Artist: ARNOLD
FIECHTER (Swiss, 1879 - 1943)
Title: Untitled Landscape
Medium: Original Oil on Canvas-Stretched board
Signature: Hand Signed by the Artist in Oil, LR, as shown; also with notation by the Artist's family in ink and dated 1965 regarding its exhibition and sale, verso
Size: 24 x 18 inches (Image)
Provenance: Hatay Stratton Fine Art, Northampton, Massachusettes
About the Artist: Arnold
Fiechter (1879 – 1943) was a Swiss painter and teacher at the trade school in
Basel. His preferred motifs were mainly
landscape and everyday scenes from the area around Basel, the Jura and
Markgräflerland . His style was figurative with influences from Paul Gauguin
and Paul Cézanne , Ferdinand Hodler and Cuno Amiet . Arnold Fiechter mainly
painted watercolors until 1908, later he added oil paintings. In 1913 he was
invited to a watercolor exhibition in Dresden . In 1913 and 1914 he received a
federal art scholarship . Arnold
Fiechter developed his own color theory from Goethe's theory of colors. From
1915 to 1943 he was a main teacher in the painting classes of the Basel School
of Trade. His successor was the painter Haiggi Heinrich Müller (1885-1960).
Arnold Fiechter taught many of the Basel artists, including Jean-François
Comment , Kurt Volk , Irène Zurkinden , Jakob Strasser , Hans Weidmann , Max
Kämpf , Hermann Anselment , Albert Schnyder and Hamid Zaki (1909–1968). In 1922, Arnold Fiechter received an order
from the Basel City Art Loan for a mural in the station buffet room in 1st
class in Basel. Since his studio was too small for this work, he rented a hall
in the model fair . There he created the next four years on the triptych oil
painting Das Gastmahl . (600 cm × 700 cm, 2 × 170cm × 370 cm). The mural
testifies to the strong influence of Italian Quattrocento painting, which at
that time served as a model for many Basel artists. The painting suffered great
damage due to moisture and was removed and only restored in 1953, mounted on
individual panels and reattached to the old location. In 1935 Arnold Fiechter exhibited ninety-eight
of his paintings, which spanned the years 1909 to 1935, in an exhibition
managed by Lucas Lichtenhan in the Kunsthalle Basel.