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Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used
- From £41,088.00
- RRP £43,800.00
- |
- You Save £2,712.00
Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used
Excellent condition
3 months warranty
In the box:
- Sony Venice 2 Camera Body 266 Hours
- Sony DVF-EL200 Viewfinder + Cable
- Anamorphic & Full Frame License Installed
- Tilta V-Lock Battery Mount Plate
- Tilta Top Handle
- Tilta 19mm Multi-Functional Baseplate
- Tilta ESR-T15-V Camera Cage
- Sony AXS-AR3 Memory Card Reader + Cable
- 2 x Sony S66 1TB AXS A Series Card
- Steel Rods Camera Support
- Flight Case
6x24mm Full-Frame Sensor for Cinema
The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images.
Creative Freedom
Full-Frame full width 36 mm 8K and 6K
In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting.
Super35 full height 2.0x squeeze Anamorphic
For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well.
Surround View (Look Around)
Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3.
Phenomenal Latitude
The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading.
Dual Base ISO
VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops.
More Colours for More Expression
The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better.
High Frame Rate
VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.
Fast Shutter
Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors.
PL Lens Mount
The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.
Lever Lock Type E-mount
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.
| Specification | Details |
|---|---|
| Power Requirements | DC 12 V (11.0–17.0 V)DC 24 V (22.0–32.0 V) |
| Power Consumption | Approx. 76 W (12 V DC input, 25°C, recording X-OCN XT 8.6K 3:2 at 24 fps) |
| Operating Temperature | 0°C to +40°C |
| Storage Temperature | -20°C to +60°C |
| Weight | Approx. 4.3 kg (9 lb 7.7 oz) (without lens, handle, VF attachment or accessories) |
| Dimensions | 152 × 158 × 250 mm (W × H × D, excluding protrusions) |
Standard UK Delivery
We offer a standard mainland UK Delivery charge of £7.50 on all items or FREE DELIVERY on items over |£500.00 excl. VAT
Items are estimated to arrive between 1-3 working days, subject to stock availability.
European Delivery Service
DigiBroadcast can ship any items within Europe. Delivery charges will apply £30.00 on all items
Items are estimated to arrive between 1-3 working days, subject to stock availability.
EU Delivery Service
DigiBroadcast can ship any items within EU. Delivery charges will apply £30.00 on all items
Items are estimated to arrive between 1-3 working days, subject to stock availability.
Worldwide Delivery Service
DigiBroadcast can ship any item worldwide. Delivery charges will apply £150.00 on all items
All International deliveries are estimated to arrive between 2-5 working days, subject to stock availability.
You will be responsible for any customs or import duties levied once the goods reach your country.
IMPORTANT NOTES
Final price includes UK VAT (20%)
If you are an EU customer (not including UK) with an EU VAT registered business, then you do not pay any VAT
If you wish to pay straight away we can refund you the VAT once we receive your VAT number or we can send you an invoice asking for payment once you commit to buy + shipment costs.
If you are a European customer but not part of the EU you will not be charged VAT (Vat must be paid in your own country) + shipment costs
Returns Policy
This web site is intended for professional users. Customers must satisfy themselves that a product is suitable before making a purchase. Items sold online are sold on a firm sale basis and are not returnable. Items sold as new that within one year of the date of sale exhibit problems which can be attributed to manufacturing faults will be repaired or replaced. The decision to repair or replace will be at the discretion of Digibroadcast Co Ltd.
As part of our policy, items must be returned as new within 7 working days of delivery and with all the original packaging intact and product tags attached.
Please notify us of your intention to return in writing within 7 working days of receiving your delivery.
Returns Policy for USED products
Problems that can be attributed to fair wear and tear, misuse, exposure to contaminants including water or impact damage will be chargeable repairs.
"You" the customer within 7 days must notify us if you wish to return your purchased products to be able to asses, verify and fix any disputes with the purchase.
Customers wishing to return items to Digibroadcast Co Ltd. must contact us to obtain a returned material number (RMA) before shipping the item. When contacting us please say that you want to make a return and have your invoice number ready to quote.
Items returned to Digibroadcast Co Ltd without prior agreement will be returned to the customer. Digibroadcast Co Ltd accepts no liability for financial losses incurred by customers who have submitted unauthorised returns.
For some products the manufacturer offers the facility to register the product and obtain an enhanced warranty. Customers are strongly urged to register such products immediately. Digibroadcast co ltd regret that unregistered customers will not be able to benefit from the additional benefits.
Unwanted Product Returns within 14 days
"You" the customer within 7 days must notify us if you wish to return your purchased products. After 7 days, unwanted goods will only be accepted at Digibroadcast Co Ltd discretion and will be subject to a 25% restocking charge.
The unwanted product must be returned in its original and undamaged packaging with all the accessories. Returns must be made within a reasonable period - maximum of 28 days from the day you receive the product.
If the product is not returned in its original packaging, is damaged or has any accessories missing, we reserve the right to refuse a refund or charge for the missing accessories.
We will not refund the delivery charge and you will be liable for the delivery charge when returning the product. Follow our Return Procedure to return the product.
Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used
Excellent condition
3 months warranty
In the box:
- Sony Venice 2 Camera Body 266 Hours
- Sony DVF-EL200 Viewfinder + Cable
- Anamorphic & Full Frame License Installed
- Tilta V-Lock Battery Mount Plate
- Tilta Top Handle
- Tilta 19mm Multi-Functional Baseplate
- Tilta ESR-T15-V Camera Cage
- Sony AXS-AR3 Memory Card Reader + Cable
- 2 x Sony S66 1TB AXS A Series Card
- Steel Rods Camera Support
- Flight Case
6x24mm Full-Frame Sensor for Cinema
The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images.
Creative Freedom
Full-Frame full width 36 mm 8K and 6K
In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting.
Super35 full height 2.0x squeeze Anamorphic
For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well.
Surround View (Look Around)
Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3.
Phenomenal Latitude
The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading.
Dual Base ISO
VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops.
More Colours for More Expression
The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better.
High Frame Rate
VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.
Fast Shutter
Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors.
PL Lens Mount
The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.
Lever Lock Type E-mount
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.
| Specification | Details |
|---|---|
| Power Requirements | DC 12 V (11.0–17.0 V)DC 24 V (22.0–32.0 V) |
| Power Consumption | Approx. 76 W (12 V DC input, 25°C, recording X-OCN XT 8.6K 3:2 at 24 fps) |
| Operating Temperature | 0°C to +40°C |
| Storage Temperature | -20°C to +60°C |
| Weight | Approx. 4.3 kg (9 lb 7.7 oz) (without lens, handle, VF attachment or accessories) |
| Dimensions | 152 × 158 × 250 mm (W × H × D, excluding protrusions) |
Sony Venice 2 8K Camera Kit 277 Hours + Full Licenses,Used
Excellent condition
3 months warranty
In the box:
- Sony Venice 2 Camera Body 266 Hours
- Sony DVF-EL200 Viewfinder + Cable
- Anamorphic & Full Frame License Installed
- Tilta V-Lock Battery Mount Plate
- Tilta Top Handle
- Tilta 19mm Multi-Functional Baseplate
- Tilta ESR-T15-V Camera Cage
- Sony AXS-AR3 Memory Card Reader + Cable
- 2 x Sony S66 1TB AXS A Series Card
- Steel Rods Camera Support
- Flight Case
6x24mm Full-Frame Sensor for Cinema
The Sony Venice 2 features one of two 36x24mm full-frame image sensors, designed specifically for the demands and performance of high-end cinematography. Each offers remarkable sensitivity, latitude and colour rendition, and because the sensor blocks are interchangeable, users can easily switch between sensors—without any extra firmware—and can even use the sensor from their original VENICE. The new 8K sensor can capture images up to a maximum resolution of 8640 x 5760, while the established 6K sensor offers up to 6048 x 4032. Bothoffer powerful oversampling for incredible 4K images.
Creative Freedom
Full-Frame full width 36 mm 8K and 6K
In full-frame, you can use the full width of the sensors (8640 or 6048 pixels) for widescreen spherical 2.39:1 or Large Format Scope. FullFrame can be used creatively in several ways – forexample, to allow for extra shallow depth of field or super-wide shooting.
Super35 full height 2.0x squeeze Anamorphic
For anamorphic shooting and production, Super35 full height 2x squeeze anamorphic is supported.
Super35 17:9 and 16:9
These popular imager sizes have native support in VENICE 2, and the 8K sensor makes it possible to capture 5.8K footage in these modes. Current Super35mm PL mount lenses can be used as well.
Surround View (Look Around)
Using the 6K sensor, the Sony Venice 2 camera records only the active area but the viewfinder and on-set monitors can display a 5% margin around it.Surround View supports three imager modes: 3.8K 16:9, 4K 17:9 and 4K 4:3.
Phenomenal Latitude
The Sony Venice 2 8K sensor has an exceptional 16 stops of latitude, while the 6K sensor boasts 15+ stops of latitude. This means that both imagers can deliver phenomenal images withvery little noise, in conditions that range from searing sunlight to almost no light. VENICE 2 also excels at High Dynamic Range imaging,allowing for unprecedented creative freedom in grading.
Dual Base ISO
VENICE 2 features dual base ISO, meaning that the 8K sensor offers Base ISO3200 in addition to Base ISO800, while the 6K sensor has Base ISO500 and Base ISO2500. 8K sensor excels inlow-light, High Dynamic Range capture, with an exposure latitude from 6 stops over to 10 stops under 18% Middle Gray, for a total of 16 stops. 6K sensor offers an exposure latitude from 6stops over to 9 stops under 18% Middle Gray, for a total of 15+ stops.
More Colours for More Expression
The Sony Venice 2 can exceed the BT.2020 colour space, with a colour range wider than DCI-P3. This means it can beautifully reproduce the true colour of the scene in front of your lens. The cameraalso provides a broad palette in the grading suite, using the established workflow of Sony’s S-Log3 and Ultra-wide Colour space, S-Gamut3. Plus, VENICE 2’s 8K and 6K sensors match colours almost perfectly, making your grading experience even better.
High Frame Rate
VENICE 2 can shoot at speeds of up to 120fps at 4K and 90fps at 6K, when using the 6K sensor. In combination with an anamorphic license, it also allows shooting at speeds of up to 75fps at 4K4:3 and 72fps at 4K 6:5. With the 8K sensor, VENICE 2 can achieve up to 60fps at 8.2K and 90fps at 5.8K.
Fast Shutter
Jello effect is something we don’t need when filming. VENICE 2 has high speed readout sensors that minimize the jello effects typical with CMOS sensors.
PL Lens Mount
The Sony Venice 2 comes with the industry-standard PL lens mount, and is compatible with all Super35 and full-frame PL lenses—spherical and anamorphic. The lens mount includes contacts that support Cooke/i Technology, and lens information is recorded as metadata, frame byframe. We have also added support for ZEISS eXtended Data.
Lever Lock Type E-mount
E-mount offers unsurpassed compatibility with Sony lenses. E-mount (lever lock type) gives users the ability to change lenses by rotating the locking collar rather than the lens itself, which means that in mostcases lens support rigs don’t need to be removed, saves time during a production.
| Specification | Details |
|---|---|
| Power Requirements | DC 12 V (11.0–17.0 V)DC 24 V (22.0–32.0 V) |
| Power Consumption | Approx. 76 W (12 V DC input, 25°C, recording X-OCN XT 8.6K 3:2 at 24 fps) |
| Operating Temperature | 0°C to +40°C |
| Storage Temperature | -20°C to +60°C |
| Weight | Approx. 4.3 kg (9 lb 7.7 oz) (without lens, handle, VF attachment or accessories) |
| Dimensions | 152 × 158 × 250 mm (W × H × D, excluding protrusions) |
In the box:
- Sony Venice 2 Camera Body 266 Hours
- Sony DVF-EL200 Viewfinder + Cable
- Anamorphic & Full Frame License Installed
- Tilta V-Lock Battery Mount Plate
- Tilta Top Handle
- Tilta 19mm Multi-Functional Baseplate
- Tilta ESR-T15-V Camera Cage
- Sony AXS-AR3 Memory Card Reader + Cable
- 2 x Sony S66 1TB AXS A Series Card
- Steel Rods Camera Support
- Flight Case
If you are a European customer (not including the UK), the price you offer/buy at will be excluding any taxes or duties. They will have to be paid in your own country.
If you are outside of Europe, the price you offer/buy at will be excluding any taxes or duties. They will have to be paid in your own country.
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We also accept payment by Bank Transfer and Cash
Payments can also be made in person on collection
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