KODAK Motion Picture Film

 

Shoot your life like a movie.
This is real motion picture color negative film — the same kind of stock built for cinema’s demands: rich color, beautiful detail, and the kind of highlight latitude that keeps bright scenes feeling alive instead of blown-out. Kodak’s VISION3 means premium image quality, fine grain, and “unrivaled highlight latitude,” designed for real-world flexibility.
Spooling it into 35mm still cartridges brings that cinematic foundation into your everyday camera — so your street corner, your road trip, your friends at dinner can look like frames from a film you’re directing.

 

Six cinema stocks. Six moods. One camera.

50D (Daylight) — “Pristine, bright, and razor clean.”

A low‑speed daylight‑balanced film Kodak describes as its finest grain option, built for “pristine, clean” images full of color and detail, with expanded dynamic range for creative control in high‑contrast daylight.

Best for: sunlit streets, coastlines, architecture, golden hour with crisp color.

250D (Daylight) — “The everyday cinematic workhorse.”

A medium‑speed daylight stock with strong skin tones and color reproduction, designed with technical innovations including 2 stops of extended highlight latitude and reduced grain in shadows.

Best for: daily carry film, travel, street, portraits in natural light, mixed outdoor conditions.

200T (Tungsten) — “Interiors and mixed light, with control.”

A 200‑speed tungsten film made to deliver the image structure of a 100‑speed film with the versatility of 200, with unrivaled highlight latitude, reduced grain in shadows, and strong performance in controlled interiors and high‑contrast exteriors.

Best for: window‑lit rooms, dinners, studios, moody scenes with practical lamps.

500T (Tungsten) — “Night scenes and low light storytelling.”

A high‑speed tungsten stock Kodak highlights for color reproduction, improved shadow detail via reduced grain in shadows, and 2 stops of extended highlight latitude.

Best for: neon nights, concerts, street after dark, handheld interiors, winter evenings.

Kodak 5222 Double‑X (Black & White) — “Classic contrast, pure cinema.”

A legendary black‑and‑white motion picture negative with bold contrast, rich blacks, and expressive grain. Timeless, graphic, and unmistakably analog.

Best for: high‑contrast street, portraits, noir‑inspired scenes, classic B&W storytelling.

Kodak 5294 Ektachrome 100 (Color Reversal) — “Clean color, unmistakable presence.”

A fine‑grain, daylight‑balanced color reversal film with crisp detail and vibrant, controlled color. Higher contrast and a finished, slide‑film look straight out of the camera.

Best for: travel, landscapes, editorial work, bright daylight, bold color projects.

Kodak has announced a new VISION3 camera‑negative structure without remjet backing, incorporating an Anti‑Halation Undercoat (AHU) system.
In industry coverage, Kodak’s redesign is described as replacing the disposable carbon remjet with AHU and adding backside layers for anti‑static and scratch resistance, aimed at a cleaner film surface while maintaining the image quality VISION3 is known for.

AHU film will be marked as such.  Remjet backed film requires a lab that will accommodate the removal or DIY processing. You can process in ECN-2 (recommended) or Cross Process in C-41