Raffaello Arcangelo Salimbeni 1985 Etching cm 35x50
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"Untitled" Etching by Raffaello Arcangelo Salimbeni 35x50 cm - 1985
Sheet size 35x50 cm
Work size 26x33.5 cm
Limited edition of 75 Arabic numerals
The specimens in my possession: 13/75, 14/75, 15/75, 16/75, 17/75, 21/75
Gallery warranty certificate included.
ATTENTION: The work has no frame. The photos reproducing the work in a frame are provided for illustrative purposes only.
SALIMBENI Raffaello Arcangelo (Florence 1914-1991)
Raffaello Arcangelo Salimbeni was undoubtedly the most modern and up-to-date among the Florentine sculptors and painters of the post-World War II period. He executed a series of works then exhibited at the Venice Biennale and the Rome Quadrennial, as well as in the exhibition The unknown political prisoner, 1953, at the Tate Gallery in London, together with Henry Moore and the major European sculptors of the time, receiving a certificate of esteem from Moore himself, as documented in his letter to the artist dated 23/3/1953. Raffaello Arcangelo Salimbeni was born in Florence in 1914 but had lived in Siena, where he was discovered by Gianni Vagnetti who advised him to move to Florence, where the young man became a student of Bruno Innocenti in the Sculpture section of the Institute of Art. Salimbeni was the artist most open to modern experimentation in the years 1950-1970, as attested by his participation in European exhibitions and his visit to Henry Moore in 1953.
Raffaello Arcangelo Salimbeni was undoubtedly the most modern and up-to-date among the Florentine sculptors and painters of the post-World War II period. He executed a series of works then exhibited at the Venice Biennale and the Rome Quadrennial, as well as in the exhibition The unknown political prisoner, 1953, at the Tate Gallery in London, together with Henry Moore and the major European sculptors of the time, receiving a certificate of esteem from Moore himself, as documented in his letter to the artist dated 23/3/1953. Raffaello Arcangelo Salimbeni was born in Florence in 1914 but had lived in Siena, where he was discovered by Gianni Vagnetti who advised him to move to Florence, where the young man became a student of Bruno Innocenti in the Sculpture section of the Institute of Art.