AXOLOTL 'Abrasive' LP (France, Souffle Continu Records, Catalogue #FFL082) Brand new/unplayed copy of limited year 2023 Souffle Continu Records label LP vinyl edition of rare 1981 French Free Jazz/Avant-garde Free Improvisation album entitled Abrasive by a unit named Axolotl (originally released in 1981 in France on the D'Avantage label.) Gutiar, Bass Clarinet, Alto, Tenor and Baritone Sax. For fans of the BYG/Actuel series and Shandar Records releases of the 60's/early 70's French Free Jazz and Avant-garde music underground.

(NOTE: ALL RECORDS ARE PACKED AND SHIPPED IN PROFESSIONAL, SUPERIOR QUALITY RECTANGULAR SHAPED, CORNER PROTECTING CORRUGATED CARDBOARD RECORD MAILERS WITH FILLER PADS. SATISFACTION GUARANTEED!)

(NOTE: BRAND NEW/FACTORY SEALED ITEM!)

(NOTE: LIMITED VINYL EDITION!)

The axolotl is a species of salamander native to Mexico, living in a state of larva and having the capacity to regenerate damaged organs. This brief introduction doesn't tell us if the axolotl sings. But, for the one that concerns us here: yes indeed. In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey. When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born. Iconoclastic, the trio was bound to please Jac Berrocal, and he proposed to record their first album on the label D'avantage. In spring 1981 three days were just enough for Oger (tenor and barytone saxophones), Brunet (alto saxophone, bass clarinet and "things"), and Dufourd (electric guitar) to complete Axolotl, the first album by a group which would record -- two. If there was a collective of iconoclasts, the trio would be there with some relatives: Alterations, Fred Frith, John Zorn, the ROVA Saxophone Quartet... and then because there was mention of a collective, Axolotl steps (considerably) beyond the domain of free improvisation to lean towards jazz ("Illusion", "Paris, Froissé"), no wave ("Ombre Pilée", "Trottoirs Défunts"), contemporary ("Oreiller", "D'autres Seuls"), and even what you could call -- acid fun ("Dehors"). Above all, Axolotl wanted to really get to grips with sound via an expression as direct as it was liberating, as can be heard on "Ozone, Flocon, Torsion", producing a noise that, even today pierces the brain. Carefully remastered from the master tapes by Gilles Laujol. Graphic design by Stefan Thanneur. Licensed from Etienne Brunet. Eight-page booklet; 180 gram vinyl; 425 gsm brownboard outer sleeve. 

- In Paris, at the end of the 1970s, Etienne Brunet and Marc Dufourd would improvise regularly, inspired by some other saxophone-guitar duos: Claude Bernard-Raymond Boni firstly, then Evan Parker-Derek Bailey.
- When Jacques Oger (a saxophonist whom Brunet had met at a workshop given by Steve Lacy at the Châteauvallon festival in 1977) joined the duo Brunet-Dufourd, Axolotl was born.
- Axolotl steps (considerably) beyond the domain of free improvisation to lean towards jazz, no wave, contemporary, and acid fun.

Tracks on this LP are as follows:

PositionTitle/CreditsDuration
A1Ombre Pilée2:40
A2Illusion4:47
A3D'Autres Seuls6:21
A4Reflets Infirmes3:08
A5Suave2:44
B1Trottoirs Défunts3:58
B2Ozone. Flocon. Torsion5:35
B3Paris. Froissé0:44
B4Couloir3:46
B5Oreiller3:04
B6Apnée. Nuit2:29
B7Dehors0:38

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Shipping totals will be consolidated for multiple orders/winning bids.

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