A compact, tactile wood netsuke carved in
the form of a multi-lobed chrysanthemum (or stylized fruit/pod),
composed of twelve tightly grouped, rounded segments converging at the top and
bottom.
The sculptor carved each lobe with deep, flowing furrows and warm curvature,
emphasizing natural grain and enhancing the organic effect.
The surface shows a rich brown patina,
perfectly smoothed by long-term handling.
Two central himotoshi—one drilled, one formed naturally within the
lobes—indicate practical use as a toggler for sagemono, inrō, or pouch
suspension.
The object’s form and warm handling patina
suggest late Edo to Meiji inspiration, though carving method and wear
imply 20th century, likely made by a traditional-style workshop.
Condition
Remarks
Chrysanthemum-form toggles were used as universal
cord stoppers and appear in records from the Edo period onward.
Because of their perfect spherical balance and durable carving, these were
popular for everyday use, not just decorative.
The naturalistic carving and warm polish
make this piece highly collectible as a tactile “pocket sculpture.”