Pair of Venetian Etchings – Attributed to Guido Cannizzo – Pencil Signed & Numbered – Framed

A charming and atmospheric pair of limited-edition Venetian etchings, capturing the historic architecture, picturesque waterways and distinctive character of Venice.

Both artworks feature intricate architectural detail, carefully rendered reflections and rich tonal shading, bringing to life the timeless atmosphere of this remarkable Italian city.

Each etching is individually numbered from an edition of just 50 impressions and bears a handwritten pencil signature. Comparative research suggests that the works may be by Italian artist Guido Cannizzo, whose documented printmaking includes similar Venetian scenes.

Presented in matching dark wooden frames, the two artworks make a particularly attractive and complementary pair, equally appealing to collectors of traditional printmaking and admirers of Venetian art.

The Two Etchings

1. Venetian Canal Scene – Numbered XXIX/L (29/50)

An evocative Venetian waterfront composition featuring a moored boat, historic architecture and reflections upon the canal.

Fine detailing throughout the water and surrounding buildings creates an appealing sense of depth, while the contrasting light and shadow give the scene a wonderfully atmospheric quality.

The lower margin bears a handwritten pencil signature alongside the Roman-numeral edition number XXIX/L, indicating impression 29 from an edition of 50.

2. Venetian Bridge and Canal Scene – Numbered XXVI/L (26/50)

A beautifully detailed architectural study of a narrow Venetian waterway, with historic buildings, a stone bridge and their reflections in the canal below.

Particularly attractive is the intricate treatment of the architecture, with finely observed stonework, windows and architectural features.

The lower margin is pencil-signed and numbered XXVI/L, indicating impression 26 from an edition of 50.

The two prints complement one another particularly well, sharing a consistent artistic style, technique and presentation.

Artist Attribution – Guido Cannizzo

Both etchings are attributed to Guido Cannizzo, an Italian artist whose work includes traditional prints depicting Venice.

Research has identified a previously sold Venetian canal etching catalogued under Cannizzo’s name, likewise pencil-signed and numbered from an edition of 50.

The signature on that work bears a particularly close resemblance to those found on these two etchings, including the distinctive looping initial, flowing lettering and extended finishing stroke.

The similarities in artistic treatment, subject matter, signatures and edition format provide supporting evidence for the attribution.

Please note: The attribution is based on comparative research and has not been independently authenticated. The artworks are therefore offered as attributed to Guido Cannizzo, rather than as conclusively authenticated works by the artist.

Traditional Printmaking

Both artworks appear to be traditionally produced original etchings, potentially incorporating aquatint techniques to create the rich areas of tone and shading.

Their finely rendered detail and distinctive appearance are characteristic of traditional intaglio printmaking, in which ink is transferred from an etched printing plate onto paper.

Each print is individually pencil-signed and numbered, with the edition details written in Roman numerals beneath the images.

Dimensions & Presentation

Each matching frame measures approximately:

* Width: 10½ inches (26.7 cm)

* Height: 7½ inches (19 cm)

* Measurements: Overall external frame dimensions

The etched images themselves are considerably smaller, presented within generous white margins that draw attention to the finely detailed compositions.

Both prints are housed in attractive matching dark wooden frames with glazed fronts.

The reverse sides feature traditional hardboard backing, brown sealing tape and hanging cords.

The compact proportions make them especially suitable for displaying together in a study, hallway, library or living room.

Condition

Good vintage condition overall, with some age-related wear.

The printed images appear well preserved, with their intricate details and tonal contrasts remaining clearly visible.

There is some light age-related spotting and discolouration to the surrounding paper, particularly towards the margins and edges.

The wooden frames show minor signs of wear consistent with age and previous display.

The backing materials also exhibit age-related deterioration, including wear to the brown sealing tape and some spotting.

Both artworks retain their pencil signatures and edition numbers.

Please study the photographs carefully, as these form an important part of the condition description.

Details at a Glance

* Artist: Guido Cannizzo (attributed)

* Subject: Venice, Italy – canals, bridges and historic architecture

* Medium: Etching, possibly with aquatint

* Quantity: Two framed prints

* Edition numbers: XXIX/L (29/50) and XXVI/L (26/50)

* Edition size: 50 impressions per design

* Signatures: Both pencil-signed

* Frame dimensions: Approximately 10½ × 7½ inches (26.7 × 19 cm)

* Frames: Matching dark wood, glazed

* Condition: Good vintage condition with age-related wear as described

* Sale includes: Both framed artworks

An Attractive and Collectible Pair

Venice has inspired generations of artists, and these two etchings beautifully capture the city’s distinctive atmosphere, combining historic architecture, quiet waterways and finely observed architectural detail.

Their individually numbered editions, matching presentation and intriguing artist attribution make them particularly appealing as a pair.

Whether purchased for a collection of traditional prints, as decorative artwork or as a thoughtful gift for someone with an affection for Venice and Italy, these are two attractive pieces with considerable character.

Both framed etchings are included in the sale and will be sold together as one pair.

Postage & Packaging

FREE Royal Mail Tracked 24 delivery within the UK.

Both artworks will be carefully packaged, with particular attention paid to protecting the wooden frames and glazed surfaces during transit.

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