Bernard Brussel-Smith, Women of Corrèze, France, Signed Original Woodcut Print
Size framed - 21 x 27 in.
Image size - 12 x 18 in.
Year - 1970
Edition size - 100
Very good condition, framed and matted, hand signed in pencil by the artist, inscribed artist proof with personal dedication to the master printer, some paint loss on picture frame finish. Women of Corrèze was printed by hand in France during the early 1970's from wood blocks hand carved by Brussel-Smith. From the master printer's private collection.
See photos for details.
About the artist-
Bernard Brussel-Smith(1914-1989)
Born in Greenwich Village, New York, Brussel-Smith studied at
the Pennsylvania Academy of Fine Arts, Philadelphia (five-year
scholarship), and the New School for Social Research, New York. He
received a Cresson Traveling Scholarship in 1935 for study abroad. He
was elected an Associate Member of the National Academy in 1952, and a
Member in 1973. He taught at the Brooklyn Museum, Cooper Union, City
College, and the National Academy. spent most of his life in the New York area
and was widely known for his posters of the New York Auto Show in the
1950s and 60s. He studied with Stanley William Hayter in Paris from 1957
to 1958, developing a form of relief etching inspired by the process
used by William Blake. Brussel-Smith, with his wife Mildred and son
Peter, spent many summers from 1957 to 1980 in Collonges-la-Rouge,
France.
One-person exhibitions of work by Brussel-Smith include
Galerie St. Jacques, Collonges-la-Rouge, France, 1969 and 1970; Musée
Ernest-Rupin, Brive, France, 1976; the Olthuysen Ateliers, Rotterdam,
Holland, 1978; the Madison de la Siréne, Collonges-la-Rouge, 1979; the
Katonah Library, New York; the Desert Museum, Palm Springs, California,
1980; the Galerie Maas, Rotterdam, 1981; and the Bethesda Art Gallery,
Maryland, 1982.
A retrospective of the artist’s work was held at Fairleigh
Dickinson University Library in Madison, New Jersey,1983. In the summer
of 1988, the Sterling Library of Yale University mounted an exhibition
of the artist’s graphic work to honor his donation of a comprehensive
archive of prints and the majority of his blocks. And in 1989, a
memorial exhibition was held at the Galerie St. Jacques,
Collonges-la-Rouge, France.
In addition to the holdings of prints at the Fairleigh
Dickinson University Library and the Sterling Library of Yale
University, the artist’s graphic work is represented in the permanent
collections of the Boston Museum; New-York Historical Society; New York
Public Library; National Academy of Design, New York; National Museum of
American Art; Smithsonian Air and Space Museum; Library of Congress;
Hudson River Museum, Yonkers; Carnegie Institute, Pittsburgh;
Minneapolis Institute of Art, Minnesota; Farnsworth Museum, Rockland,
Maine; Philadelphia Museum of Art; Philadelphia Free Library; The
Oklahoma City Museum; Boymans Museum, Rotterdam; and the Lenin Library,
Moscow.