Maurice Silber Biography

Maurice Silber was born in Brooklyn, New York on April 12 1922 and was an extraordinary American artist whose multifaceted career spanned painting, illustration, jewelry design, model making, and entrepreneurship. His creative journey began early as a member of the inaugural class of Music and Art High School. While still in high school, he participated in a national competition, independently designing and constructing an exact-scale model of the Perkins Observatory’s 69-inch reflector telescope. Various materials and innovative techniques were used to simulate real objects and textures. Surrounding the model was a large oil painting depicting the solar system he created specifically as a backdrop. It was exhibited at the Museum of Natural History in New York and then moved to the Westinghouse Building at the New York World's Fair in 1939, having won first prize in this national competition and receiving a specially created award for its dramatic value.

Maurice was accepted to Pratt Institute, attending in the evening and majoring in Industrial Design. This course included the creation of designs from his drawings and seeing them become a reality by using a diversity of fabricating techniques. After attending Pratt Institute in 1940, Maurice refined his craft at prestigious institutions such as the Art Students League (1945) and Cooper Union (1940–1942), where he studied under leading watercolorists. He further broadened his artistic education with studies in industrial design under Donald Dohner, and in watercolor with masters such as Ed Whitney, Robert E. Wood, John Pike, and Tom Hill. Maurice continued his artistic and academic growth, attending Queens College and Empire State College (SUNY) from 1979 to 1981, ultimately earning a Master of Arts from New York University in 1984. His artistic excellence was recognized with the E. W. Graham Memorial Award in 1976 and an ANCO award in the late 1970s.

During World War II, Maurice served honorably in the U.S. Army Air Corps in the European Theater from 1942 to 1945. As a flight engineer on B-17 and B-24 bombers, he flew 43 combat missions with the 406th Bomb Squadron, earning the Air Medal with six oak leaf clusters and several commendations. His squadron was the only heavy bomber unit in the entire Eighth Air Force to fly "lone wolf" missions - undertaking solo night flights deep into enemy territory without fighter escort. For more detail about Maurice's military career see his essay on Military Service.

After the war, Maurice redirected his technical precision and artistic sensibilities toward jewelry design. In 1947, he founded Jewel Arts Inc., a company that became a major supplier to New York and national retailers because of its beautiful designs, technical innovations, and masterful craftsmanship. In the early 1970s, he sold Jewel Arts, Inc., and founded Maurice Silber, Inc., continuing his innovative contributions to jewelry design.

As an artist, Maurice exhibited widely both nationally and internationally in solo and group shows. His work, renowned for its sensitivity to light, mood, and delicate nuance, often reflected his lifelong passion for the sea — a theme evident in many of his paintings, though his subject matter was always varied. His canvases have found permanent homes in esteemed collections such as the U.S. Navy Combat Art Collection, the U.S. Air Force Art Museum, the Department of the Interior National Park Service, Yachting magazine, the East Hampton Historical Society, the Marine Museum, and the Teatro Nacional in Costa Rica, among many others. He was also celebrated as the author and artist featured at the "Watercolor Page" in the June 1972 edition of American Artist magazine. His work also appeared in numerous other publications.

Maurice’s professional affiliations were as distinguished as his creative output. He was a member of — and in some cases held leadership roles within prestigious organizations including the Salmagundi Club (serving as admissions chairman from 1972 to 1974), the Society of Illustrators, the Artists Fellowship, the San Diego Watercolor Society, the La Jolla Art Association, the American Society of Marine Artists, the Knickerbocker Artists (where he received an ANCO award), the League of Nassau County, Artists Equity, the American Artists Professional League, and the National Art League. His achievements have been widely recognized in listings such as "Who’s Who in American Art", "Who Was Who in America", "Who’s Who in the East", and "Who’s Who in the World".

Beyond his artistic and professional pursuits, Maurice was a devoted family man. He married Lillian Lowy on December 23, 1950, and was the proud father of Roger and Rona Silber. Maurice Silber passed away on November 29, 1995, in San Diego, leaving behind an indelible legacy as a pioneering artist, innovative craftsman, and dedicated educator whose diverse talents continue to inspire.

                                                                      
  THE SAMUELCOLLECTION
         
  I CONSIDER MYSELF AN ART PATRON.    SEEKING OTHER PATRONS TO DO LONG TERM BUSINESS WITH.     LIFETIME COLLECTOR/ARTIST/ ART AND ANTIQUES DEALER/ESTATE LIQUIDATOR TRAVIS SAMUEL.    CALIFORNIA BASED.   SAVE ME AS YOUR FAVORITE ART AND ANTIQUES DEALERS.   NEW ITEMS DAILY.   I BUY ESTATE COLLECTIONS.  

                                                                                        RANT 
           PRICES ARE BASED ON AGE, QUALITY, AUCTION ANALYSIS, SUBJECT, CONDITION , OTHERS LIKE IT CURRENTLY FOR SALE,  SHIPPING COSTS AND OTHER FACTORS.     I  CONSIDER HOW MUCH TIME EACH WORK OF ART TOOK TO MAKE.   I MEASURE SKILL LEVEL.  HOW LONG WOULD IT TAKE THE ARTIST TO MAKE IT.  AND HOW MUCH TIME DID IT TAKE THE ARTIST TO GET THAT GOOD AT THEIR CRAFT.  WHAT WOULD IT COST TO MAKE TODAY BY  A PRO ARTIST  ?                          THIS IS MY JOB AND A TRAVEL FAR TO GET EACH OF THESE THINGS.    ALMOST NOWHERE TO BUY ITEMS LIKE THESE IN SAN DIEGO.   NO SHOPS LEFT TO SHOP.    I DO NOT AIM  OR ASPIRE TO BE THE CHEAPEST ART DEALER IN THE HISTORY OF THIS BUSINESS.   SOME ITEMS ARE OVERRICED BECAUSE I LOVE THEM.    AND THAT IS THE COST TO PRY IT FROM MY HANDS.    SOME ITEMS ARE UNDERCOST BECAUSE OF LACK OF RESEARCH.    I AM A COLLECTOR.  I BUY WHAT I THINK IS QUALITY AND TIMELESS.         
               AUCTION RESULTS .  I AM AWARE IF WHAT COULD HAVE BEEN BOUGHT....IN THE PAST.   I ALSO UNDERSTAND IF THERE IS A SOLID CONSISTENCY TO AUCTION SALE.       AUCTIONS RECORDS CAN MEAN SOMETHING OR NOTHING.    BITCOIN ALSO ONCE WAS A DOLLAR.   TODAY THIS ITEM IS FOR SALE AND ITS BEING OFFERED AND DISPLAYED CLEARLY.   ALSO FREE SHIPPING IS CONSIDERED IN MY PRICE.  
              
              RETURNS ARE ACCEPTED BY EBAY WITHIN  2 WEEKS.   MORE THAN ONE RETURN MAY RESULTS IN PERMINENT BLOCK OF YOUR ACCOUNT.   THIS CAN BE EASILY PREVENTED  BY READING DESCRIPTIONS AND ASKING QUESTIONS IF YOU HAVE THEM.    BE SURE YOU LOVE IT.   RETURNS ARE FROWNED UPON.  THEY ARE A WASTE OF TIME AND HIGH SHIPPING COSTS.   MOST AVERAGE SIZE PACKAGES ARE 75-200 DOLLARS ONE WAY.   LARGER PAINTINGS MAY COST ME 800 ONE WAY.    I OFFER FREE SHIPPING IN THE U.S.    I WRAP SAFE.     SOMETIMES COLORS CAN DIFFER FROM YOUR SCREEN AND COLOR SETTINGS.   EXPECT MILD DIFFERENCE .   AS SHOWN MY FEEDBACK REPRESENTS  SOLID BUSINESS.    OVER 1 MILLION WORKS OF ART SOLD .  ITEMS REPRESENTED TO THE BEST OF MY KNOWLEDGE.     ITEMS CLEARLY SHOWN WITH ACCURATE PICTURES AND DESCRIPTION.  
 
    RESTOCKING FEE
                A 30 PERCENT RESTOCKING FEE APPLISES TO ANY AND ALL RETURNS.    IT IS NOT FREE FOR ME TO SHIP ITEMS.   IT ALSO TAKES 10 MINUTES TO AN HOUR TO LOCATE EACH ITEM.    THE RESTOCKING FEE IS A FAIR OUTCOME FOR  A RETURNED ITEM.    RETURNS CAN BE PREVENTED BY  TAKING YOUR TIME WITH YOUR SHOPPING AND ASKING ANY QUESTIONS YOU MAY HAVE PRIOR TO MAKING AN OFFER.   I RESPOND QUICKLY
  ACCOUNTS WILL BE BLOCKED FOR THE FOLLOWING REASONS
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RUDE COMMENTS

STORIES ON HOW YOU USED TO BUY SOMETHING CHEAPER IN THE PAST

RETURNS

UNPAID ITEMS WITH ME

MULTIPLE BID RETRACTIONS

FREQUENT UNNECESSARY COMMENTS.   THIS IS MORE OF  A BUSINESS THAN SOCIAL PLATFORM.