Miles Davis MFSL MILESTONES OUT OF PRINT COLLECTORS MONO 1ST EDITION EVER IN THIS Numbered 681 FOR COLLECTORS Limited Edition 180 GRAM HALF SPEED MASTERED OUT OF PRINT LP - ONE AND ONLY PRISTINE SEALED COPY FOREVER.
PRISTINE SEALED MFSL FIRST EDITION EVER IN A NUMBERED 681 VERIFIED FIRST RELEASE FROM 2012 ORIGINAL RELEASE AND APART OF THE 1ST 1000 COPY STAMPERS OF THIS 2012 MFSL COLLECTORS AUDIOPHILE OUT OF PRINT MASTERED VINYL LP. IF YOU ARE A COLLECTOR AND WANT TO OWN FIRST RELEASES FROM MFSL THEN THIS NUMBER 681 VERIFIES THIS THE ORIGINAL 2012 RELEASE NOT THE RE-ISSUE IN MUCH HIGHER NUMBERS -
This LP captures the incredible realism and presence in the listening experience without the annoyance of surface noise, distortion, hiss and disc warpage.
The depth and dimension of the music is delivered back to you with all the dynamics and richness of the live recording session. With Mobile Fidelity, you will come as close as possible to hearing the three-dimension quality of the music just as the artist intended it to be
Miles Davis' Milestones on Numbered Limited Edition 180g Mono LP from Mobile Fidelity!
Vanguard Sonics: Mobile Fidelity Reissue Presents The 1958 Standard with Unparalleled Sound Quality!
This Masterwork is Oft-Overlooked Link Between 'Round About Midnight and Kind of Blue. In MONO—You Will Not Hear a Better Analog Edition!
Only Record to Feature Davis’ Original Sextet, Including Rhythm Section of Paul Chambers and Philly Joe Jones. Title Track Stands as First-Ever Modal Composition Even as Blues and Hard-Bop Flavors Make LP One of Davis’ Most Explosive Affairs.
Miles Davis created just one studio album with his original sextet. He made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, the trumpeter not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Due to its sandwiched position between the more famous ‘Round About Midnight and epochal Kind of Blue, Milestones remains, for too many music lovers, an overlooked classic.
Part of Mobile Fidelity’s Miles Davis catalog restoration series, Milestones has been restored to mono for the first time as to expose the record’s standing as one of the all-time great jazz efforts. Mastered from the original master tapes and pressed at RTI, this unsurpassed 180g mono LP edition grants each musician their own space in a well-defined, broadened soundstage. Colors, shapes, and dimensions appear in the manner they do when beheld from behind a studio-control room’s window.
Davis’ burnished trumpet? Rendered in three-dimensional perspective, coaxing his mates out to play with unburdened zest and commotion. Coltrane’s trademark saxophone? Witness it in life-size proportion, his solos working in tandem with and against the driving rhythms. Garland’s swaggering piano lines? Visualize the 88 keys as he hits full stride, the chords and fills slithering around skeletal frameworks.
If anything, Milestones is as famous for its title track as the players that produced it. The launching pad for many of Davis’ (and later, his contemporaries’) improvisational flights, the singular piece invites the tessellated explorations Coltrane would forever chase as well as the headliner’s argyle solo work, who broaches territories that far exceed what he had done with his bop-rooted past. Every song is a highlight, whether it’s the bravado “No Jackle,” featuring a hot-foot pace and bebop strains, or “Sid’s Ahead,” which continues the album’s blues theme while tossing around edgy harmonics and inside-out structures.
Then there’s “Straight, No Chaser,” the absolutely definitive rendition of Thelonious Monk’s signature piece. Coltrane’s marbled playing pulls at the tune’s lobed borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting “When the Saints Go Marching In” while demonstrating his knowledge of tradition and eye towards the future. A milestone if there ever was. And now, in resplendent mono
Features:
• Numbered, Limited Edition
• Production and Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Pressed at RTI
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
Musicians:
Miles Davis, trumpet, Piano ("Sid's Ahead")
Cannonball Adderley, alto sax
John Coltrane, tenor sax
Red Garland, piano
Paul Chambers, double bass
Philly Joe Jones, drums
Selections:
1. Dr. Jekyll
2. Sid’s Ahead
3. Two Bass Hit
4. Milestones
5. Billy Boy
6. Straight, No Chaser
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Collectors Note: This LIMITED EDITION pressing is now out of print & gone from the last distributor that had any of these pressing left within their inventory. This means that this specific title is "Here Today but For Sure Gone Tomorrow Forever". So Don't Miss Out on adding this to your collection because mymusicfix only has a the last couple copies left forever any where in the world still factory sealed.
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