LAYLA MFSL COLLECTION - STARTS WITH THE MFSL AUDIOPHILE COLLECTORS HALF SPEED MASTERED FROM ORIGINAL ANALOG TAPES INDIVIDUALLY VERIFIED EDITION NUMBERED 2978 & PRESSED AT RTI ON 180 GRAM VINYL DOUBLE LP SET. CURRENTLY TREMENDOUSLY RARE ISSUE ESPECIALLY IN THIS UNDER 3000 NUMBERED EDITION.
PLUS TO COMPLETE THESE TWO MFSL VERIFIED EDITION NUMBERED MASTERPIECES OF LAYLA WE ARE OFFERING THE COLLECTOR THE MFSL SACD HYBRID TO THE MIX WITH LIMITED EDITION NUMBER 4318. COLLECTORS ALSO NOTE THAT THIS COPY HAS THE ORIGINAL MFSL SACD MARKETING/HYPE STICKER TO ALSO VERIFY IT'S THE ORIGINAL RELEASE. SACD HYBRID - The greatest advancement since the introduction of stereo, Super Audio CD MONO employ the innovative single-bit encoding system, Direct Stream Digital. Every SACD player performs superbly with Compact Discs. And Hybrid SACDs will play back beautifully on CD players
- THIS IS A ONE TIME ONLY OFFER AND ONCE SOLD GONE FOREVER FOR THE COLLECTOR WHO WANTS THE FINEST IN THEIR HOME & CAR STEREO.
FOR YOUR INDIVIDUAL MFSL 24 KARAT GOLD CD'S SELECTION - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN MFCD OR FOR OTHER TITLES MYMUSICFIX ONLY HAS ONE COPY REMAINING FOREVER USE THE COPY CD1&DONE INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL MFSL 24 KARAT GOLD CD TITLES + INFORMATION WILL APPEARMFSL VINYL LP SET - TAS Super LP List! Special Merit: Informal
Derek and The Dominos Layla on Numbered Limited Edition 180g 2LP from Mobile Fidelity!
Mastered From original Master Tapes & Pressed at RTI!
Rolling Stone 500 Greatest Albums of All Time - Rated 117/500!
The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock – all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.
Mastered from the original master tapes and pressed at RTI, Mobile Fidelity's 180g 2LP set exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded its own space in the mix, Allman's slide guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event.
Then, of course, there's the title track – crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro – arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on a pressing that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.
Clapton's pained yearning permeates everything here. Works such as the swampy "Tell the Truth," the pleading "Why Does Love Got to Be So Sad?," and blues-drenched "Have You Ever Loved a Woman?" attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.
Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record. Whatever the case, this is the analog version to own.
Features:
• Numbered, Limited Edition
• Double LP
• Mastering by Mobile Fidelity Sound Lab
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Special Static Free - Dust Free Inner Sleeve
• Heavy Duty Protective Packaging
• Mastered from the Original Master Tapes
• Pressed at RTI
Selections:
Side One:
1. I Looked Away
2. Bell Bottom Blues
3. Keep On Growing
4. Nobody Knows You When You're Down And Out
Side Two:
1. I Am Yours
2. Anyday
3. Key To The Highway
Side Three:
1. Tell The Truth
2. Why Does Love Got To Be So Sad?
3. Have You Ever Loved A Woman
Side Four:
1. Little Wing
2. It's Too Late
3. Layla
4. Thorn Tree In The Garden
Mastered From Original Master Tapes!
Rolling Stone 500 Greatest Albums of All Time - Rated 117/500!
Eric Clapton and Duane Allman in the Same Band for the Only Time: Derek and the Dominos' Layla, a Timeless Batch of Fire-Pot Blues, Poignant Gospel, Searing Rock, and Lustful Emotion
The reputation of Derek and the Dominos' Layla and Other Assorted Love Songs, their lone record, precedes it. Eric Clapton performing in the studio with Duane Allman, Bobby Whitlock, Carl Radle, and more for the only time. A batch of fire-pot blues, poignant gospel, and searing rock – all birthed from the leader's insatiable lust for his friend George Harrison's wife. Now, experience it all, and one of the most famous guitar solos and codas in history, in unsurpassed sound courtesy of this quintessential Mobile Fidelity reissue.
Mastered from the original master tapes, Mobile Fidelity's hybrid SACD exposes the brilliance of Tom Dowd's original production and the scope of the virtuoso musicians' playing. You've never been closer to the aching vocals, stinging leads, tormented emotions, or wowing intensity that grace every track. Clapton's tones emerge with unprecedented soulfulness. Afforded its own space in the mix, Allman's slide guitar passages crackle with urgency. All-important sonic components such as soundstaging, imaging, and dynamics transport you to the actual event.
Then, of course, there's the title track – crowned the 27th greatest song of all time by Rolling Stone. What to say about the outro – arguably the most famous, passionately penetrating, visceral, double-edged guitar solo in history. Clapton's strings weeping with longing, hope, regret, unrequited love. It deserves the best-possible sonic platform, and receives it here, on an audiophile disc that brings Slowhand's every finger moment into great relief. Get inside Clapton's head, burrow into the conflicted emotions fluttering in his heart as he pines for his another man's wife, and in the process, produces an album that forever lives in the souls of anyone who's ever loved and lost.
Clapton's pained yearning permeates everything here. Works such as the swampy "Tell the Truth," the pleading "Why Does Love Got to Be So Sad?," and blues-drenched "Have You Ever Loved a Woman?" attest to his raw-nerve discomfort, guilt, and desire. He leaves teardrops on the microphone stand and blood on the floor, singing and playing as if his life depends on it and if, by some miracle, the music will serve as both a confessional and apology to Harrison. It's all magnified by Clapton achieving a spiritual and sonic oneness with his band, which matches his high-stakes precision with a rolling, tumbling looseness.
Allman adds firepower and achieves a still-unrivaled simpatico bond with Clapton, but each participant soars. Consider: The call-and-response, Sam and Dave-derived vocal exchanges between Whitlock and Clapton. Rich, creamy, Southern-stoked blends of R&B, blues, and soul. Vibrant tapestries in which the pianos, bass, guitars, and voices explode with ravishing fervor, naturalism, and desperation. Indeed, maybe a combo this great was only intended one shot in the studio. Perhaps the paralyzing degree of potency on display here, and the musicianship that remains the standard by which any blues-rock is judged, is meant to be preserved as one standalone record.
Features:
• Numbered, Limited Edition
• Super Audio CD
• SACD Stereo SACD Layer
• This Hybrid SACD contains a 'Red Book' Stereo CD Layer which is playable on most conventional CD Players!
• Mastered From Original Master Tapes
Selections:
1. I Looked Away
2. Bell Bottom Blues
3. Keep On Growing
4. Nobody Knows You When You're Down and Out
5. I Am Yours
6. Anyday
7. Key To The Highway
8. Tell The Truth
9. Why Does Love Got To Be So Bad?
10. Have You Ever Loved A Woman
11. Little Wing
12. It's Too Late
13. Layla
14. Thorn Tree In The Garden
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