CROSBY, STILLS & NASH AUDIOPHILE SET FOR YOUR TURNTABLE AND CD PLAYER.
STARTS WITH THE OUT OF PRINT THE TREMENDOUSLY RARE LONG OUT OF PRINT AUDIO FIDELITY 24 KARAT GOLD AUDIOPHILE CD for your car & home stereo. NOTE: THIS 24 KARAT GOLD HDCD STILL HAS THE ORIGINAL AUDIO FIDELITY COLLECTORS VERIFYING MARKETING OUTER SLIPCASE AND VERIFIED ORIGINAL STEVE HOFFMAN MASTERED HDCD AT STEPHEN MARSH MASTERING AUDIOPHILE LIMITED EDITION GOLD FOILED LOW NUMBER STAMPED ON THE BACK OF THE SLIPCASE JACKET UNDERNEATH THE PLASTIC WRAP
Features:
• 24k Gold CD
• Numbered, Limited Edition
• Mastered by Steve Hoffman at Stephen Marsh Mastering
24 KARAT GOLD CD'S
You've never heard your favorite music sound this good! The clarity is exceptional, you will hear deeper lows and crisper highs. Treat yourself to a musical experience you've never had before! These new 24KT+ Gold CDs reproduce the ultimate sound of a classic recorded performance without the irregular plated surfaces of standard aluminum discs.
Audio Fidelity's 24KT+ Gold CD series brings you classic music in deluxe packaging with see-through slip cases using original album art, all beautifully reproduced. They only use the original master mixes played back on a specially constructed vintage playback deck. Here's where the PLUS (+) comes in: The analog masters are put through their new proprietary analog to digital converter which reinforces the resolution of the original masters adding true "breath of life" to the music. Without any further sonic manipulation the master is shipped directly to the manufacturing plant for etching in "real time" onto the glass surface by laser. The end result of this unique mastering process is a compact disc with the warm sound of the original analog master tape combined with a genuine 24 karat gold surface free of any type of physical defect making Audio Fidelity's 24KT+ Gold CD series truly one of a kind!
NOTE FOR THE AUDIOPHILES THESE TWO TITLES THE SAME TITLE AS ABOVE WHICH IS ALSO SELLING IN THE 24 KARAT GOLD PRESSING ALONE IS SELLING FOR OVER $170 USED VERSES THE SEALED COPY YOU ARE RECEIVING HERE. TRACKS ARE THE SAME ON BOTH THE 180 GRAM VINYL FOR YOUR TURNTABLE & 24K GOLD CD.
Rolling Stone 500 Greatest Albums of All Time - Rated
262/500!
Rolling Stone 500 Greatest Songs of All Time - "Suite:
Judy Blue Eyes" - Rated 426/500!
Remastered from the Original Analog Master Tapes & Cut
by Bernie Grundman!
The first album released by Crosby, Stills & Nash in
1969 produced two Top 40 hits "Marrakesh Express" and "Suite:
Judy Blue Eyes". The album peaked at #6 on the Billboard Top Pop Albums
chart.
The strong debut album lifted the group to stardom and
helped initiate a change in popular music away from loud guitar music to more
subdued folk tunes.
"I've seen Crosby, Stills and Nash burnin' ass,"
Jimi Hendrix declared in 1969. "They're groovy, Western-sky music."
Hendrix knew what he was talking about. The trio first combined its golden
hippie harmonies on this debut, featuring the seven-minute "Suite: Judy
Blue Eyes." - rollingstone
"Written by Stills for ex-girlfriend Judy Collins, this
epic harmony showcase kicked off CSN's debut album. Stills played most of the
instruments, but as Nash told Rolling Stone, 'The three-part vocal blend was
f*cking fantastic.'" - Rolling Stone
Features FOR YOUR TURNTABLE: IN BOTH THE MFSL 45 RPM BOX SET + THE 180 GRAM 33 & 1/3 VERSION FOR THE COLLECTORS WHO WANTS IT ALL FOR THEIR STEREO SYSTEM.
1ST - Crosby, Stills & Nash Crosby, Stills & Nash MFSL Numbered
Limited Edition 180 GRAM 45rpm SuperVinyl 2LP Box Set
45rpm 180g 2LP Box Set!
Limited to 12,000 Numbered Copies!
MoFi SuperVinyl Pressed At RTI!
Mastered from the 1/4" / 15 IPS Analog Master to DSD
256 to Analog Console to Lathe and Pressed on MoFi SuperVinyl: Crosby, Stills
& Nash 180g UD1S 45RPM 2LP Box Set Is Ultimate Version of the Landmark
Album
Virtuosic Playing, Homespun Arrangements, Resonant Lyrics:
Harmony-Rich Record Includes "Suite: Judy Blue Eyes," "Long Time
Coming," "Marrakesh Express," and "Helplessly Hoping"
Packaging Includes Opulent Box and Foil-Stamped Jackets:
Deluxe Audiophile Pressing Strictly Limited to 12,000 Numbered Copies
Rolling Stone 500 Greatest Albums of All Time - Rated
161/500!
The enduring charm, contemporary relevance, and harmonic
convergence of Crosby, Stills & Nash's fabled self-titled debut owe not
only to impeccably played songs and resonant lyrics, but to career-defining
performances by music's first genuine supergroup. Crosby, Stills & Nash
lingers as an example of the whole being greater than the sum of its parts.
Factor in phenomenal studio production and acoustic-based architecture that
served as guideposts for myriad albums that followed, and popular music would
never be the same.
Strictly limited to 12,000 numbered copies, pressed on MoFi
SuperVinyl at RTI, and mastered from the original analog master tapes, Mobile
Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the
incalculably influential work for the ages to come. Surpassing the sonics of
any prior version, it peels away any limitations to provide a transparent,
ultra-nuanced presentation of a record that birthed the Laurel Canyon movement
and established a precedent for close harmony singing that has never been
eclipsed. The organic presentation of the textures; expanse and depth of the
soundstages; fullness of tones; natural extension of the acoustic guitar
strings; realistic rise and decay of individual notes; seamless blending of the
vocals – all those important sonic facets (and more) reach demonstration-grade
levels.
The packaging features the same attention to detail. Housed
in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special
foil-stamped jackets and faithful-to-the-original graphics that illuminate the
splendor of the recording and the reissue's premium quality. Aurally and
visually, MoFi's UD1S copy exists as a curatorial artifact meant to be
preserved, touched, and examined. It is made for discerning listeners that
prize sound quality and production, and who desire to fully immerse themselves
in everything involved with the album.
The backstory of how Crosby, Stills & Nash came to be
nearly matches the import of its content. Already a renowned multi-instrumental
virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield
splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the
Byrds and gaining a reputation for being difficult. Graham Nash drifted over
after a frustrating stint in the Hollies. He met his new mates at a party. When
the three sang together informally for the first time, their fate was sealed.
To further tie their fortunes together, the singers used each of their surnames
to identify the group to ensure the collective could not exist or continue on
without all three members.
From the opening of the lead track, the multi-part
"Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the
trio's dynamic cannot be replicated or substituted. Originally released in May
1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent
almost two years on the charts. Such longevity can be credited to the
distinctive traits each member lends to a record Rolling Stone cites as the
161st Greatest Album of All Time. Stills trades in folk, country, and rock
accents while handing a majority of the instrumental duties (organ, bass, and
lead guitar included). Crosby paints with mood and atmosphere, as well as
direct political commentary. Nash ties everything together with accessible pop
melodies.
More than five decades later, the ensemble's mellifluous
singing and homespun arrangements continue to soar. The evidence pervades
Crosby, Stills & Nash, whose magnetism reflects in standards such as the
breezy "Marrakesh Express," protesting "Long Time Gone,"
poignant "Helplessly Hoping," and poetic "Wooden Ships." No
wonder the trio's chemistry – as well as the distinctive traits of each
member's singing, interwoven guitar parts, and contrasting personalities –
became a permanent part of an American culture dealing with conflicting themes
of peace and war, love and violence, and change and status quo.
More About Mobile Fidelity UltraDisc One-Step and Why It Is
Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S)
technique bypasses generational losses inherent to the traditional three-step
plating process by removing two steps: the production of father and mother
plates, which are created to yield numerous stampers from each lacquer that is
cut. For UD1S plating, stampers (also called "converts") are made
directly from the lacquers. Since each lacquer yields only one stamper,
multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a
final LP with the lowest-possible noise floor. The removal of two steps of the
plating process also reveals musical details and dynamics that would otherwise
be lost due to the standard multi-step process. With UD1S, every aspect of
vinyl production is optimized to produce the best-sounding vinyl album
available today.
MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most
exacting-to-specification vinyl compound ever devised. Analog lovers have never
seen (or heard) anything like it. Extraordinarily expensive and extremely
painstaking to produce, the special proprietary compound addresses two specific
areas of improvement: noise floor reduction and enhanced groove definition. The
vinyl composition features a new carbonless dye (hold the disc up to the light
and see) and produces the world's quietest surfaces. This high-definition
formula also allows for the creation of cleaner grooves that are
indistinguishable from the original lacquer. MoFi SuperVinyl provides the
closest approximation of what the label's engineers hear in the mastering lab.
Features
Numbered, Limited Edition - 12,000 Copies
MoFi SuperVinyl Pressing
UltraDisc One-Step
180g Vinyl
45rpm
2LP Box Set
Mastered from the 1/4" / 15 IPS Analog Master to DSD
256 to Analog Console to Lathe
Opulent Box
Foil-Stamped Jackets
Production and Mastering by Mobile Fidelity Sound Lab
Pressed at RTI
Selections
Suite: Judy Blue Eyes
Marrakesh Express
Guinnevere
You Don't Have To Cry
Pre-Road Downs
Wooden Ships
Lady Of The Island
Helplessly Hoping
Long Time Gone
49 Bye-Byes
PLUS THE 180 GRAM Vinyl 33 &1/3 AUDIOPHILE LP
Remastered from the
Original Analog Master Tapes and Cut by Bernie Grundman!
Gatefold jacket
Selections:
1. Suite: Judy Blue Eyes
2. Marrakesh Express
3. Guinnevere
4. You Don't Have To Cry
5. Pre-Road Downs
6. Wooden Ships
7. Lady of the Island
8. Helplessly Hoping
9. Long Time Gone
10. 49 Bye-Byes
E-BAY STORE FOR YOUR INDIVIDUAL AUDIOPHILE HEAVY VINYL LIMITED EDITION SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB & TYPE IN CSN OR CROSBY STILLS & NASH INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR
AS OF Sep-26-2008 per USPS policy, seller added the following
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