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Description
Up For Sale Today is
The Petty Demon
by
Fyodor Sologub
Translated from the Russian, with a preface and notes, by Andrew Field
Introduction by Ernest J. Simmons
Hardcover. 8vo. Random House, New York. 1962. 355 pgs. First Edition/First Printing.
Milton Glaser DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. Previous owner's name blacked out of the FFEP. Text has notes and marks present to the margins. Binding tight and solid.
The electricity of the relationship between the androgynous, pubescent Sasha and the lovely Lyudmilla, with her exotic perfumes, caresses and lubricious fantasies, seldom fails to hold the reader’s attention.
The Petty Demon is one of the funniest Russian novels. It is also the most decadent of the great Russian classics, replete with naked boys, sinuous girls, and a strange mixture of beauty and perversity. The main hero, Peredonov, is as comical as he is disgusting. He is at once a victim, a monster, a silly hypocrite, and a sadistic dullard. The plot moves from Peredonov’s petty quest for a promotion to arson and murder via one of the most incredible and uproarious scandal scenes in world literature, the masquerade ball, which the boy Sasha attends as a beautiful geisha. Even in its censored form, it is one of the most provocative and sexually open of Russian books. Sologub removed many passages which would have been unacceptable at the time of publication. In this edition these censored sections are appended, and all are keyed so that the reader can place them in the novel as it was written.
FROM WIKIPEDIA:
Fyodor Sologub (1 March [O.S. 17 February] 1863 – 5 December 1927) was a Russian Symbolist poet, novelist, playwright and essayist. He was the first writer to introduce the morbid, pessimistic elements characteristic of European fin de siècle literature and philosophy into Russian prose.
The Petty Demon attempted to create a description of poshlost', a Russian concept that has characteristics of both evil and banality. The antihero is a provincial schoolteacher, Peredonov, notable for his complete lack of redeeming human qualities. The novel recounts the story of the morally corrupt Peredonov going insane and paranoid in an unnamed Russian provincial town, parallel with his struggle to be promoted to governmental inspector of his province. The omniscient third-person narrative allowed Sologub to combine his Symbolist tendencies and the tradition of Russian Realism in which he engaged throughout his earlier novels, a style similar to Maupassant's fantastic realism.
Realistic elements of The Petty Demon include a vivid description of 19th-century rural everyday life, while a fantastic element is the presentation of Peredonov's hallucinations on equal terms with external events. While the book was received as an indictment of Russian society, it is a very metaphysical novel and one of the major prose works of the Russian Symbolist movement. James H. Billington said of it:
The book puts on display a Freudian treasure chest of perversions with subtlety and credibility. The name of the novel's hero, Peredonov, became a symbol of calculating concupiscence for an entire generation... He torments his students, derives erotic satisfaction from watching them kneel to pray, and systematically befouls his apartment before leaving it as part of his generalized spite against the universe.
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| Book formats and corresponding sizes | ||||||
| Name | Abbreviations | Leaves | Pages | Approximate cover size (width × height) | ||
| inches | cm | |||||
| folio | 2º or fo | 2 | 4 | 12 × 19 | 30.5 × 48 | |
| quarto | 4º or 4to | 4 | 8 | 9½ × 12 | 24 × 30.5 | |
| octavo | 8º or 8vo | 8 | 16 | 6 × 9 | 15 × 23 | |
| duodecimo or twelvemo | 12º or 12mo | 12 | 24 | 5 × 7⅜ | 12.5 × 19 | |
| sextodecimo or sixteenmo | 16º or 16mo | 16 | 32 | 4 × 6¾ | 10 × 17 | |
| octodecimo or eighteenmo | 18º or 18mo | 18 | 36 | 4 × 6½ | 10 × 16.5 | |
| trigesimo-secundo or thirty-twomo | 32º or 32mo | 32 | 64 | 3½ × 5½ | 9 × 14 | |
| quadragesimo-octavo or forty-eightmo | 48º or 48mo | 48 | 96 | 2½ × 4 | 6.5 × 10 | |
| sexagesimo-quarto or sixty-fourmo | 64º or 64mo | 64 | 128 | 2 × 3 | 5 × 7.5 | |
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