Staffordshire Mulberry Transferware Covered Sucrier, Lion Handles, c.1840

This product data sheet is originally written in English.


Rare antique English covered sucrier in mulberry transferware, Staffordshire, c.1840. The body and lid are richly decorated in a deep berry-purple (mulberry) shade, a color highly prized by collectors and rarely seen compared to blue & white or red transferware. The decoration features a charming garden scene with children and a beehive, and the lid is topped with a high domed finial. Both sides of the bowl have bold lion mask handles with molded rings, a refined neoclassical detail. Notably, the transfer-printed scenes on both the bowl and lid are closely based on the neoclassical designs of Adam Buck (1759–1833), one of Regency England’s most influential illustrators. His compositions were widely adopted by Staffordshire potters of the period for their elegant sentimental appeal.     

Matching hand-painted letters in underglaze purple are found on both the bowl and lid, typical of Staffordshire pottery from this period. The fine craquelure and rich coloration reflect the best qualities of early Victorian transferware. This piece is a striking example of early Victorian mulberry transferware, with excellent clarity of print and strong color. Pieces with their original lids and figural handles are especially sought after and becoming increasingly scarce.

Condition:

Minor enamel loss to the tip of the finial. Otherwise, excellent antique condition. No cracks, chips, or restorations.

Dimensions:

Height with lid: 12 cm

Diameter at rim: 10.3 cm

Carefully packed using recycled materials where possible. Please review all photographs carefully as they form part of the description, and feel free to ask any questions.

Rare antique English covered sucrier in mulberry transferware, Staffordshire, c.1840. The body and lid are richly decorated in a deep berry-purple (mulberry) shade, a color highly prized by collectors and rarely seen compared to blue & white or red transferware. The decoration features a charming garden scene with children and a beehive, and the lid is topped with a high domed finial. Both sides of the bowl have bold lion mask handles with molded rings, a refined neoclassical detail. Notably, the transfer-printed scenes on both the bowl and lid are closely based on the neoclassical designs of Adam Buck (1759–1833), one of Regency England’s most influential illustrators. His compositions were widely adopted by Staffordshire potters of the period for their elegant sentimental appeal.      M