This auction is for a 10-inch 78rpm record on the His Master's Voice magenta-and-gold "International" label. Recorded in August 1927, these two sides are arguably the "hottest" performances Whiteman ever committed to shellac. Arranged by the legendary Don Redman, they represent a rare moment where the Whiteman Orchestra dropped the "symphonic" facade to play straight, hard-driving jazz. Technical Specifications A-Side: Whiteman Stomp (Trent–Waller) — Matrix A.39559 B-Side: Sensation Stomp (Edwards) — Matrix A.39561 Label: HMV X.4616 (Manufactured by The Gramophone Co., Ltd., Hayes, Middlesex) Condition: E (Excellent). Condition & Visuals As seen in the photographs, this is a remarkably well-preserved copy: Surfaces: The shellac retains a deep, mirror-like gloss with no "greying" or heavy groove wear. There are no chips, cracks, or deep scratches. Labels: Clean and vibrant with minimal spindle wear. The "Francis Day" and "N.C.B." royalty stamps are intact and clear. Audio: This is a high-grade electrical recording. Given the Excellent condition, it plays with impressive punch and clarity, far removed from the "surface noise with a side of music" experience common with 1920s discs. Historical Rarity This is the HMV X-series issue, produced primarily for the Northern European/Scandinavian market. These pressings are frequently superior to the standard US Victor releases, as they were pressed from fresher masters on high-quality shellac at the Hayes factory in England. The personnel on these sessions reads like a jazz hall of fame, featuring The Dorsey Brothers, Red Nichols, Eddie Lang, and Joe Venuti. It is a pinnacle of late-20s "hot" dance music. Shipping & Packaging Shellac is a notoriously fragile substance that seems to find the modern postal system personally offensive. To ensure this record arrives in one piece: The disc will be sandwiched between stiff corrugated cardboard and wrapped in bubble wrap. This is then placed inside a double-skin box with ample packing void to prevent any movement during transit.