See Pictures for condition. Antique photos are clear and clean. Frames and glass are in good+++ condition and have all the patina one would expect from frames and photos that are over 150 years of age. Frames with photos were purchased from the remnants of a antiques dealer here in North Carolina. Measurement from top to bottom of an oval frame is 12". Back wood panels are thin and remind one of melba toast. Dry and rigid. The saw marks show age in the wood as well. Some nails on one of the frames are handmade. The woman is that of Lucinda Allen Young (1824-1920), wife of Joseph Young (1787-1881) who was the brother of Brigham Young (d 1877), founder the LDS Church of Latter-Day Saints aka Mormons. In Lucinda's obit, she arrived in Salt Lake in 1848 and returned in 1917. The second photo is that of John Young Jr (1791-1870), brother of Brigham.
People & Time-frame Research
Extensive research shows that these are previously unpublished photographs are definitely rare. These frames and photos are original to the civil war time period. It also reveals that the woman is that of Lucinda Allen Young (1824-1920), wife of Joseph Young (1787-1881) who was the brother of Brigham Young (d 1877), founder the LDS Church of Latter Day Saints aka Mormons. In Lucinda's obit, she arrived in Salt Lake in 1848. She shows up the Rochester city directory, NY between 1884 - 1888 after Joseph died, then on to Oregon to live with her son, returning to Salt Lake in 1917. The last photo in this listing shows the photo from Lucinda's Obituary.
The second photo is that of John Young Jr (1791-1870), brother of Brigham. The back of his
photo has some writing. Hard to make out. Looks Like Miss Mary Platt. The second to the last photo in this listing shows a painting sketch of John that was taken from family trees found in ancestry's website. John Jr "migrated" to Utah in 1847. In 1851 he was appointed to serve a mission in Ohio. Kirtland (Just east of Cleveland) is famous for being the early headquarters of the Latter Day Saints movement from 1831–1837 and is the site of the first Mormon temple, the Kirtland Temple, completed in 1836. Kirtland became a base not only for John Jr (for the remainder of his life) but for all Mormons who lived in the East. If John Jr. lived there full or part time is unclear. In this post Civil War Era, trains are running regularly between Philadelphia, Rochester, and Kirtland/Cleveland. John and Lucinda, meeting (or traveling together) in Philadelphia would certainly have been a common possibility within their means.
Each photograph
is embossed with “Germon 702 Chest. St. Phila.”. As per city business directories of the time, W. L. Germon moved his photographic studio in 1867 from 702 and/or 700 Chestnut Street to a new location/street within Philadelphia. Both photos look to be the same sitting as each are using the same
chair.
W.L Germon Research
Our researched guess is that these photos were Wet Plate Collodion in
terms of process given Washington Lafayette Germon’s documented higher end approach to photography. Research Background: Nineteenth century photography was at the junction of art and science, invention and commerce. It was not uncommon in the early days of photography for practitioners to make their own cameras, or reconfigure manufactured ones to suit their needs. Until the advent of the gelatin silver print, most photographers prepared their own papers and plates, using a variety of solutions, depending on the process and effects desired. According to John Coates Browne, writing in 1884 in the History of the Photographic Society of Philadelphia, "To make pictures at that time required hard work, and the chemicals used were not conducive to clean hands or linen" (Brey). The Photographic Society of Philadelphia provided a dynamic forum for both amateur and professional photographers to meet and exchange ideas, making Philadelphia an early center of innovation in this nascent field. Many astute collectors know that Germon produced vignette crayon portraits with a creamy white background that rivaled masters in artistry and technical ability and were used to produce daguerreian art. The back labeling on these frames gives clues to the process type. It is claiming to be a higher end photographer. It is downplaying ivorytypes as inferior to the process used. Ivorytypes were patented in 1850s Daguerreotypes were introduced in 1837. Wet Plate Collodion was a contemporary process to Ivorytypes. My educated guess is that these photos were Collodion (and confirmed by one kind ebayer who stated that these are albumen prints, which use a collodion process).
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