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The Mars Volta Frances The Mute Limited Edition Red Vinyl
- Format: 3x 12" LP
- Condition: New, in original packaging
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Label: cloud hill
- Year of publication: 2022
- Special features: limited colored vinyl, LP 3 side B is unused
Frances the Mute is the second studio album by the American progressive rock band The Mars Volta from El Paso, Texas. Classic Rock Magazine named the album one of the 10 most important progressive rock albums of the decade.
D. Plauk in Musikexpress 3/05: Listening to "Frances The Mute" takes energy - less so in understandable moments like the almost gentle "The Widow", the strangely Santanaesque "L'Via L'Viaquez" and the wonderful acoustic frame number "Sarcophagi", which is as harmoniously elaborate as it abruptly blurs; more in nerve-wracking sections like the brutal "Umbilical Syllables", the excessively improvisational "Cassandra Gemini" and the sonorous nightmarish "Miranda That Ghost Just Isn't Holy Any More", in the midst of which the mariachi trumpets blow into the rushing nothingness, as if they wanted to show for a brief clear moment how, after The Mars Volta, in their fundamental renewal of prog rock, the artistic approach of the Free jazz is coming: their music is limitless, but not limitless. Brave instead of cocky. Engaging, if not oppressively radical, but always far from artistic anarchy."
D. Vujanic in stereoplay 4/05: "Music that almost exceeds the listener's attention and whose magnitude can only be grasped gradually. Hymns are played by salsa players, metallic meets dub, superb vocal harmonies rush over syncopated punk rock: Wow!"
Reviews
D. Plauk in Musikexpress 3/05: Listening to "Frances The Mute" takes energy - less so in understandable moments like the almost gentle "The Widow", the strangely Santanaesque "L'Via L'Viaquez" and the wonderful acoustic frame number "Sarcophagi", which is as harmoniously elaborate as it abruptly blurs; more in nerve-wracking sections like the brutal "Umbilical Syllables", the excessively improvisational "Cassandra Gemini" and the sonorous nightmarish "Miranda That Ghost Just Isn't Holy Any More", in the midst of which the mariachi trumpets blow into the rushing nothingness, as if they wanted to show for a brief clear moment how, after The Mars Volta, in their fundamental renewal of prog rock, the artistic approach of the Free jazz is coming: their music is limitless, but not limitless. Brave instead of cocky. Engaging, if not oppressively radical, but always far from artistic anarchy."
D. Vujanic in stereoplay 4/05: "Music that almost exceeds the listener's attention and whose magnitude can only be grasped gradually. Hymns are played by salsa players, metallic meets dub, superb vocal harmonies rush over syncopated punk rock: Wow!"
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