This lavishly illustrated volume explores the influence and significance of the Russian-born photographer, designer, and instructor Alexey Brodovitch (1898–1971), best known for his art directorship of the American fashion magazine Harper’s Bazaar between 1934 and 1958, as well as his tutelage of many celebrated documentary and fashion photographers, including Irving Penn, Richard Avedon, Eve Arnold, and Lillian Bassman. Though disparate in their aesthetic approaches, these figures are unified by their responses to Brodovitch’s dictum to “astonish me.” The authors address Brodovitch’s impact on photography as an artistic medium in the mid-twentieth century and explore how European art and design became the foundation of a new American print culture.