If you’re spinning Cassiano’s Cuban Soul - 18 Kilates (1976), you’ve found the "holy grail" of Brazilian soul. While the title might suggest a Caribbean influence, the "Cuban" in the name was actually a nickname given to Cassiano because of his facial features. Musically, this album is the pinnacle of the Black Rio movement—a lush, sophisticated blend of American Philly Soul and native Brazilian rhythms.
Genival Cassiano dos Santos is often cited as one of the "Big Three" of Brazilian Soul, alongside Tim Maia and Hyldon. Before this solo masterpiece, he was a member of Os Diagonais and wrote the iconic "Primavera" for Tim Maia.
The Sound: This isn't just funk; it's "sweet soul." Think of the velvet falsettos of Eddie Kendricks or the smooth production of Barry White, but filtered through the humid, rhythmic lens of Rio de Janeiro.
The Landmark Tracks:
"Onda": An 8-minute psychedelic soul odyssey. It opens with the sound of crashing waves and seagulls, settling into a hypnotic, bass-driven groove that has become a staple for crate-diggers and DJs worldwide.
"A Lua e Eu": A massive commercial hit in Brazil (used in the telenovela O Grito), showcasing his incredible vocal range and melodic sensitivity.
"Coleção": Another timeless ballad that defines the "romantic soul" side of the 70s Brazilian charts.
The "18 Kilates" (18 Karats): The subtitle refers to the "pure gold" quality of the production. It features lush string arrangements, tight brass, and some of the cleanest guitar work in Brazilian music history.
| Feature | Cassiano (Cuban Soul) | Tim Maia (Racional) | Hyldon (Na Rua, Na Chuva...) |
| Vibe | Sophisticated, Philly-style Soul. | Raw, funky, spiritual/mystical. | Breezy, acoustic-driven Soul. |
| Vocals | Velvety falsetto & smooth tenor. | Powerful, gritty, deep baritone. | Gentle, melodic, and folk-tinged. |
| Mood | Late-night, atmospheric, "Beach." | Energetic, communal, intense. | Nostalgic, romantic, pastoral. |
To dig deeper into the world of Cassiano, you need to explore the architects of the 70s scene, the "Samba-Rock" groovers, and the modern artists who keep the "velvet" sound alive.
Tim Maia (The undisputed King of Brazilian Soul)
Hyldon (The third pillar; master of the soulful ballad)
Gerson King Combo (Brazil’s answer to James Brown)
Banda Black Rio (The definitive instrumental funk powerhouse)
Toni Tornado (The high-energy showman of the 1970 festivals)
Tony Bizarro (Legendary producer and singer of the "Nesse Inverno" sound)
Carlos Dafé (The "Prince of Soul"; very close in style to Cassiano)
Os Diagonais (Cassiano’s early vocal group; pure 60s/70s soul)
Dom Salvador & Abolição (The band that birthed the Black Rio movement)
Miguel de Deus (Heavy, psychedelic funk with a "Black Power" edge)
Jorge Ben Jor (Specifically the África Brasil and Tábua de Esmeralda eras)
Luiz Melodia (Blending soul, blues, and samba with poetic grit)
Robson Jorge & Lincoln Olivetti (The "Boogaloo" kings of 80s production)
Marcos Valle (Specifically his early 70s and 80s "Boogie" periods)
Arthur Verocai (For the lush, cinematic orchestral arrangements)
João Donato (Specifically his funky 70s output like Quem é Quem)
Trio Mocotó (The inventors of the "Samba-Rock" beat)
Bebeto (The king of the "baile" (dance) sound in Rio)
Marku Ribas (Merging African rhythms with heavy funk)
Erasmo Carlos (Specifically his soulful Carlos, Erasmo era)
Sandra de Sá (The "Queen of Soul" who debuted in the early 80s)
Elza Soares (Her 70s records are masterpieces of rhythmic soul)
Evinha (Sweet, melodic vocals with sophisticated arrangements)
Vanusa (Her early 70s work has a surprising soul/psych edge)
Elis Regina (Specifically her collaborations with soul songwriters)
Leci Brandão (Samba with a very strong rhythmic "swing")
Zezé Motta (Powerful, soulful vocals from the theater world)
Célia (Orchestral MPB with deep, soulful undertones)
Lady Zu (The "Queen of Disco" in Brazil)
Lianne La Havas (A modern international peer to the "sweet soul" sound)
Emílio Santiago (Smooth, sophisticated soul-jazz vocals)
Copacabana 7 (Incredible underground funk and soul)
Azymuth (The masters of "Samba Doido" (crazy samba) / Jazz-Funk)
Som Nosso de Cada Dia (Progressive rock that leaned heavily into funk)
Pau Brasil (Instrumental fusion with deep grooves)
Ed Lincoln (The "King of the Nightclubs" who influenced the early beat)
Wilson Simonal (The pioneer of "Pilantragem" and pop-soul)
Dafé (Not to be confused with Carlos; rare 70s soul gems)
Junior Mendes (Essential "Boogie" soul from the early 80s)
Burnier & Cartier (Acoustic-soul duo with incredible harmonies)
Ed Motta (Tim Maia’s nephew; a walking encyclopedia of AOR and Soul)
Liniker (Modern soulful vocals that channel the 70s greats)
Luedji Luna (Blending Afro-Brazilian roots with modern jazz/soul)
BaianaSystem (For the heavy, rhythmic evolution of the sound)
Sessa (Capturing the minimalist, sensual side of 70s MPB)
Baco Exu do Blues (Merging modern hip-hop with deep soul roots)
Xenia França (Sophisticated, atmospheric Afro-soul)
Céu (Merging electronic textures with organic Brazilian grooves)
Tim Bernardes (For the lush, orchestral balladry)
Sango (The US producer who heavily samples the Black Rio sound)