Charlotte von Lengefeld, also known as Mrs. Friedrich Schiller, color engraving by Arthur von
Ramberg, draughtsman, and Alexander Rordorf, engraver — a removed plate
from the book "Die Schwestern" by Fanny
Tauffkirchen-Englburg, published by Druck und Verlag von F. M.
Brockhaus, Leipzig, Germany, 1850 — measurements: 7" x 10 1/8"
Some info:
The 1850 publication "Die Schwestern" by F.
M. Brockhaus is one of the most notable editions, and featured colorized
engravings by Arthur von Ramberg, and Alexander Rordorf.
Both color engravings of Lady Milford [see
our other listing] and Charlotte von Lengefeld were published in the
same book, "Die Schwestern," which was released by F. M. Brockhaus in
1850. This book featured various works by Friedrich Schiller and
included illustrations of these characters.
Charlotte von Lengefeld was the wife of Friedrich Schiller.
"Die Schwestern" by Fanny
Tauffkirchen-Englburg is a novel that explores the complex relationships
between two sisters. The story delves into themes of family dynamics,
rivalry, and the bonds that tie siblings together despite their
differences. As the sisters navigate their individual paths in life,
they confront personal challenges and secrets that test their loyalty
and love for one another. The narrative weaves together their past and
present, revealing how their shared history shapes their identities and
choices. Ultimately, the novel highlights the enduring connection
between sisters, even in the face of conflict and misunderstanding.
By juxtaposing Charlotte von Lengefeld,
with Lady Milford, (a character from Friedrich
Schiller's play "Don Carlos,") may represent themes of love, power, and
societal constraints, as the author may draw parallels between the struggles of the characters in
"Die Schwestern" and the broader themes of female agency and societal
roles.