ANTOINE-LOUIS BARYE
French, 1796-1875
"Lion Assis, no. 2"
Sand-cast bronze with autumnal patina | signed in cast BARYE, stamped verso "AD" surmounted by a star
Item # 211XNI30E
Initially
modeled by Barye in 1846 as a commission by Louis-Phillipe for the
Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture
sat near to Barye's Lion au Serpent until it was later moved in
1867 to the grand entrance to Pavilion de Flore and a pair was crafted
for it using a mechanical technique. This incensed Barye, as he insisted
a mate must be sculpted to oppose Lion Assis but the government refused on the basis of the high cost. There are striking similarities between Lion Assis and Barye's Lion of the July Column,
both beasts with notable similarity in the multiple layers of their
manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior.
Version
no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to
the popularity of the sculpture it was cast in four different editions
with varying dimensions. Lion Assis no. 2 was originally set
over two base types: the more rare naturalistic base seen in the present
model and the more common molded base (which incidentally also gives
that variation some additional height). It was cast posthumously by
Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly.
The same model and the original plaster and wax are held in the
permanent collection of the Virginia Museum of Fine Arts (acc. no.
2007.70 & 71).
The present example is a post-humous cast by
August Delafontaine, bearing the A*D mark of their foundry on the
reverse of the sculpture. It retains brilliant jewel-like surface
texture with no evidence of cold-tooling, the signature captured from
the mold and the whole finished in a nuanced "autumnal" patina
consisting of various hues of browns, greens and blacks.
For a
similar example, see an August Delafontaine cast of Lion Assis no. 2
offered at Sotheby's in September of 2008 (sale no. n08496) as lot 211
which achieved $ 6375 USD.
Artist Listings & Bibliography:
- Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143
- The
Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88
for discussion of Delafontaine and their role in casting Lion Assis
(fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison
Colin and their role in casting Lion Assis with the naturalistic base;
see H. Brame's 1898 catalogue entry for Lion Assis on p. 67 (no 10 in
their catalogue over a cove molded base, 21 cm height)
- Untamed: The Art of Antoine-Louis Barye, Walters Art Gallery, 2006, see p. 163 for discussion of the model
- The Barye Bronzes: A catalogue raisonne, Pivar, 1990, plate XI (A45)
- Antoine-Louis Barye: Sculptor of Romantic Realism, Benge, 1984, fig. 117, p. 126
- Bronze Sculpture of Les Animaliers, Horswell, 1974, p. 62
- Dictionnaire des sculptures de l'école française, vol. 1, 1914, p. 76
Measurements: 7 1/2" H x 3 1/8" D x 6 1/4" W
Condition Report:
Light
edge wear around extreme edges of base rim, very minor handling wear to
extreme points, cleaned and in very good overall condition.
About silla | antiques & art
Established in 2009, our 9000 square foot brick-and-mortar gallery is home to a carefully curated and catalogued inventory of furniture, decorative arts, paintings, sculpture and estate jewelry. Our company has long specialized in sculpture circa 1860 through 1930 and as such the gallery always has a very large collection of
exceptional European and American sculpture available on display.
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We take shipping very seriously and maintain a fully equipped in-house packing facility to professionally package these important and delicate pieces. All packaging is handled by our staff and will generally consist of:
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- That carton is then double-boxed by placing it into an outer carton 2-3" larger on all sides with a dense void fill in the gap [note, paintings are generally not double-boxed but instead have a different packing methodology to properly protect the frame from pressure]
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