"The Circles of Time" Portfolio 3 Soft-Ground Etchings Alan Sonfist

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"The circles of time"blue hard folder containing 3 ceramolle etchings by Alan Sonfist - 1990

Folder format: 58x78 cm
Engraving format: 56x76 cm

Engravings made in memory of the work CIRCLES OF TIME
performed by Alan Sonfist in the year 1987/1989 at the Fattoria di Celle.
Work strongly desired by the art historian Giuliano Gori.

All the plates are original soft wax engravings, printed on Fabriano paper with a star press 
in the laboratory of the Stamperia della Bezuga - Florence. Finished printing in September 1990.
The engravings were made in the number of 120 copies for each subject, 
of which one hundred bearing the Arabic numeral from 1/100 to 100/100
and twenty bearing the Roman numerals from I/XX to XX/XX.

The folders in my possession are: 60/100, 61/100, 63/100, 66/100, 73/100, 76/100, 78/100, 81/100, 93/100

Gallery warranty certificate included.

ATTENTION: The works are without frame. The photos reproducing the framed works are provided for illustrative purposes only.

SONFIST ALAN  was born in New York 1946

Alan Sonfist is an American artist based in New York, best known as a "pioneer" of the Land or Earth Art movement. Born in 1946, Sonfist emerged in the early 1960s as one of the first artists to explore the natural environment and its functioning as a theme of aesthetic research. He uses "time" as artistic material to shape and highlight relationships, including critical ones, between nature and culture. Sonfist distinguishes himself from his land artist contemporaries in that he does not treat the natural environment simply as a backdrop for his works but rather as the very object of his aesthetic investigation. In Sonfist a change of perspective occurs, which goes beyond a purely anthropocentric vision. Through the use of living vegetation and natural materials associated with specific historical periods, Sonfist evokes the history of places, underlining the superimposition of human intervention on the natural environment. He articulates this concept, stating: “…as in war monuments recording the life and death of soldiers, the life and death of natural phenomena such as rivers, springs and natural outcrops must be restricted… Public art may serve to convey that the city was once a forest or swamp."

Alan Sonfist is an American artist based in New York, best known as a "pioneer" of the Land or Earth Art movement. Born in 1946, Sonfist emerged in the early '60s as one of the first artists to explore the natural environment and its functioning as a theme for aesthetic inquiry. He employs "time" as an artistic material to shape and highlight relationships, including critical ones, between nature and culture. Sonfist distinguishes himself from his contemporary land artists by not treating the natural environment merely as the backdrop for his works but rather as the very subject of his aesthetic investigation. A shift in perspective occurs in Sonfist, moving beyond a purely anthropocentric view. Through the use of living vegetation and natural materials associated with specific historical periods, Sonfist evokes the history of places, emphasizing the overlay of human intervention on the natural environment. He articulates this concept, stating, "...as in war monuments that record the life and death of soldiers, the life and death of natural phenomena such as rivers, springs, and natural outcroppings need to be remembered... Public art can serve as a reminder that the city was once a forest or a marsh."

Alan Sonfist is an American artist based in New York, best known as a "pioneer" of the Land or Earth Art movement. Born in 1946, Sonfist emerged in the early '60s as one of the first artists to explore the natural environment and its functioning as a theme for aesthetic inquiry. He employs "time" as an artistic material to shape and highlight relationships, including critical ones, between nature and culture. Sonfist distinguishes himself from his contemporary land artists by not treating the natural environment merely as the backdrop for his works but rather as the very subject of his aesthetic investigation. A shift in perspective occurs in Sonfist, moving beyond a purely anthropocentric view. Through the use of living vegetation and natural materials associated with specific historical