Bell & Howell Kowa Anamorphic 2×

History
Originally made in Japan in the 1960s–70s, these lenses were Kowa projection anamorphic optics supplied to Bell & Howell 16mm projector systems. They were never designed as cinema camera lenses, but later became famous when filmmakers repurposed them as front anamorphic projection adapters. They sit in the same lineage as the classic Kowa Prominar 2× anamorphic series, and are often considered one of the highest-quality versions of that optical design.

Tech Details
Type: Front anamorphic projection lens (modified for cinema use)
Squeeze Factor: 2×
Optics: Kowa Prominar-derived glass
Original Use: 16mm projection (Bell & Howell systems)
Focusing: Manual (typically paired with a taking lens + diopter system)
Mounting: Adapted (no native camera mount)
Coverage: Best on Super 35 / APS-C / 4:3 capture
Look: Vintage anamorphic rendering with low contrast and organic imperfections

Reputation
Highly regarded as one of the best “budget vintage anamorphic” options, but only when properly rehoused or rigged. Compared to other projection lenses, the Bell & Howell Kowa is known for unusually sharp center resolution, strong but pleasing oval bokeh, and warm horizontal flares. Many cinematographers consider it a “sweet spot” between character and optical quality—less messy than Sankor-style adapters, but more organic than modern rehoused anamorphics.

Today's Appeal
Still widely used in DIY anamorphic setups and boutique rehousings. It’s popular with indie filmmakers because it delivers a true 2× cinematic widescreen look (2.39:1 from 4:3 sensors) at a fraction of the cost of modern cine anamorphics. Downsides are practical: it’s heavy in workflow (double focusing unless modified), requires diopters for close focus, and needs careful alignment. But visually, it remains one of the most respected vintage anamorphic “character lenses” available.

Thank You!

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