This embossed postcard depicts a cluster of stylized blue plums on a leafy branch set against a cream-colored background. The plums, rendered in a deep indigo blue, exhibit a pronounced embossed texture, creating a three-dimensional effect. This embossing, a characteristic of early 20th-century printing techniques, lends a tactile quality to the image. The leaves, a vibrant spring green, provide a complementary contrast to the blue of the fruit and the muted background. The composition is simple, focusing on the plums as the central element, suggestive of the postcard’s likely intention as a greeting or expression of affection. The postcard, marked “Made in Germany,” reflects the prolific postcard production of German printing houses during the early 20th century. Further research into German postcard publishers of the era could potentially identify the specific manufacturer. A postmark from Sand Run, Wood County, West Virginia, dated March 1, 1917, firmly places the card's usage within the 1910s. Sand Run, located in the western part of the state along the Ohio River, experienced growth in the early 20th century due to the burgeoning oil and gas industry and river trade. This industrial development within a largely rural setting provides context for the card’s circulation. The postmark itself, a circular cancellation, is typical of the period. The reverse of the postcard features handwritten correspondence in cursive script. While the handwriting is somewhat faded, the message appears to be addressed to Miss Blanche Metz, with a partially discernible address indicating a location in Ohio. Further examination under varying light conditions might reveal the complete address. The content of the message itself is difficult to decipher due to fading ink and the style of cursive. The inclusion of this handwritten message, even in its partially legible state, adds a layer of personal history to the artifact, offering a glimpse into communication practices of the early 20th century. The postcard exhibits some age-related wear, including minor corner bumps and slight yellowing of the paper stock, consistent with a card of this age. The edges show minimal wear, suggesting careful handling over time. The size, while not explicitly measured, appears to be standard for postcards of the period, approximately 3.5 x 5.5 inches. The printing technique, beyond the embossing, likely employed chromolithography, a common method for producing colorful imagery at the time. The paper stock, while exhibiting some toning, retains a relatively smooth surface, suggesting a moderate quality paper commonly used for postcards. A detailed examination of the paper’s texture under magnification could provide further insight into its composition.