations Ingrain wallpaperMatWallpaper Media BookMagazineNewspaperNewsprintPamphlet Recreation ConfettiPaper craftPaper toysPlaying cardQuilling Other Drink coasterFilter paperFormPaper modelSandpaperSecurity paper Authority control databases: National Edit this at Wikidata GermanyUnited StatesFranceBnF dataJapanCzech RepublicLatvia2Israel Categories: American inventionsBritish humourCulture of the United KingdomPostcardsPostal stationeryPhilatelic terminology