Thee Treble Overload is Death By Audio’s dedicated treble-boost weapon, resurrecting the coveted circuit from the infamous limited-edition Thee Fuzz War Overload and turning it into a standalone pedal with more control and flexibility. It’s built to make your sound cut like a knife—tightening the low end, pushing the upper frequencies forward, and adding a vicious edge that keeps your tone bright, mean, and alive in any mix.

Armed with over 60 dB of gain, Thee Treble Overload can be set anywhere from a focused, mix-clearing boost to full-on crispy obliteration. The BOOST control ranges from about +17 dB to +52 dB, while the LIMIT knob sets your maximum output level, so you can smash the front of your amp or other pedals while still keeping your overall volume under control. Use it before your overdrives and fuzzes to totally reshape their distortion character, or after them to push your amp and speakers into aggressive breakup.

Built as a dual mono design, Thee Treble Overload is ready for modern stereo rigs. TRS inputs and outputs support both mono (standard TS cables) and fully independent stereo operation, making it ideal after stereo reverbs, delays, modulations, keys, or drum machines. Part of DBA’s Destroyer Series, it packs its over-the-top personality into a compact, pedalboard-friendly enclosure with a glowing vintage-style LED display and tour-grade build quality. Powered by a standard 9V DC, center-negative supply at around 23 mA and covered by a lifetime warranty, this is a brutal yet precise treble booster built to last.

• Legendary treble booster revived – Brings back the coveted treble boost circuit from the limited-edition Thee Fuzz War Overload, now as its own dedicated pedal with extra features.
• Cuts bass, tightens your tone – Carves away low end so your signal becomes mean, bright and defined, helping leads and rhythms slice through any mix.
• Over 60 dB of controllable gain – BOOST delivers roughly +17 dB to +52 dB of gain, while LIMIT sets the maximum output, so you can go from sharp boost to crispy overload without blowing out the band mix.
• Stereo-ready dual mono design – TRS inputs and outputs let you run mono or process full stereo chains, perfect after reverbs, choruses, delays, synths, or drum machines.
• Compact Destroyer Series build – Small footprint, glowing vintage-style LED display, rugged tour-grade enclosure, 9V DC (23 mA) operation, and lifetime warranty.