Canvas Wall Art - Matte Finish with Hanging Hardware

High-quality canvas wall art with a matte finish. Each canvas includes back hanging hardware for convenient display. The frame is made from radiata pine sourced from renewable forests.

  • Materials: Cotton and polyester composite (canvas), pine wood (frame)
  • Finish: Matte coating designed for detailed, vibrant images
  • Printing: Latex inks that are non-hazardous, non-toxic, and non-flammable
  • Backing: Includes pre-installed hanging hardware
  • Support: Soft rubber dots on bottom back corners for stability
  • Frame: Radiata pine wood sourced from FSC-certified renewable forests
  • Tolerance: Slight size deviations possible within ± 1/8 in (3.2 mm)

Care Instructions

  • If dust collects, gently wipe with a clean, damp cloth
  • Avoid using harsh cleaners or scrubbing the surface

Shipping & Handling

Each canvas print is securely packaged with protective materials to help prevent damage in transit. Tracking is included with all orders.

International buyers: please check local import regulations for canvas art before purchase.

Keywords: canvas wall art, matte canvas print, framed canvas, pine wood frame, wall decor, hanging canvas art, durable canvas print


This work depicts Marie Julien Ginoux, who operated the Café de la Gare in Arles alongside her husband, Joseph-Michel Ginoux. Van Gogh was a frequent visitor to their establishment, and the subject represents one of several portraits the artist executed of the proprietor, who became a familiar and foundational figure in his life during his stay in Southern France.

The portrait captures a woman of local stature, embodying the regional identity of the Arlésienne. By choosing to paint her, Van Gogh sought to anchor his work in the authentic social fabric of Arles. The figure serves as a meditation on the human presence within the bohemian environment of the café, reflecting the artist's desire to forge meaningful connections within the local community that he felt so acutely isolated from during his later period.

As a product of his prolific 1888–89 period, this painting highlights the artist's focus on portraiture as a vessel for psychological depth. It occupies a significant place in his body of work, representing the intersection of his admiration for traditional subjects and his evolving approach to the expressive representation of his sitters.