Rod Serling's TWILIGHT ZONE - Individual Base Card from the series issued by Rittenhouse in 1999
Oliver Burgess Meredith (November 16, 1907 – September 9, 1997) was an American actor, director, producer, and writer. Active for more than six decades, Meredith has been called "a virtuosic actor" and "one of the most accomplished actors of the century". A lifetime member of the Actors Studio by invitation, he won several Emmys, was the first male actor to win the Saturn Award for Best Supporting Actor twice, and was nominated for two Academy Awards.
He established himself as a leading man in Hollywood with critically acclaimed performances as George Milton in Of Mice and Men (1939), Ernie Pyle in The Story of G.I. Joe (1945), and the narrator of A Walk in the Sun (1945).
Meredith was known later in his career for his appearances on The Twilight Zone and for portraying arch-villain The Penguin on the 1960s TV series Batman and boxing trainer Mickey Goldmill in the Rocky film series. For his performances in The Day of the Locust (1975) and Rocky (1976), he received nominations for the Academy Award for Best Supporting Actor. He later starred in the comedy Foul Play (1978) and the fantasy film Clash of the Titans (1981). He narrated numerous films and documentaries during his long career, including Twilight Zone: The Movie (1983).
"Although those performances renewed his popularity," observed Mel Gussow in The New York Times, "they represented only a small part of a richly varied career in which he played many of the more demanding roles in classical and contemporary theater—in plays by Shakespeare, O'Neill, Beckett and others."
"Time Enough at Last" is the eighth episode of the American television anthology series The Twilight Zone. The episode was adapted from a short story written by Lynn Venable (pen name of Marilyn Venable). The short story appeared in the January 1953 edition of the science fiction magazine If: Worlds of Science Fiction about seven years before the television episode first aired. "Time Enough at Last" became one of the most famous episodes of the original Twilight Zone and has been frequently parodied since. It is "the story of a man who seeks salvation in the rubble of a ruined world" and tells of Henry Bemis (/ˈbiːmɪs/), played by Burgess Meredith, who loves books, yet is surrounded by those who would prevent him from reading them. The episode follows Bemis through the post-apocalyptic world, touching on such social issues as anti-intellectualism, the dangers of reliance upon technology, and the difference between aloneness (solitude) and loneliness.
Witness Mr. Henry Bemis, a charter member in the fraternity of dreamers. A bookish little man whose passion is the printed page, but who is conspired against by a bank president and a wife and a world full of tongue-cluckers and the unrelenting hands of a clock. But in just a moment, Mr. Bemis will enter a world without bank presidents or wives or clocks or anything else. He'll have a world all to himself... without anyone.
Henpecked, far sighted bank teller and avid bookworm Henry Bemis (Meredith) reads David Copperfield while serving a customer from his window in a bank. He is so engrossed in the novel he regales the increasingly annoyed woman with information about the characters, and shortchanges her. Bemis's angry boss (Taylor), and later his nagging wife (deWit), both complain to him that he wastes far too much time reading "doggerel". As a cruel joke, his wife asks him to read poetry to her from one of his books; he eagerly obliges, only to find that she has inked over the text on every page, obscuring the words. Seconds later, she destroys the book by ripping the pages from it, much to Henry's dismay.
The next day, as usual, Henry takes his lunch break in the bank's vault, where his reading cannot be disturbed. Moments after he sees a newspaper headline, which reads "H-Bomb Capable of Total Destruction", an enormous explosion outside the bank violently shakes the vault, knocking Bemis unconscious. After regaining consciousness and recovering the thick glasses required for him to see, Bemis emerges from the vault to find the bank demolished and everyone in it dead. Leaving the bank, he sees that the entire city has been destroyed, and realizes that, while a nuclear war has devastated Earth, his being in the vault has saved him.
Seconds, minutes, hours. They crawl by on hands and knees for Mr. Henry Bemis, who looks for a spark in the ashes of a dead world. A telephone connected to nothingness. A neighborhood bar, a movie, a baseball diamond, a hardware store, the mailbox of what was once his house and is now a rubble. They lie at his feet as battered monuments to what was, but is no more. Mr. Henry Bemis on an eight-hour tour of a graveyard.
Finding himself totally alone in a shattered world with canned food to last him a lifetime (but no one to share it with) and no means of leaving to look for other survivors, Bemis succumbs to despair. As he prepares to commit suicide using a revolver he has found, Bemis sees the ruins of the public library in the distance. Investigating, he finds that the books are still intact and legible; all the books he could ever hope for are his for the reading, and (as he gazes upon a huge fallen face of a clock) realizes that he has all the time in the world to read them without interruption.
His despair gone, Bemis contentedly sorts the books he looks forward to reading for years to come, with no obligations to get in the way. Just as he bends down to pick up the first book, he stumbles, and his glasses fall off and shatter. In shock, he picks up the broken remains of the glasses without which he is virtually blind, and says, "That's not fair. That's not fair at all. There was time now. There was—was all the time I needed…! It's not fair! It's not fair!" and bursts into tears, surrounded by books he now can never read.
The best laid plans of mice and men... and Henry Bemis... the small man in the glasses who wanted nothing but time. Henry Bemis, now just a part of a smashed landscape, just a piece of the rubble, just a fragment of what man has deeded to himself. Mr. Henry Bemis... in the Twilight Zone.
"Time Enough at Last" was one of the first episodes written for The Twilight Zone. It introduced Burgess Meredith to the series; he went on to star in three more episodes, being introduced as "no stranger to The Twilight Zone" in promotional spots for season two's "The Obsolete Man". He also narrated for the 1983 film Twilight Zone: The Movie, which made reference to "Time Enough at Last" during its opening sequence, with the characters discussing the episode in detail.
Footage of the exterior steps of the library was filmed several months after production had been completed. These steps can also be seen on the exterior of an Eloi public building in MGM's 1960 version of The Time Machine. John Brahm was nominated for a Directors Guild award for his work on the episode. The book that Bemis was reading in the vault and that flips open when the bomb explodes is A History of the Life and Voyages of Christopher Columbus by Washington Irving.
Although the overriding message may seem to "be careful what you wish for, you just might get it", there are other themes throughout the episode as well. Among these is the question of solitude versus loneliness, as embodied by Bemis' moment of near-suicide. Additionally, the portrayal of societal attitudes towards books speaks to the contemporary decline of traditional literature and how, given enough time, reading may become a relic of the past. At the same time, the ending "punishes Bemis for his antisocial behavior, and his greatest desire is thwarted".
Rod Serling's concluding statement in the episode alludes to Robert Burns' Scots language poem "To a Mouse". The poem concludes: "The best-laid schemes o' mice an men / Gang aft agley" (translation: "Often go awry").
Although "Time Enough at Last" implies that nuclear warfare has destroyed humanity, film critic Andrew Sarris notes that the episode's necessarily unrealistic format may have been what allowed its production to commence:
Much of the implacable seriousness of The Twilight Zone is seemingly keyed by the clipped, dour delivery of Serling himself and the interlocutor. He never encourages us to laugh, or even smile, even when the plot twist is at least darkly funny. For example, in 'Time Enough at Last' ... The H-bomb is still lurking in the background of the bookworm's 'accident.' The point is that the bomb could never have gone off on network television were the plot couched in a more realistic format.
In the era of the Internet and eBooks, the irony depicted in "Time Enough at Last" has an information age counterpart, according to Weston Ochse of Storytellers Unplugged. As Ochse points out, when Bemis becomes the last person on Earth, he finally has time to read, with all his books at his fingertips and the only impediment is technology when his medium for accessing them—his glasses—breaks. In a hypothetical world where all books are published electronically, Ochse observes, readers would be "only a lightning strike, a faulty switch, a sleepy workman or a natural disaster away from becoming Henry Bemis at the end of the world"—that is, a power outage has the potential to give them time to read, yet like Bemis, they too would lose their medium for accessing their books—namely the computer.
The Twilight Zone often explored similar themes throughout its run. "Time Enough at Last" has strong thematic ties to a number of other episodes in the series, starting with that of isolation, first explored in the series pilot, "Where Is Everybody?" It is also a prominent theme in the previous episode "The Lonely". Additionally, in a plot very similar to that of "Time Enough at Last", "The Mind and the Matter" tells of a man who uses his mind to erase humanity, only to find that existence without other people is unbearable. The notion of being an outsider, lost in a sea of conformity, was one of the most common themes of the series.
Other thematic elements in this episode can be found throughout the series, as well. "The Obsolete Man" takes the episode's literary subtext—the notion that reading may eventually be considered "obsolete"—to an extreme: The state has declared books obsolete and a librarian (also played by Meredith) finds himself on trial for his own obsolescence. This notion, akin to Ray Bradbury's short story "The Pedestrian" (1951), is also alluded to in the episode "Number 12 Looks Just Like You", in which a perfect and equal world contradictorily considers works like those of Shakespeare "smut".
"Time Enough at Last" was a ratings success in its initial airing and "became an instant classic". It "remains one of the best-remembered and best-loved episodes of The Twilight Zone" according to Marc Zicree, author of The Twilight Zone Companion. When a poll asked readers of Twilight Zone Magazine which episode of the series they remembered the most, "Time Enough at Last" was the most frequent response, with "To Serve Man" coming in a distant second. In TV Land's presentation of TV Guide's "100 Most Memorable Moments in Television", "Time Enough at Last" was ranked at #25. In an interview, Serling cited "Time Enough at Last" as one of his two favorites from the entire series. (The other episode was "The Invaders", with Agnes Moorehead.)
The Twilight Zone Tower of Terror, a theme park ride at Disney's Hollywood Studios and formerly Disney California Adventure Park, displays a replica of Henry Bemis' broken glasses in the lobby. It is noted that, while they are indeed reading glasses, Burgess Meredith wears them the entire episode to make Bemis look more bookish.
The comic book version of The Simpsons, Simpsons Comics, published a story called "The Last Fat Man", based partially on "Time Enough at Last", and includes a short scene where Homer Simpson shoos a bespectacled man who is reading a book out of a nuclear bunker so he can eat in it, unintentionally taking shelter in it.
In Twilight Zone: The Movie (1983), Albert Brooks recounts the episode to Dan Aykroyd as they drive along an empty stretch of highway. "This thing freaked me out when I was 7 years old," says Brooks' character, adding: "I bought another pair of glasses just in case that would happen."
The episode's title was borrowed by a 2004 independent film about a man who tries to escape an office building. The film's official website listed the webmaster's e-mail alias as "rodserling".
The PC game Fallout Tactics (2001) includes a librarian in a desolate world who wants the player to find his missing glasses so he can read his books.
The episode's title was borrowed by a song on The Fall's 1992 album Code: Selfish (1992)
Television
The Modern Family episode "Airport 2010" references "Time Enough at Last" when the screen on Jay's electronic reader gets broken. Jay pours the broken glass to the floor while saying "Not fair. It's not fair".
Episode 12 of Revolution, titled "Ghosts", has Jim Hudson's character who goes by the name of Henry Bemis. Henry (Jim) has become the town librarian, until Miles convinces him to help the rebels and go back to his real name.
The line, "Seconds, minutes, hours, they crawl by on hands and knees" was referenced to in The Powerpuff Girls Season 2 episode, "Speed Demon", where the villain, HIM, torments the Powerpuff Girls before revealing that they have unknowingly arrived 50 years into the future, landing in a Townsville that HIM now controls.
In the season 14 episode of The Simpsons, "Strong Arms of the Ma", a postman is accidentally trapped under a car in front of the Simpson house. He intends to read The Twilight Zone Magazine but discovers that his glasses were broken in the accident while the Twilight Zone main-theme music is heard in the background.
The Scary Door, a show-within-a-show on Futurama parodying The Twilight Zone, pokes fun at the final twist in "Time Enough at Last". When the man in the episode loses his glasses, he realizes he can still read large print since his eyesight is not as bad as he perceived; his eyes fall out, but he declares he can read Braille; his hands fall off, and as he screams, his tongue falls out and then his head falls off. Bender comments, "Cursed by his own hubris."
The Family Guy episode "Wasted Talent" features an end scene similar to the ending of "Time Enough At Last". In the Family Guy version, a lone brain cell discovers it is the last of its kind (as Peter drank so much alcohol throughout the episode that Brian worries that Peter may have killed his brain cells), and with a book in hand and stacks of other books surrounding him, prepares to begin reading, but looks down and his glasses shatter, after which, dismayed, he picks them up and says, "No! It's not fair! There was finally going to be TIME!...", much like what happens to Mr. Bemis.
The closing credits of The Drew Carey Show, season 5, episode 1, "Y2K, You're OK", include a parody of the final scene, where Drew is left alone in his bomb shelter with his "literature", in this case pornographic magazines, after the nuclear explosion, only to have his glasses break in the same manner, whereupon he repeated the final lines from Burgess Meredith.
In the Fear the Walking Dead episode "Buried" (Season 4, Episode 4), Nick and Luciana are scavenging in an abandoned library when they see, amid a trail of bloodied books on the floor, a pair of broken spectacles that resemble those belonging to Henry Bemis in "Time Enough At Last." Nearby, they see a zombie who, as a human, had slashed his own wrists, presumably because he could no longer read once his glasses broke.
In The Marvelous Mrs. Maisel episode "Someday" (Season 2, Episode 8), Abe Weissman is revealed to be a fan of The Twilight Zone, regaling some party guests by reciting the events of "Time Enough at Last".
"Time Enough at Last" has been released in numerous formats over the years.
In 1988 it was available on VHS as part of a Twilight Zone collector's edition.
Two releases were made in 1998 and 1999, as part of a more widely available two-episodes-per-tape release scheme.
Although similar individual multi-episode DVDs were released, it is now exclusively available as part of The Twilight Zone – The Definitive Edition, the first volume of which was released December 24, 2004. Included is an audio-only interview with Burgess Meredith as well as the clip of The Drew Carey Show's parody of the episode.
The story which inspired it has been released in eBook and MP3 form, capitalizing on the success of the episode.
In 2003, the Falcon Picture Group produced a series of radio dramas based on the series—stating, "In the 1950s many radio series were turned into television series – so why not the reverse?"—which were broadcast on about 200 stations through the USA; "Time Enough at Last" was included in volume six.
In 2005, "Time Enough at Last" became one of the first Twilight Zone episodes offered for download via Google Video.
The Twilight Zone is an American media franchise based on the anthology television series created by Rod Serling. The episodes are in various genres, including fantasy, science fiction, suspense, horror, and psychological thriller, often concluding with a macabre or unexpected twist, and usually with a moral. A popular and critical success, it introduced many Americans to common science fiction and fantasy tropes. The original series, shot entirely in black and white, ran on CBS for five seasons from 1959 to 1964.
The Twilight Zone followed in the tradition of earlier television shows such as Tales of Tomorrow (1951–53) and Science Fiction Theatre (1955–57); radio programs such as The Weird Circle (1943–45), Dimension X (1950–51) and X Minus One (1955–58); and the radio work of one of Serling's inspirations, Norman Corwin. The success of the series led to a feature film (1983), a TV film (1994), a radio series (2002–12), literature including a comic book, novels and a magazine and a theme park attraction and various other spin-offs that spanned five decades, including three revival television series. The first revival (1985–89) ran on CBS and in syndication in the 1980s, while the second revival ran on UPN (2002–2003). In December 2017, CBS All Access officially ordered the third Twilight Zone revival to series, helmed by Jordan Peele. The series premiered on April 1, 2019.
TV Guide ranked the original TV series #5 in their 2013 list of the 60 greatest shows of all time and #4 in their list of the 60 greatest dramas.
As a boy, Rod Serling was a fan of pulp fiction stories. As an adult, he sought topics with themes such as racism, government, war, society, and human nature in general. Serling decided to combine these two interests as a way to broach these subjects on television at a time when such issues were not commonly addressed.
Throughout the 1950s, Serling established himself as one of the most popular names in television. He was as famous for writing televised drama as he was for criticizing the medium's limitations. His most vocal complaints concerned censorship, which was frequently practiced by sponsors and networks. "I was not permitted to have my senators discuss any current or pressing problem," he said of his 1957 Studio One production "The Arena", intended to be an involving look into contemporary politics. "To talk of tariff was to align oneself with the Republicans; to talk of labor was to suggest control by the Democrats. To say a single thing germane to the current political scene was absolutely prohibited."
CBS purchased a teleplay in 1958 that writer Rod Serling hoped to produce as the pilot of a weekly anthology series. "The Time Element" marked Serling's first entry in the field of science fiction.
Several years after the end of World War II, a man named Peter Jenson (William Bendix) visits a psychoanalyst, Dr. Gillespie (Martin Balsam). Jenson tells him about a recurring dream in which he tries to warn people about the "sneak attack" on Pearl Harbor before it happens, but the warnings are disregarded. Jenson believes the events of the dream are real, and each night he travels back to 1941. Dr. Gillespie insists that time travel is impossible given the nature of temporal paradoxes. While on the couch, Jenson falls asleep once again but this time dreams that the Japanese planes shoot and kill him. In Dr. Gillespie's office, the couch Jenson was lying on is now empty. Dr. Gillespie goes to a bar where he finds Jenson's picture on the wall. The bartender tells him that Jenson had tended bar there, but he was killed during the Pearl Harbor attack.
With the "Time Element" script, Serling drafted the fundamental elements that defined the subsequent series: a science-fiction/fantasy theme, opening and closing narration, and an ending with a twist. "The Time Element" was purchased immediately, but shelved indefinitely.
This is where things stood when Bert Granet, the new producer for Westinghouse Desilu Playhouse, discovered "The Time Element" in CBS' vaults while searching for an original Serling script to add prestige to his show. "The Time Element" (introduced by Desi Arnaz) debuted on November 24, 1958, to an overwhelmingly delighted audience of television viewers and critics alike. "The humor and sincerity of Mr. Serling's dialogue made 'The Time Element' consistently entertaining," offered Jack Gould of The New York Times. Over 6,000 letters of praise flooded Granet's offices. Convinced that a series based on such stories could succeed, CBS again began talks with Serling about the possibilities of producing The Twilight Zone. "Where Is Everybody?" was accepted as the pilot episode and the project was officially announced to the public in early 1959. Other than reruns at the time "The Time Element" was not aired on television again until it was shown as part of a 1996 all-night sneak preview of the new cable channel TVLand. It is available in an Italian DVD boxed set titled Ai confini della realtà – I tesori perduti. The Twilight Zone Season 1 Blu-ray boxed set released on September 14, 2010, offers a remastered high-definition version of the original Desilu Playhouse production as a special feature.
The series was produced by Cayuga Productions, Inc., a production company owned and named by Serling. It reflects his background in Central New York State and is named after Cayuga Lake, on which he owned a home, and where Cornell University and Ithaca College are located.
Aside from Serling, who wrote or adapted nearly two-thirds of the series' total episodes, writers for The Twilight Zone included leading authors such as Charles Beaumont, Ray Bradbury, Earl Hamner, Jr., George Clayton Johnson, Richard Matheson, Reginald Rose, and Jerry Sohl. Many episodes also featured new adaptations of classic stories by such writers as Ambrose Bierce, Jerome Bixby, Damon Knight, John Collier, and Lewis Padgett.
Twilight Zone's writers frequently used science fiction as a vehicle for social comment, as networks and sponsors who censored controversial material from live dramas were less concerned with seemingly innocuous fantasy and sci-fi stories. Frequent themes on The Twilight Zone included nuclear war, McCarthyism, and mass hysteria, subjects that were avoided on less serious primetime television. Episodes such as "The Monsters Are Due on Maple Street" and "I Am the Night—Color Me Black" offered specific commentary on current events and social issues. Other stories, such as "The Masks", "I Dream of Genie", or "Mr. Denton on Doomsday" were allegories, parables, or fables that reflected the moral and philosophical choices of the characters.
Despite his esteem in the writing community, Serling found the series difficult to sell. Few critics felt that science fiction could transcend empty escapism and enter the realm of adult drama. In a September 22, 1959, interview with Serling, Mike Wallace asked a question illustrative of the times: "...[Y]ou're going to be, obviously, working so hard on The Twilight Zone that, in essence, for the time being and for the foreseeable future, you've given up on writing anything important for television, right?" While Serling's appearances on the show became one of its most distinctive features, with his clipped delivery still widely imitated today, he was reportedly nervous about it and had to be persuaded to appear on camera. Serling often steps into the middle of the action while the characters remain oblivious to him, but on one notable occasion, they are aware of his presence: In the episode "A World of His Own", a writer (Keenan Wynn) with the power to alter his reality objects to Serling's narration and promptly erases Serling from the show.
In season two, due to budgetary constraints, the network decided – against Serling's wishes – to cut costs by shooting some episodes on videotape rather than film. The requisite multicamera setup of the videotape format precluded location shooting, severely limiting the potential scope of the storylines, and the experiment was abandoned after just six episodes ("Twenty Two", "Static", "The Whole Truth", "The Lateness of the Hour", "The Night of the Meek", and "Long Distance Call").
The original series contains 156 episodes. The episodes in seasons one through three are 30 minutes long with commercials (24 or 25 minutes without commercials). Season four (1962–63) consists of one-hour episodes with commercials (51 minutes without commercials). Season five returned to the half-hour format.
It was Serling's decision to sell his share of the series back to the network that eventually allowed for a Twilight Zone revival. As an in-house production, CBS stood to earn more money producing The Twilight Zone than it could by purchasing a new series produced by an outside company. Even so, the network was slow to consider a revival, turning down offers from the original production team of Rod Serling and Buck Houghton and later from American filmmaker Francis Ford Coppola.
CBS gave the new Twilight Zone a greenlight in 1984 under the supervision of Carla Singer, then Vice President of Drama Development. While the show did not come close to matching the enduring popularity of the original, some episodes – particularly Alan Brennert's love story "Her Pilgrim Soul" and J. Neil Schulman's "Profile in Silver" – were critically acclaimed. In a tribute to the original series, the opening credits include a brief image of Rod Serling. Four episodes are remakes of those from the original series: "Night of the Meek", "Shadow Play", "The After Hours" and "A Game of Pool", while "Dead Woman's Shoes" is an adaptation of "Dead Man's Shoes". Unlike the original series and the second revival, this series does not include the opening monologue during the title sequence. As well, the narration is all strictly voice-over and the narrator never appears on-screen.
In the early 1990s, Richard Matheson and Carol Serling produced an outline for a two-hour made-for-TV movie which would feature Matheson adaptations of three yet-unfilmed Rod Serling short stories. Outlines for such a production were rejected by CBS until early 1994, when Serling's widow discovered a complete shooting script ("Where the Dead Are") authored by her late husband, while rummaging through their garage. She showed the forgotten script to producers Michael O'Hara and Laurence Horowitz, who were significantly impressed by it. "I had a pile of scripts, which I usually procrastinate about reading. But I read this one right away and, after 30 pages, called my partner and said, "I love it," recalled O'Hara. "This is pure imagination, a period piece, literate – some might say wordy. If Rod Serling's name weren't on it, it wouldn't have a chance at getting made."
Eager to capitalize on Serling's celebrity status as a writer, CBS packaged "Where the Dead Are" with Matheson's adaptation of "The Theatre", debuting as a two-hour feature on the night of May 19, 1994, under the name Twilight Zone: Rod Serling's Lost Classics. The title represents a misnomer, as both stories were conceived long after Twilight Zone's cancellation. Written just months before Serling's death, "Where the Dead Are" starred Patrick Bergin as a 19th-century doctor who stumbles upon a mad scientist's medical experiments with immortality. "The Theatre" starred Amy Irving and Gary Cole as a couple who visits a cineplex where they discover the feature presentation depicts their own lives. James Earl Jones provided opening and closing narrations.
Critical response was mixed. Gannett News Service described it as "taut and stylish, a reminder of what can happen when fine actors are given great words." USA Today was less impressed, even suggesting that Carol Serling "should have left these two unproduced mediocrities in the garage where she found them." Ultimately, ratings proved insufficient to justify a proposed sequel featuring three scripts adapted by Matheson.
A second revival was developed by UPN in 2002, it was hosted by Forest Whitaker. It was broadcast in a one-hour format composed of two half-hour stories, it was canceled after one season. "It's Still a Good Life" is a sequel to "It's a Good Life", "The Monsters Are on Maple Street" is an adaptation of "The Monsters Are Due on Maple Street" and "Eye of the Beholder" is a remake of an episode from the original series, with Serling still credited as writer.
In December 2012, it was reported that Bryan Singer was developing and executive producing a third revival television series for CBS Television Studios. A writer for the series was not chosen and the program was not pitched to any networks. CBS, which broadcast the original series and first revival, was reportedly interested. In February 2013, Singer told TG Daily that the project was still in development and that he hoped to direct the pilot and have A-list actors appear on the revival. The following month, he told IGN that a writer with whom he had previously worked was in negotiations to join the revival and that he felt "passionate" towards the original series and the planned revival.
In February 2016, it was reported that Ken Levine would write and direct the pilot episode of the revival series. It was also reported that the series would be interactive. In November 2017, it was reported that Jordan Peele was developing a reboot of the series for streaming service CBS All Access with Marco Ramirez serving as potential showrunner. In December 2017, CBS All Access ordered the third The Twilight Zone revival to series. It was announced that the series would be produced by CBS Television Studios in association with Monkeypaw Productions and Genre Films. Jordan Peele, Marco Ramirez, and Simon Kinberg will serve as executive producers for the series and collaborate on the premiere episode. Win Rosenfeld and Audrey Chon will also serve as executive producers. Peele was revealed to be the new host and narrator in September 2018, and the new opening sequence was released. The series premiered on April 1, 2019.
The second episode of the series, "Nightmare at 30,000 Feet", is based on "Nightmare at 20,000 Feet".