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TITLE: AMERICAN ARTIST Magazine [Artist magazine of largest circulation. Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!] ISSUE DATE:
SEPTEMBER 1977; VOLUME 41, ISSUE 422
CONDITION:
Standard sized magazine, Approx 8½" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)
IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
FRONT COVER: Still Life with Sun II, by Elizabeth Osborne, 1976, watercolor,
22¼ x 30. Private collection.
ELIZABETH OSBORNE: PAINTING WITH LIGHT by Eve Medoft. Staining areas of color represents the major technique of this Philadelphia artist. How does she use it to heighten the effect of light in her still lifes? What role did the color field painters play in the development of her work?.
SUMI PAINTING by Evalyn Aaron. A step-by-step demonstration of Sumi-e, the method of Japanese brush painting. The author describes how to make the ink, hold and load the brush, and paint "the Four Gentlemen"; bamboo, chrysanthemum, plum, and orchid.
THE WATERCOLOR PAGE: KENNETH HARRIS. How to pack sufficient equipment without continuously having to replenish supplies is a constant problem to artists who like to take extended trips and paint on location. Harris, a world traveler, discusses his solutions to many problems.
A CONVERSATION WITH TED GOERSCHNER by Charles Movalli. To be as sensitive a teacher as one is an artist requires special gifts. Göerschner, who is opening an art school in Gloucester, discusses his approach to oils, particularly floral still lifes and New England landscapes, and shares his insights on how to teach.
THE ALWAYS CONTROVERSIAL MONSIEUR COURBET, by Alfred Werner. This artist, who almost single-handedly changed the course of 19th century art, is again the center of controversy on the 100th anniversary of his death due to the reexamination of Realism.
LOOKING AT PAINTINGS with Bernard Danstan.
BULLETIN BOARD; ART MART; FOOTNOTES; LETTERS TO THE EDITOR; ART BOOKS.
FORUM: In What Ways Can the Government Assist American Artists?, by Mrs. Walter Mondale.
PROFESSIONAL PAGE by Betty Chamberlain.
TECHNICAL PAGE by Ralph Mayer.
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