Original
Die
Kunst Des Radierens
Ein Handbuch Von
Hermann Struck
1925
Verlegt Bei Paul Cassirerinberlin

[English Translation]
Original
The
Art of Etching
A Handbook by
Hermann Struck
1925
Published by Paul Cassirer in Berlin

CONDITION:
Overall, the book is in Good condition. The cloth over boards are in Good condition, showing moderate rubbing, moderate edgewear, and bumped corners. The cloth is moderately faded and moderately dampstained, with minor fraying. The gilt lettering on the boards is faded. The spine is in Fair condition; it is sunned, with bumped head and tail, moderate fraying, and moderate rubbing. The lettering on the spine is faded. The hinges and joints are in Fair condition, with cracking present. The text block and pages are in Good condition, with minor toning, dusty edges, and minor dampstaining. The endpapers are in Fair condition, with moderate toning, moderate dampstaining, and cracked hinges. The plates and illustrations are in Good condition; all are present, and tissue guards are present.

ATTRIBUTES:
Illustrated edition. Hardcover. Bound in cloth.

Page Count: 331

DESCRIPTION:
Hermann Struck's "Die Kunst des Radierens" (The Art of Etching) is a seminal work on the techniques and aesthetics of etching. Struck, a prominent German Jewish artist and printmaker, was renowned for his masterful etchings, particularly his portraits and landscapes. The book serves as both a practical guide and a philosophical exploration of the medium, detailing various etching processes, tools, and materials, while also discussing the artistic principles and expressive possibilities inherent in printmaking.

Struck's influence extended beyond his own artistic output; he was also a significant teacher and mentor, notably to Marc Chagall, whose early printmaking endeavors were guided by Struck. This book reflects his deep understanding and passion for etching, making it an invaluable resource for artists and art historians alike. Its detailed explanations and numerous illustrations provide a comprehensive overview of the art form, from its historical development to contemporary practices.

Collectors find this book particularly interesting due to its authorship by a highly respected artist and its historical significance as a foundational text in printmaking education. It offers insight into the artistic practices and pedagogical approaches of the early 20th century, providing a window into the techniques that shaped a generation of printmakers. The work stands as a testament to Struck's legacy as both a creator and an educator in the field of graphic arts.

FLASHBACK TO 1925 WHEN THIS BOOK WAS PUBLISHED:
When this book was published in 1925, the world was still reeling from the Great War, with the Locarno Treaties attempting to secure peace in Europe while Mussolini solidified his fascist grip on Italy. The Scopes Monkey Trial captivated America, debating evolution, while F. Scott Fitzgerald's *The Great Gatsby* captured the Jazz Age's spirit of excess and disillusionment, and Hermann Struck, a prominent artist, continued his influential printmaking. Amidst this, archaeological discoveries like the tomb of Tutankhamun fueled public fascination with ancient cultures, and quantum mechanics was rapidly advancing, reshaping scientific understanding.

Bin Location: LIB