NEW YORK CITY - Radio City Music Hall - Stage, Curtain:  Radio City Music Hall is an entertainment venue located in Rockefeller Center in New York City. Its nickname is the Showplace of the Nation, and it was for a time the leading tourist destination in the city. Its interior was declared a city landmark in 1978.  The 12-acre (4.9 ha) complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style.  Its originally planned name was International Music Hall.  The names "Radio City" and "Radio City Music Hall" derive from one of the complex's first tenants, the Radio Corporation of America. Radio City Music Hall was a project of Rockefeller; Samuel Roxy Rothafel, who previously opened the Roxy Theatre in 1927; and RCA chairman David Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller Plaza, just to the south of the Music Hall, and the radio-TV complex that lent the Music Hall its name is still known as the NBC Radio City Studios.  The Music Hall opened to the public on December 27, 1932 with a lavish stage show featuring Ray Bolger, Doc Rockwell and Martha Graham. The opening was meant to be a return to high-class variety entertainment. The new format was not a success. The program was very long, and individual acts were lost in the cavernous hall. On January 11, 1933, the Music Hall converted to the then-familiar format of a feature film, with a spectacular stage show perfected by Rothafel at the Roxy Theatre in New York City. The first film was shown on the giant screen was Frank Capra's The Bitter Tea of General Yen, starring Barbara Stanwyck, and the Music Hall became the premiere showcase for films from the RKO-Radio Studio. The film-plus-stage-spectacle format continued at the Music Hall until 1979, with four complete performances presented every day.  Radio City has 5,931 seats for spectators, and additional seating can be placed on the pit elevator during events that do not require that space bringing the seating capacity to over 6,000; it became the largest movie theater in the world at the time of its opening.  Designed by Edward Durell Stone, the interior of the theater with its austere Art Deco lines represented a break with the traditional ornate rococo ornament associated with movie palaces at the time. The radiating arches of the proscenium united the large auditorium, allowing a sense of intimacy as well as grandeur. The interior décor was created by designer Donald Deskey. Deskey's geometric Art Deco designs incorporate glass, aluminum, chrome, and leather in the ornament for the theater's wall coverings, carpet, light fixtures, and furniture. His work borrowed heavily from the European Modern aesthetic style, of which he was the foremost exponent in the United States.  The Great Stage, designed by Peter Clark, measures 66.5 by 144 ft. (20.3 by 44 m), and resembles a setting sun.  Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.  This elevator system was also designed by Peter Clark, and was built by Otis Elevators.  The Linen Era (1930-45) postcard offers  sweeping stage view of the players with a curtain as backdrop.  The card is in good condition.  Manhattan Post Car Publishing Co., NYC.  No. 46A.